{"id":103552,"date":"2023-08-15T10:30:24","date_gmt":"2023-08-15T14:30:24","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&#038;p=103552"},"modified":"2023-08-15T19:32:46","modified_gmt":"2023-08-15T23:32:46","slug":"anne-thivierge-melisande-corriveau-eric-milnes-tendres-echos","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/anne-thivierge-melisande-corriveau-eric-milnes-tendres-echos\/","title":{"rendered":"ANNE THIVIERGE \/ M\u00c9LISANDE CORRIVEAU \/ ERIC MILNES \u2013 TENDRES \u00c9CHOS"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><a href=\"https:\/\/atmaclassique.com\/en\/product\/tendres-echos\/\" target=\"_blank\" rel=\"noreferrer noopener\">The full album will be available Friday 18 August 2023<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Couperin: Pi\u00e8ces de clavecin, Livre III: 14e ordre en r\u00e9 majeur - I. Le rossignol en amour...\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/n_nxoFMtdHw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Somewhere in the late 1600s, the flute began to assert itself as a rival to the recorder. A few decades later, it had won the battle and become the master of the new musical repertoire, and its presence was definitive in orchestras. Three of Quebec&#8217;s finest Baroque artists, Anne Thivierge on flute, M\u00e9lisande Corriveau on viola da gamba and Eric Milnes on harpsichord, offer us a glimpse into the soundtrack of that era, when the new instrument was building its sovereign future. The tender echoes delicately revealed are those of four Frenchmen, Michel Blavet (1700-1768), Fran\u00e7ois Couperin (1668-1733), Marin Marais (1656-1728) and Jean-Marie Leclair (1697-1764). The French embraced the possibilities of this new instrument from the outset and thus helped to rapidly enrich its repertoire. The French sound, made up of clarity and the luminously layered superposition of voices, but also <em>agr\u00e9ments <\/em>(elegant ornamentation around the melody) and closeness to the discursive plasticity of the text, even when absent as is the case here in these purely instrumental works, is rendered in all its splendour and graceful refinement by the soloist and her precious continuo support. Somewhere in the court of Louis XIV or Louis XV, yes, this is exactly the kind of concert you&#8217;d hear in a small salon, with tea and biscotti. It&#8217;s proof that music is stronger than almost anything: we could care less today about these pseudo-precious nobles and their superficial vanity, but the music remains, and its undeniable charm still has the greatest effect on the greatest number of people who will give it a careful listen.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/07VU35iX1kYBs8HPzmQk2J?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe> \n\n","protected":false},"excerpt":{"rendered":"<p>The full album will be available Friday 18 August 2023 Somewhere in the late 1600s, the flute began to assert itself as a rival to the recorder. A few decades later, it had won the battle and become the master of the new musical repertoire, and its presence was definitive in orchestras. Three of Quebec&#8217;s [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":103515,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571],"tags":[],"generale":[],"genre":[3086],"annee":[8178],"pays":[4040,3829],"label":[3591],"class_list":["post-103552","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","genre-baroque-2","annee-8178","pays-canadaquebec-en","pays-france-en","label-atma-classique-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ANNE THIVIERGE \/ M\u00c9LISANDE CORRIVEAU \/ ERIC MILNES \u2013 TENDRES \u00c9CHOS - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/anne-thivierge-melisande-corriveau-eric-milnes-tendres-echos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANNE THIVIERGE \/ M\u00c9LISANDE CORRIVEAU \/ ERIC MILNES \u2013 TENDRES \u00c9CHOS - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"The full album will be available Friday 18 August 2023 Somewhere in the late 1600s, the flute began to assert itself as a rival to the recorder. A few decades later, it had won the battle and become the master of the new musical repertoire, and its presence was definitive in orchestras. 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