{"id":43445,"date":"2024-03-02T14:38:00","date_gmt":"2024-03-02T19:38:00","guid":{"rendered":"https:\/\/panm360.com\/?page_id=43445"},"modified":"2026-05-29T14:24:54","modified_gmt":"2026-05-29T18:24:54","slug":"home-360","status":"publish","type":"page","link":"https:\/\/panm360.com\/en\/","title":{"rendered":"Home 360"},"content":{"rendered":"
Publicit\u00e9 panam<\/span>
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Publicit\u00e9 panam<\/span>
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\n \n Album review<\/span> Pop<\/a>\/Rock<\/a> 2026<\/a><\/span>

Nome Noma 3 \u2013 Qu\u00e9bec Post-Punk et New Wave 1979-1983\u00a0<\/a><\/h3>\n By Stephan Boissonneault<\/a>

For the uninitiated, “Nome Noma” is a song by the legendary weirdo punk group the Wipers, who invented a langauge for the track, way back in 1980, and also the name of a legendary compilation series by Tr\u00e9sor National\u2014an organization that has taken the role of making sure Montreal and Quebec post-punk, new wave, synth, […]<\/p>\n <\/div>\n

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\n \n Album review<\/span> Electronic<\/a>\/Hip Hop<\/a> 2026<\/a><\/span>

Kneecap \u2013 FENIAN<\/a><\/h3>\n By Stephan Boissonneault<\/a>

Though some in the music industry, festivals, and politicians (backed by corporate greed and cowards) were against Kneecap last year because they publicly sided with Palestine and condemned the Gaza genocide, which led to them being banned from playing in many countries, including Canada, the Irish hip-hop trio has not broken. Not even close. The […]<\/p>\n <\/div>\n

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\n \n Album review<\/span> Americana<\/a>\/Folk<\/a> 2026<\/a><\/span>

Drucker \u2013 See Myself Out<\/a><\/h3>\n By Stephan Boissonneault<\/a>

Peter Drucker, who makes atmospheric indie folk as Drucker, has made a beautiful little seven-song EP, about a crumbling relationship\u2014this loss that keeps you awake, sweating all over your sheets. It’s a theme we’ve all experienced, and if I’m being honest, it’s overdone, especially with indie folk… But the difference here is that Drucker leaves […]<\/p>\n <\/div>\n

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\n \n Interview<\/span> Electronic<\/a><\/span>

SAT | \u201cFuturs Ant\u00e9rieurs\u201d, 3 Decades of Expertise Focused on The Future<\/a><\/h3>\n By Alain Brunet<\/a>

Johnny Jewel, Misstress Barbara, Matias Aguayo, Ambassade, PAURRO, Kaitlyn Aurelia Smith, Flore (back-to-back with Nahasah), and Jacques Greeene (back-to-back with Martin Bootyspoon) are among the artists scheduled for the Futurs Ant\u00e9rieurs event, taking place June 5th and 6th at the Society for Arts and Technology (SAT). Three decades of SAT have led to this expertise […]<\/p>\n <\/div>\n

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Broken Social Scene \u2013 Remember The Humans<\/h3>Pop<\/span>Rock<\/span><\/span><\/div><\/a>\n\n\n\n

MORE 360 CONTENT<\/h2>\n\n\n

Latest 360 Content<\/h2>\n
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\n \"SAT<\/a>\n <\/div>\n
\n Interview<\/span> Electronic<\/a><\/span>

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival<\/h3>\n By F\u00e9licit\u00e9 Cou\u00eblle-Brunet<\/a> <\/div>\n <\/div>\n
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\n \"The<\/a>\n <\/div>\n
\n Interview<\/span> Classical<\/a>\/classique<\/a><\/span>

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"Classica<\/a>\n <\/div>\n
\n Interview<\/span> Classical<\/a>\/classique<\/a><\/span>

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Boards<\/a>\n <\/div>\n
\n Album review<\/span> Electronic<\/a>\/Experimental<\/a>\/Pop<\/a> 2026<\/a><\/span>

Boards of Canada – Inferno<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Des<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a>\/concours<\/a>\/violon<\/a><\/span>

Des violons sous nos toits\u00a0: The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director<\/h3>\n By Alexandre Villemaire<\/a> <\/div>\n <\/div>\n
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\n \"The<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a>\/concours<\/a>\/violon<\/a><\/span>

