{"id":119077,"date":"2024-05-09T10:06:02","date_gmt":"2024-05-09T14:06:02","guid":{"rendered":"https:\/\/panm360.com\/records\/roman-zavada-foret-pour-deux-pianos\/"},"modified":"2024-05-09T17:22:48","modified_gmt":"2024-05-09T21:22:48","slug":"roman-zavada-foret-pour-deux-pianos","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/roman-zavada-foret-pour-deux-pianos\/","title":{"rendered":"Roman Zavada – For\u00eat pour deux pianos"},"content":{"rendered":"\n

Quebec-born Roman Zavada could be called “The pianist of the impossible”. He likes to play his instrument in improbable places that are difficult to access or where musical conditions are impractical. Remember his album R\u00e9sonances bor\u00e9ales<\/em> released in 2016: he went into the wilderness of the Far North to play, inspired by the northern lights. <\/p>\n\n\n\n

This time, he planted two pianos in a forest near his home, letting them take root in the open air over two years of cold, snow, heat, rain and more. In short, something not to be attempted with your Hamburg Steinway. The man’s got pianos to lose, apparently. That said, the principle is clear: let them soak up the zeitgeist, literally, then come back to tease them to capture a certain spirit, or imprint, that nature would inevitably have etched into them. <\/p>\n\n\n\n

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