{"id":82870,"date":"2022-11-14T11:16:07","date_gmt":"2022-11-14T16:16:07","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&p=82870"},"modified":"2022-11-14T13:23:26","modified_gmt":"2022-11-14T18:23:26","slug":"m-for-montreal-kiwi-jr-is-still-in-chopper-mode","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/m-for-montreal-kiwi-jr-is-still-in-chopper-mode\/","title":{"rendered":"M For Montreal: Kiwi Jr. is still in “Chopper” mode"},"content":{"rendered":"\n

With the August release of their third album, Chopper<\/em>, Toronto indie-rock outfit Kiwi Jr. is about to be back out on the road. <\/p>\n\n\n\n

The band, typically known for sunshiny pop-rock bangers with a surreal, sardonic lyrical twist, has created something of a reinvention with Chopper<\/em>. Rather than focusing on cheerful guitar riffs and uplifting instrumentals, as seen on previous albums Football Money <\/em>(2019) and Cooler Returns <\/em>(2021), Chopper <\/em>instead has a darker, more nocturnal tone\u2014described by the band in one interview as \u2018Kiwi after dark\u2019\u2014and is a fantastic iteration that fans won\u2019t want to miss.<\/p>\n\n\n\n

Kiwi Jr. are Jeremy Gaudet (guitar, vocals), Mike Walker (bass), Brohan Moore (drums), and Brian Murphy (keys, guitar). In this latest offering, the group has included synths in their compositions for the first time, having Murphy make the switch from lead guitar to, primarily, the synthesizer. They\u2019re also joined by producer Dan Boeckner, known for his work with Wolf Parade, Handsome Furs, and Divine Fits.<\/p>\n\n\n\n

This change in Kiwi Jr.\u2019s successful formula has more than paid off on Chopper, <\/em>bringing a new feel to their iconic sound and complementing the volatile yet voluminous peaks and valleys of their songs. <\/p>\n\n\n\n

PAN M 360 got in touch with Kiwi Jr. frontman Jeremy Gaudet one week prior to their show at M for Montreal Marathon in Mile End.<\/p>\n\n\n\n

<\/p>\n\n\n\n

PAN M 360: With Chopper <\/em>out, a European tour under your belt, and a bunch more shows to come, how are you guys feeling right now?<\/strong><\/p>\n\n\n\n

Jeremy Gaudet: <\/strong>Pretty good! We\u2019re still excited to be promoting the record, it\u2019s only been a couple of months, so it still feels pretty fresh to us and we\u2019re still having lots of fun with it on stage.<\/p>\n\n\n\n

PAN M 360: Have you discovered anything new as you\u2019ve been playing live over the last bit?<\/strong><\/p>\n\n\n\n

JG: <\/strong>It\u2019s been way different because we have Brian [Murphy] playing the keyboard on stage, and he\u2019d never done that before this record. We added so many keys on the record, and we had to have somebody step up and do it, so that\u2019s been a cool thing to try to make work. <\/p>\n\n\n\n

PAN M 360: You mentioned that your producer Dan\u2019s head injury on day two of recording changed the course of the record to be more synth-focused. Could this jump have happened any other way?<\/strong><\/p>\n\n\n\n

JG: <\/strong>I mean that\u2019s just a funny story that we tell people, but we were always gonna have synths on the record, that\u2019s why Dan wanted to produce it. The head injury thing was just a very memorable moment, and what was interesting about it was that we scrapped pretty much everything we worked on in the first two days and went into synth mode, where normally you\u2019d record all your bed tracks and everything, so that\u2019s kind of what that injury did to Dan, like, \u2018fuck this.\u2019<\/p>\n\n\n\n

PAN M 360: Were there any artists you guys looked to as a starting point for your first synth foray?<\/strong><\/p>\n\n\n\n

JG: <\/strong>Yeah, all kinds. Destroyer, a lot of pop stuff like The Weeknd. Some \u201880s stuff, you know, Rod Stewart. Also a lot of Dan [Boeckner]\u2019s work, Handsome Furs and things like that. Deftones has a lot of cool sub-bass synth stuff that we ended up trying to do to beef up some choruses. We listen to a lot of different types of music just to see what tones we like. <\/p>\n\n\n\n

PAN M 360: It feels like you\u2019ve grown your audience a lot faster than your average Canadian indie band. Do you guys feel like this happened quickly as well, or is it the pace you expected to be making?<\/strong><\/p>\n\n\n\n

