{"id":43445,"date":"2024-07-26T00:38:00","date_gmt":"2024-07-26T04:38:00","guid":{"rendered":"https:\/\/panm360.com\/?page_id=43445"},"modified":"2026-09-05T13:14:46","modified_gmt":"2026-09-05T17:14:46","slug":"home-360","status":"publish","type":"page","link":"https:\/\/panm360.com\/en\/","title":{"rendered":"Home 360"},"content":{"rendered":"\n\n
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\n \n Interview<\/span> Rock<\/a>\/dark-rave<\/a><\/span>

FME 2026: Philippe Larocque\u2019s Top Five Acts To See This Year<\/a><\/h3>\n By Stephan Boissonneault<\/a>

September has landed, meaning one of Quebec’s most wacky and experimental festivals, the Festival de Musique \u00c9mergente (lovingly referred to as FME), is only hours away. As one of the co-founders of the DIY, alternative music label, Mothland, Philippe Larocque has been helping curate the visionary lineups for the Rouyn-Noranda festival for many years. We […]<\/p>\n <\/div>\n

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\n \n Concert review<\/span> Soul\/R&B<\/a>\/Jazz<\/a>\/Rock<\/a><\/span>

FME 2026 I Choses Sauvages: Where the Wild Things Are<\/a><\/h3>\n By Lyle Hendriks<\/a>

Blending \u201880s Italia-glam and a primal, self-aware machismo of the future, Choses Sauvages never fails to electrify a crowd. Headed by the ever-animalistic F\u00e9lix B\u00e9lisle (who was in his finest Freddy Mercury look for FME\u2019s Thursday night), the Saint-Eustache\/Montreal funk-punking supergroup takes pleasure in firebombing the dancefloor, demanding motion and mayhem with each long, shapeshifting […]<\/p>\n <\/div>\n

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\n \n Concert review<\/span> exp\u00e9rimental \/ contemporain<\/a>\/Experimental \/ Contemporary<\/a>\/Pop<\/a><\/span>

FME 2026 I Camilla Sparksss Brings the Noise<\/a><\/h3>\n By Stephan Boissonneault<\/a>

Usually the weird noise artist is booked a little later in the FME roster, so we all have a moment of reprieve to truly take in the abstract magical energy given off by a place like Rouyn-Noranda. But the FME bookers and Mothland really pulled out the experimental stop early with Camilla Sparksss. As we […]<\/p>\n <\/div>\n

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\n \n Interview<\/span> Africa<\/a>\/latino<\/a>\/Musiques du Monde<\/a><\/span>

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou<\/a><\/h3>\n By Sandra Gasana<\/a>

He often stays in the background, but this man of many talents really gets things moving, as they say. Originally a bassist, he chose to step behind the scenes to build the infrastructure that allows diverse artists to shine. Whether through his booking agency, Pasa Musik\u2014which also serves as a record label while operating in […]<\/p>\n <\/div>\n

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FME 2026 | RIZOMAGIC from Bogot\u00e1: Tropical Futurism and Cosmic Tuning<\/h3>latino<\/span>Electronic<\/span><\/span><\/div><\/a>\n\n\n\n

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FME 2026 I Muhoza Brings Unadulterated Joy<\/h3>\n By Saleh Balfaqih<\/a> <\/div>\n <\/div>\n
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FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET<\/h3>\n By Lyle Hendriks<\/a> <\/div>\n <\/div>\n
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FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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FME 2026 I Iguana Death Cult Converts the Non-Believers<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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FME 2026 I Max Baby is an Indie Sleeze Elf<\/h3>\n By Charly Blais<\/a> <\/div>\n <\/div>\n
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FME 2026 | RIZOMAGIC from Bogot\u00e1: Tropical Futurism and Cosmic Tuning<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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FME 2026 I Birds of Prrrey’s Grungey Siren Call<\/h3>\n By Saleh Balfaqih<\/a> <\/div>\n <\/div>\n
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FME 2026 I Choses Sauvages: Where the Wild Things Are<\/h3>\n By Lyle Hendriks<\/a> <\/div>\n <\/div>\n
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FME 2026 I Camilla Sparksss Brings the Noise<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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Jackie Leung – Inside Out : Piano Music by Alvin Singleton<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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FME 2026: Philippe Larocque’s Top Five Acts To See This Year<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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The Holland Court Jazz Trio – Inverted Tango<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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Raymond Roussel – No One Asked Us Yet<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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Rite of Strings – Dust and the Moon<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement<\/h3>\n By Keithy Antoine<\/a> <\/div>\n <\/div>\n
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Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue<\/h3>\n By Keithy Antoine<\/a> <\/div>\n <\/div>\n
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Souk du Sud 2026 | Emmanuelle Boucher: From \u201cLa Voix\u201d to Her Own Path<\/h3>\n By Keithy Antoine<\/a> <\/div>\n <\/div>\n
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Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture<\/h3>\n By Keithy Antoine<\/a> <\/div>\n <\/div>\n
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\n \"Jabfung<\/a>\n <\/div>\n
\n Album review<\/span> Jazz<\/a> 2026<\/a><\/span>

Jabfung – In Real Life<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n Album review<\/span> Classical<\/a>\/classique<\/a>\/Americana<\/a>\/Traditional<\/a> 2026<\/a><\/span>

Stranger Still – We Might Not Tell Everybody This<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Souk<\/a>\n <\/div>\n
\n Interview<\/span> Africa<\/a>\/latino<\/a>\/Musiques du Monde<\/a><\/span>

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou<\/h3>\n By Sandra Gasana<\/a> <\/div>\n <\/div>\n
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\n \"Alabama<\/a>\n <\/div>\n
\n Album review<\/span> Rock<\/a>\/Soul\/R&B<\/a> 2026<\/a><\/span>

Alabama Shakes \u2013 I Must Be Dreaming<\/h3>\n By Michel Labrecque<\/a> <\/div>\n <\/div>\n <\/div>\n \n
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