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition<\/h3>\n By Alexandre Villemaire<\/a> <\/div>\n <\/div>\n
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\n \"Quatuor<\/a>\n <\/div>\n
\n Concert review<\/span> Classical<\/a>\/classique<\/a><\/span>

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy<\/h3>\n By Michel Rondeau<\/a> <\/div>\n <\/div>\n
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\n \"A<\/a>\n <\/div>\n
\n Concert review<\/span> Classical<\/a>\/classique<\/a><\/span>

A lively Vivaldi with the Orchestre classique de Montr\u00e9al and the Petits chanteurs du Mont-Royal<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Nuits<\/a>\n <\/div>\n
\n Interview<\/span> Africa<\/a>\/Am\u00e9rique latine<\/a>\/Caribbean<\/a><\/span>

Nuits d\u2019Afrique: The Legacy of a Festival That Has Become a Must-See Event<\/h3>\n By Sandra Gasana<\/a> <\/div>\n <\/div>\n
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\n \"Duo<\/a>\n <\/div>\n
\n Album review<\/span> classique<\/a> 2026<\/a><\/span>

Duo BoMi – Du Liban au Kurdistan<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Duo<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a><\/span>

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Classica<\/a>\n <\/div>\n
\n Interview<\/span> Classical<\/a>\/classique<\/a><\/span>

Classica 2026 | A Brandenburg Evening with Caprice<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Abdel<\/a>\n <\/div>\n
\n Concert review<\/span> Africa<\/a>\/Moyen-Orient \/ Levant \/ Maghreb<\/a><\/span>

Abdel Grooz Brings Moza\u00efk to A Spectacular Close<\/h3>\n By Sandra Gasana<\/a> <\/div>\n <\/div>\n
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\n \"The<\/a>\n <\/div>\n
\n Concert review<\/span> Classical<\/a>\/classique<\/a><\/span>

The Lake : Swan song for a Fairy Tale<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Classica<\/a>\n <\/div>\n
\n Interview<\/span> Eastern European<\/a><\/span>

Classica 2026 | Klezmer music in the church!<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Aldous<\/a>\n <\/div>\n
\n Album review<\/span> Pop<\/a>\/Folk<\/a>\/Americana<\/a> 2026<\/a><\/span>

Aldous Harding – Train on the Island<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Sonny<\/a>\n <\/div>\n
\n Column<\/span> <\/span>

Sonny Rollins, le colosse dans une autre dimension<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"Primavera<\/a>\n <\/div>\n
\n Dossier<\/span> <\/span>

Primavera Sound Porto: The Sounds of Spring<\/h3>\n By Patrick Baillargeon<\/a> <\/div>\n <\/div>\n
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\n \"Nome<\/a>\n <\/div>\n
\n Album review<\/span> Pop<\/a>\/Rock<\/a> 2026<\/a><\/span>

Nome Noma 3 – Qu\u00e9bec Post-Punk et New Wave 1979-1983\u00a0<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Kleztory<\/a>\n <\/div>\n
\n Album review<\/span> Eastern European<\/a> 2026<\/a><\/span>

Kleztory – Rendez-Vous<\/h3>\n By Fr\u00e9d\u00e9ric Cardin<\/a> <\/div>\n <\/div>\n
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\n \"Drucker<\/a>\n <\/div>\n
\n Album review<\/span> Americana<\/a>\/Folk<\/a> 2026<\/a><\/span>

Drucker – See Myself Out<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n
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\n \"Palais<\/a>\n <\/div>\n
\n Interview<\/span> chanson fran\u00e7aise<\/a><\/span>

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”<\/h3>\n By Alain Brunet<\/a> <\/div>\n <\/div>\n
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\n \"The<\/a>\n <\/div>\n
\n Interview<\/span> classique<\/a>\/concours<\/a>\/violon<\/a><\/span>

The art of judging with Lucie Robert, president of the jury of the International Music Competition<\/h3>\n By Alexandre Villemaire<\/a> <\/div>\n <\/div>\n
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\n \"TVOD<\/a>\n <\/div>\n
\n What to watch<\/span> Rock<\/a><\/span>

TVOD – Rerun<\/h3>\n By Stephan Boissonneault<\/a> <\/div>\n <\/div>\n <\/div>\n \n
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