JG: <\/strong>I don\u2019t really have a reference for that, but, you know, it\u2019s always nice to have more people at your shows than you expected. When we were in Europe, we were concerned when we were playing in places like Brussels, and we didn\u2019t know a single person there to add to the guest list. But then you get to the show and it\u2019s full, and you\u2019re thinking \u2018how did this happen?\u2019 It\u2019s pretty cool. I have to go back.<\/p>\n\n\n\n

PAN M 360: You\u2019ve mentioned that you pretty much wrote all ten songs on <\/strong>Chopper<\/em><\/strong> one after another, versus a more organic approach. Was that way of working new to you?<\/strong><\/p>\n\n\n\n

JG: <\/strong>This was the first time I was ever afforded the luxury of doing that. Normally, yes, you pick out stuff at practice, put it back on the shelf, and after a year you have all these riffs and half-songs. And when you know you have to make an album you go back and gather all the spare parts. With this one, it was a different experience.<\/p>\n\n\n\n

PAN M 360: On the note of your songwriting, you\u2019re becoming known for some really striking, cryptic poetry in your lyrics. I was wondering if you could share a bit of the story behind the words of “Downtown Area Blues<\/strong>.”<\/p>\n\n\n\n

JG: <\/strong>For the most part, I\u2019ve been telling people that I wrote the song titles first on this record, and that\u2019s definitely the case for a lot of the songs. But this was one where I had an idea\u2014I thought the record needed another uptempo song, and I just had this dream sequence-y idea of literally being trapped in a storage container downtown.<\/p>\n\n\n\n

We have a storage unit where we keep all our gear and merch when we\u2019re not playing, and it\u2019s a nightmare, and it\u2019s scary, so you\u2019ve got that idea. And then downtown Toronto is just a terrible place to be at night. If you go to a Raptors game, or a Bluejays game, or something right downtown, and you\u2019re trying to get out of the city, it\u2019s just a chaotic nightmare scenario. <\/p>\n\n\n\n

That\u2019s generally the idea of the song, and the main theme of it is having to wake things up. It could be anything, from insomnia\u2014not being able to sleep and having to wait out what\u2019s going on until the morning\u2014to literally being trapped in a storage facility and having to wait for somebody to come and let you out. <\/p>\n\n\n\n

PAN M 360: Would you call yourself a film buff? Are there any movies you found inspiring as you worked on <\/strong>Chopper<\/em><\/strong>?<\/strong><\/p>\n\n\n\n

JG: <\/strong>I like movies, but I\u2019d never call myself a film buff. I know that whenever we were putting the artwork, we were talking about Michael Mann movies a lot. That kind of lonely cityscape vibe\u2014 the night feeling. <\/p>\n\n\n\n

PAN M 360: You\u2019ve got other film references in there as well, right? Like that one about the scorpion jacket from <\/strong>Drive<\/em><\/strong>?<\/strong><\/p>\n\n\n\n

JG: <\/strong>That line gets misinterpreted by people. I remember when that movie came out, and for years, cool guys at Halloween parties would wear that jacket as a Halloween costume. And after a while, it just became a signifier that this guy is an asshole or a tryhard. So that\u2019s where I was coming from with that. <\/p>\n\n\n\n

PAN M 360: What\u2019s coming up for Kiwi Jr. in 2023?<\/strong><\/p>\n\n\n\n

JG: <\/strong>We\u2019ve got a bunch of dates, they just haven\u2019t been announced yet. We\u2019re just putting things together, but we\u2019re going to the West Coast for a week at the end of the month with Cloud Nothing. That\u2019s our next stint. You\u2019re always thinking about the next album, but we\u2019re definitely still in Chopper <\/em>mode.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Kiwi Jr. plays M For Montreal on Friday, Nov. 18 at the Van Horne Skate Park. This show is free. Details HERE<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

With the August release of their third album, Chopper, Toronto indie-rock outfit Kiwi Jr. is about to be back out on the road.  The band, typically known for sunshiny pop-rock bangers with a surreal, sardonic lyrical twist, has created something of a reinvention with Chopper. Rather than focusing on cheerful guitar riffs and uplifting instrumentals, […]<\/p>\n","protected":false},"author":1390,"featured_media":82887,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5542,4628],"tags":[],"genre":[],"class_list":["post-82870","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-borealis-en","category-interviews-en"],"acf":[],"yoast_head":"\nM For Montreal: Kiwi Jr. is still in "Chopper" mode - PAN M 360<\/title>\n<meta name=\"description\" content=\"Ahead of M For Montreal, we spoke to Kiwi Jr.'s, Jeremy Gaudet, about the newest abum "Chopper," and the darkeness of Torontos downtown.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/m-for-montreal-kiwi-jr-is-still-in-chopper-mode\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M For Montreal: Kiwi Jr. is still in "Chopper" mode - 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