{"id":43445,"date":"2024-03-02T14:38:00","date_gmt":"2024-03-02T19:38:00","guid":{"rendered":"https:\/\/panm360.com\/?page_id=43445"},"modified":"2026-04-21T16:17:05","modified_gmt":"2026-04-21T20:17:05","slug":"home-360","status":"publish","type":"page","link":"https:\/\/panm360.com\/en\/","title":{"rendered":"Home 360"},"content":{"rendered":"
Publicit\u00e9 panam<\/span>
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Publicit\u00e9 panam<\/span>
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Publicit\u00e9 panam<\/span>
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\n \n Album review<\/span> exp\u00e9rimental \/ contemporain<\/a>\/Experimental \/ Contemporary<\/a>\/Rock<\/a> 2026<\/a><\/span>

A Place To Bury Strangers \u2013 Rare and Deadly<\/a><\/h3>\n By Stephan Boissonneault<\/a>

When I saw that the eighth full-length release for New York’s strobing noise punks, A Place To Bury Strangers (APTBS), was going to be a collection of B-sides, demos, and recovered sonic experiments, I was pretty ecstatic. I immediately pictured hearing an unreleased track from the Worship (still my fav album) era. This is, however, […]<\/p>\n <\/div>\n

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\n \n Album review<\/span> Rock<\/a>\/exp\u00e9rimental \/ contemporain<\/a> 2026<\/a><\/span>

Holy Fuck \u2013 Event Beat<\/a><\/h3>\n By Stephan Boissonneault<\/a>

Six years of silence, and then Holy Fuck crawl out from whatever fog-drenched Toronto barn they’d been haunting and hand you something that feels less like an album and more like a transmission from a noisy dimension. Event Beat opens its mouth and “Evie” falls out \u2014 a bass line so locked-in it feels like […]<\/p>\n <\/div>\n

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\n \n Interview<\/span> Moyen-Orient \/ Levant \/ Maghreb<\/a>\/classique<\/a><\/span>

Lamia Yared: Between the Minho, Euphrates, eras and traditions<\/a><\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a>

From the Minho to the Euphrates, two rivers separated by thousands of kilometres, one in Portugal and the other in present-day Iraq, more than a millennium of intercultural, religious, and artistic weaving contemplates us. This is somewhat the premise of the album From Minho to Euphrates by the Lebanese-Canadian singer and oud player Lamia Yared, […]<\/p>\n <\/div>\n

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\n \n Album review<\/span> Electronic<\/a>\/Rock<\/a> 2026<\/a><\/span>

Population II \u2013 Gimmicks \u2013 EP<\/a><\/h3>\n By Stephan Boissonneault<\/a>

Quebec’s Population II has followed up on their 2025 release, Maintenant Jamais, with a new EP, definitely plunging the prog rock three-piece into more synthy waters. This new batch of five songs they call the Gimmicks – EP, honestly feels more Tangerine Dream than Black Sabbath (a group the band gets compared to a lot), […]<\/p>\n <\/div>\n

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Thundercat \u2013 Distracted<\/h3>Jazz<\/span>Soul\/R&B<\/span><\/span><\/div><\/a>\n\n\n\n

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My New Band Believe – My New Band Believe<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Anna<\/a>\n <\/div>\n
\n Album review<\/span> Pop<\/a>\/Rock<\/a> 2026<\/a><\/span>

Anna Calvi – Is This All There Is – EP<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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Courtney Barnett – Creature of Habit<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n Interview<\/span> Experimental<\/a>\/exp\u00e9rimental \/ contemporain<\/a><\/span>

Codes d’acc\u00e8s, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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Krooked Kings, catchy human experience<\/h3>\n By Samuel Lemieux<\/a> <\/div>\n <\/div>\n
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\n \"Holy<\/a>\n <\/div>\n
\n Album review<\/span> Rock<\/a>\/exp\u00e9rimental \/ contemporain<\/a> 2026<\/a><\/span>

Holy Fuck – Event Beat<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n Album review<\/span> exp\u00e9rimental \/ contemporain<\/a>\/Experimental \/ Contemporary<\/a>\/Rock<\/a> 2026<\/a><\/span>

