{"id":115825,"date":"2024-02-23T07:50:39","date_gmt":"2024-02-23T12:50:39","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&#038;p=115825"},"modified":"2024-02-23T08:07:14","modified_gmt":"2024-02-23T13:07:14","slug":"frank-peter-zimmermann-bamberger-symphoniker-de-bamberg-dir-jakub-hrusa-stravinsky-bartok-martinu-bis","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/frank-peter-zimmermann-bamberger-symphoniker-de-bamberg-dir-jakub-hrusa-stravinsky-bartok-martinu-bis\/","title":{"rendered":"Frank Peter Zimmermann\/Bamberger Symphoniker, dir. Jakub Hr\u016f\u0161a &#8211; Stravinsky \/ Bart\u00f3k \/ Martin\u016f"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The main advantage of this album, apart from the salient performance by the excellent Frank Peter Zimmermann, is the rare presence of Bohuslav Martin\u016f&#8217;s <em>Suite concertante H 276 II<\/em>, whose stylistic and thematic similarities with Stravinsky&#8217;s <em>Concerto <\/em>(the introductory attack so typical of the work being practically repeated as it is by the Czech) are limpidly put forward by the soloist and the German orchestra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>Concerto <\/em>benefits here from a precise, scalpel-sharp reading by the violinist. I would invite comparison with another version recently reviewed on Pan M 360, that of Canadian James Ehnes, who also offers a sinewy energy but with more roundness, his violin almost taking on the allure of a viola at times.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Read my review of James Ehnes\u2019 Stravinsky <\/strong><strong><em>Concerto<\/em><\/strong><strong>:&nbsp;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-pan-m-360 wp-block-embed-pan-m-360\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"nyjHUbny4l\"><a href=\"https:\/\/panm360.com\/en\/records\/james-ehnes-bbc-philharmonic-sir-andrew-davis-stravinsky-concerto-pour-violon-scherzo-a-la-russe-apollon-musagete-suites-orchestre-chandos\/\">James Ehnes; BBC Philharmonic \/ Sir Andrew Davis &#8211; Stravinsky : Concerto pour violon; Scherzo \u00e0 la russe; Apollon Musag\u00e8te; Suites pour orchestre<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;James Ehnes; BBC Philharmonic \/ Sir Andrew Davis &#8211; Stravinsky : Concerto pour violon; Scherzo \u00e0 la russe; Apollon Musag\u00e8te; Suites pour orchestre&#8221; &#8212; PAN M 360\" src=\"https:\/\/panm360.com\/en\/records\/james-ehnes-bbc-philharmonic-sir-andrew-davis-stravinsky-concerto-pour-violon-scherzo-a-la-russe-apollon-musagete-suites-orchestre-chandos\/embed\/#?secret=BwPiUR3N2h#?secret=nyjHUbny4l\" data-secret=\"nyjHUbny4l\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As I said, Martin\u016f&#8217;s <em>Suite concertante H 276 II <\/em>(the totally revised 1945 version) is a rare thing. Zimmermann saw in it close associations with Stravinsky&#8217;s masterpiece, and rightly so. Martin\u016f draws us into the same nervous, angular neo-classical world (that of the first half of the 20th century, not today\u2019s popular neoclassicism). Zimmermann is masterfully convincing and offers us, as a bonus, the <em>Meditation <\/em>taken from the first version of the work. This lyrical <em>Meditation<\/em>, full of pathos, is of great bittersweet beauty. Zimmermann gives it his all, accompanied by more subtle interventions from the orchestra. All the space is given to the soloist, in a journey that almost verges on spiritual transcendence towards the end.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bart\u00f3k&#8217;s two <em>Rhapsodies for violin and orchestra<\/em> complete the programme. The thematic content, strongly inspired by folklore, recalls at times the landscapes evoked by the <em>Romanian Dances<\/em>, only more spacious. The presence of the cymbalum creates a unique evocative magic.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here too, Zimmermann is imperial in his rendering, which is both lyrical and finely sculpted. Hr\u016f\u0161a and the Bamberg musicians provide tailor-made support, embedded in a rich, detailed sound recording.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A superb album, strongly recommended.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=iw5pCh8iYGvLW9vJ&amp;list=OLAK5uy_mb1-gEsLQBIqyBQ4-pjfPQjDm5z_6GVaw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>The main advantage of this album, apart from the salient performance by the excellent Frank Peter Zimmermann, is the rare presence of Bohuslav Martin\u016f&#8217;s Suite concertante H 276 II, whose stylistic and thematic similarities with Stravinsky&#8217;s Concerto (the introductory attack so typical of the work being practically repeated as it is by the Czech) are [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":115821,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571,5255],"tags":[],"generale":[3815,3814],"genre":[3117],"annee":[9048],"pays":[9082],"label":[5911],"class_list":["post-115825","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","category-wow-en","generale-albums-en","generale-lire-en","genre-modern-classical","annee-2024-en","pays-various","label-bis-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Frank Peter Zimmermann\/Bamberger Symphoniker, dir. 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