{"id":119075,"date":"2024-05-09T16:50:14","date_gmt":"2024-05-09T20:50:14","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&p=119075"},"modified":"2024-05-09T17:10:15","modified_gmt":"2024-05-09T21:10:15","slug":"ambroise-la-premiere-caresse-goute-toujours-la-neige-frederique-roy-montreal-indie","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/ambroise-la-premiere-caresse-goute-toujours-la-neige-frederique-roy-montreal-indie\/","title":{"rendered":"Ambroise – La premi\u00e8re caresse go\u00fbte toujours la neige (The first caress always tastes like snow)"},"content":{"rendered":"\n

Ambroise, aka Eug\u00e9nie Jobin, is a Montreal musician whose La premi\u00e8re caresse go\u00fbte toujours la neige <\/em>(The First Caress Always Tastes Like Snow) is their 5th album of highly personal song making, at the crossroads of indie songwriting, folk, jazz, contemporary art music and avant-garde. <\/p>\n\n\n\n

5th, but perhaps the first of a new creative phase. Indeed, La premi\u00e8re caresse go\u00fbte toujours la neige<\/em> differs from previous albums (full discography is available on Bandcamp<\/a>) in that its instrumental atmosphere is more gentle than ever. Ambroise wasn’t noisy, stylistically speaking, but the presence of guitars, very indie Montreal, was nevertheless regularly felt, quietly but assertively piercing Eug\u00e9nie’s compositional veil. <\/p>\n\n\n\n

Not so here. As well as Eug\u00e9nie’s voice, always beautiful and caressing, there’s a piano (played by Eug\u00e9nie themselve) and sometimes an accordion (Fr\u00e9d\u00e9rique Roy), always in ppp mode (very soft). And that’s all there is to it. <\/p>\n\n\n\n

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