A Place To Bury Strangers – Rare and Deadly<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Ping<\/a>\n <\/div>\n
\n Album review<\/span> Jazz<\/a> 2026<\/a><\/span>

Ping Pong Go – Smash Combat<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Finale<\/a>\n <\/div>\n
\n Interview<\/span> Hip Hop<\/a>\/Musiques du Monde<\/a><\/span>

Finale Sylis d\u2019or 2026: we present to you Zalam Kao<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Finale<\/a>\n <\/div>\n
\n Interview<\/span> Brazilian<\/a><\/span>

Finale Sylis d\u2019or 2026: we present to you Tambor\u00e9al Samba Bloco<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Population<\/a>\n <\/div>\n
\n Album review<\/span> Electronic<\/a>\/Rock<\/a> 2026<\/a><\/span>

Population II – Gimmicks – EP<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Lamia<\/a>\n <\/div>\n
\n Interview<\/span> Moyen-Orient \/ Levant \/ Maghreb<\/a>\/classique<\/a><\/span>

Lamia Yared: Between the Minho, Euphrates, eras and traditions<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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The Rich and Winding Journey of Irem Bekter<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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Le Vent du Nord is Coming Home… and To the Th\u00e9\u00e2tre Outremont<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"Jo\u00e3o<\/a>\n <\/div>\n
\n Album review<\/span> big band<\/a>\/Brazilian<\/a>\/Jazz<\/a> 2026<\/a><\/span>

Jo\u00e3o Lenhari \u2013 The Last Minute<\/h3>\n By Michel Labrecque<\/a> <\/div>\n <\/div>\n
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\n \"POP<\/a>\n <\/div>\n
\n Interview<\/span> Folk<\/a>\/Americana<\/a>\/Pop<\/a><\/span>

POP FM | The Story of a True Hitmaker, Gabriel Fredette<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"OSM<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a><\/span>

OSM \u2013 Yulianna Avdeeva: A Life For The Piano<\/h3>\n By Pietro Freiburger<\/a> <\/div>\n <\/div>\n
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\n \"Bruce<\/a>\n <\/div>\n
\n Album review<\/span> Pop<\/a>\/Rock<\/a>\/Indie<\/a> 2026<\/a><\/span>

Bruce Hornsby \u2013 Indigo Park<\/h3>\n By Michel Labrecque<\/a> <\/div>\n <\/div>\n
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\n \"Yilian<\/a>\n <\/div>\n
\n Album review<\/span> latino<\/a>\/Jazz<\/a> 2026<\/a><\/span>

Yilian Ca\u00f1izares \u2013 Vitamina Y<\/h3>\n By Michel Labrecque<\/a> <\/div>\n <\/div>\n
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\n \"\u00c3o<\/a>\n <\/div>\n
\n Album review<\/span> Pop<\/a>\/Electro<\/a>\/Electronic<\/a>\/Rock<\/a>\/Western European<\/a>\/Americana<\/a> 2026<\/a><\/span>

\u00c3o \u2013 Malandra<\/h3>\n By Michel Labrecque<\/a> <\/div>\n <\/div>\n
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\n \"Meagan<\/a>\n <\/div>\n
\n Concert review<\/span> classique<\/a><\/span>

Meagan Milatz and The OSM musicians: Two Opposite Universes<\/h3>\n By Pietro Freiburger<\/a> <\/div>\n <\/div>\n
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\n \"Pro<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a>\/Classical<\/a><\/span>

Pro Musica : Armenia, Georgia and Russia expressed through a cello\/piano duet<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"Triple<\/a>\n <\/div>\n
\n Interview<\/span> Classical<\/a>\/classique<\/a><\/span>

Triple Concerto by Jacques H\u00e9tu: finally, a real premiere!<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Flore<\/a>\n <\/div>\n
\n Album review<\/span> classique<\/a>\/Ambient<\/a>\/Electronic<\/a>\/Pop<\/a> 2026<\/a><\/span>

Flore laurentienne – Volume III<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n <\/div>\n \n
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