{"id":79472,"date":"2022-09-28T14:54:38","date_gmt":"2022-09-28T18:54:38","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=79472"},"modified":"2022-09-28T15:11:06","modified_gmt":"2022-09-28T19:11:06","slug":"sister-ray-communion","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/sister-ray-communion\/","title":{"rendered":"POP Montreal: Sister Ray talks about their untethered, conversational, lyrical style"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">One artist from Alberta, Sister Ray, might be finally getting the recognition they deserve. The debut album, <em>Communion<\/em>, was released this past May on Royal Mountain Records and is still a shining stalwart example of the intricacies and simplicity you can achieve in the indie\/ alternative folk genre. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Behind Sister Ray is the songwriter, Ella Coyes, a musician who cut their teeth in Edmonton and beyond by touring with a mostly improvised set of solo guitar music. The lyrics of Coyes are deadpan but visceral, pulling back layer after layer of personal history and reconciling with the past. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We had a great chat with Coyes about songwriting and finding a funny side to otherwise, existential, powerfully dark, and personal lyrics, before their set at this year&#8217;s POP Montreal on Sept 30.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Hey Ella. It&#8217;s pouring here in Montreal. How&#8217;s Toronto?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> Hey, we have an overcast day here and I&#8217;ve been enjoying it a lot. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Yeah you&#8217;re from Edmonton too. So am I. You don&#8217;t really get Fall there at all.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes: <\/strong>Oh my God, when I first moved here it was in the pandemic. I moved in 2020, which was funny, but Fall came and I was like, &#8216;I&#8217;m fine. This was a great choice. I have a long fall.&#8217; And I love it so much. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: What prompted the move? I&#8217;m guessing music?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes: <\/strong>Well, I was supposed to move in March of 2020. To make a record and play music. Like I got a Canada Council Grant. And I was &#8216;OK &#8216;I&#8217;ll move. I&#8217;ll make this record.&#8217; And then it just got delayed for a little bit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: You used to play improvised guitar sets back in Edmonton and toured them a bit. Is that kind of like how some of the songs on <em>Communion <\/em>were written? Just like you playing them differently and improvising them over the years?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes: <\/strong>Yeah, it was the beginning of a few of them. It&#8217;s like, two-thirds of &#8220;Crucified&#8221; was written that way. And then, a few other tracks, kind of started at those shows. I&#8217;ve had a couple of them for quite a few years, a couple of them I wrote between, March and September of 2020. I think just out of not having, you know, really anything else to do? I was writing so much. So they come from a pretty long, long period of time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Would you say you learn more about yourself from writing these songs about your past?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> I think something that I&#8217;ve really felt from playing the shows again, and touring a bit is I have learned from them over such a long period of time. I think I&#8217;ve got it sometimes. And then now that I&#8217;ve been on the road a bit more, I am realizing maybe even how little I knew about them when I wrote them, which is really exciting for me. The song &#8220;Justice&#8221; has really changed drastically for me from the time I wrote it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sister Ray - Crucified (Official Live Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1CMAJYwCUE0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Lyrically?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> I think lyrically &#8230; I love making music, but so much of it for me is about the lyrics. Because it&#8217;s an opportunity to communicate in a way where there&#8217;s phrasing involved. It&#8217;s like we&#8217;re talking in a different way. And for me, it really sits in a different place. And I think I&#8217;m asking myself different questions now when, when I play that song. I think some of my favourite songs are the ones that kind of give me an avenue, to be honest with myself. And sometimes when I write them, I&#8217;m not quite ready to be as honest with myself as I am once I&#8217;ve been able to kind of look at it for a while and observe it and experience it with different people and in different places.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: And <em>Communion<\/em> is a very vulnerable record and it seems like much of the lyrical content is derived from your personal experiences. Having said that, have you ever thought &#8216;maybe I&#8217;m being too personal?&#8217; Or on the flip side, not personal enough?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> Yeah, I think about that all the time. Sometimes, I really will listen to myself play the songs, like when I&#8217;m practicing at home. And I really think about what they&#8217;re about. And I&#8217;m like, &#8216;Jesus, I could have dialed it back a little bit.&#8217; But not actually I don&#8217;t think that&#8217;s the true path. But yeah it&#8217;s very personal. And I hadn&#8217;t put out a record before, so it was I was kind of stunned at this point. When it came out I was like, &#8216;Oh my God. I did say that.&#8217; I put that on a record&#8217; (laughs).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Did you grow up religious at all? Because there&#8217;s a bit of religious imagery within the album. Especially in &#8220;Crucified&#8221; to <em>Communion<\/em> you know, just those words. How did those kinds of things make their way into the lyrics?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes: <\/strong>So I definitely grew up Catholic. And like, more specifically, I grew up Metis-Catholic which is like the intersection for me that I find always very interesting. There just seems to be a lot of conflicts there for me a lot of the time; about being both of those things, but then really going together. When I was a kid, I loved being Catholic. I felt really close to God when I was a kid and when I was a teenager, it was a huge part of my life. And kind of later in my teens, I went pretty late in my teens until I started to not have had that in my life as much anymore, and at this point, kind of not at all, but I think it was just like I was going through some feelings of loss with it. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And those words, in particular, I find those words to be really full in my mouth. I really liked those words a lot. In a lot of songs, I&#8217;ll start with one word that I really like and grow them into a small phrase that &#8230; I don&#8217;t know any other way to say it, but that just fills up my whole mouth. And a lot of those words really feel really whole and complete to me when I am saying them but especially when I&#8217;m singing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: The language and just the cadences you sing in are very conversational. As if you&#8217;re speaking to the listener like they&#8217;re a long-lost friend over the phone. There&#8217;s that one line in &#8220;I Wanna Be Your Man&#8221; that always sticks with me. The apostle line. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> Yeah where I talk about tonsils? [Full Line is: I wanna be your man\/ Be a very good apostle \/ Reach in deep inside for your tonsils \/ Maybe there then I would find only you]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Yeah the first time I heard it I was like &#8216;Woah. This is very vivid and I have no idea what to make of it.<\/strong>&#8216;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes: <\/strong>That&#8217;s so funny that you say that because when I went to SXSW by this year, and I played that song,  someone laughed very loudly in the audience, which is really funny because that&#8217;s not really something that happens. I&#8217;m playing solo guitar music, so I wouldn&#8217;t say there&#8217;s a lot of laughing. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For me, my favourite shows are the ones where I feel like someone is kind of talking to me and having a conversation with me. And that&#8217;s what I like about music; is that it&#8217;s obvious we&#8217;re not having a conversation. But when I feel like someone is kind of just chatting with me, I really like that a lot. But yeah, the lyrics are like the thing I spend the most time on when I&#8217;m writing and I really enjoy them and kind of the like, the intricacies of them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: They&#8217;re also very deadpan, the lyrics, but also very mystical and light-hearted which is refreshing because you&#8217;re singing about some pretty heavy topics. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ella Coyes:<\/strong> Yeah if it&#8217;s too serious, it doesn&#8217;t feel right. And I don&#8217;t think that is the best way for me to communicate to be super on the nose serious all the time, even though I&#8217;m talking about quote-on-quote &#8220;serious shit.&#8221; Because I feel like I need room to breathe a little bit being in it and not just have like a feeling of I don&#8217;t know constant dread or something like that. It just doesn&#8217;t sit right. I like the lyrics to have little moments. Like when that person laughed. I was like, &#8216;That&#8217;s right. That&#8217;s how I feel about it.&#8217; Also, I am laughing a little bit when I sing some of those lines. On the inside.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/thepointofsale.com\/tickets\/czz220930002\">Sister Ray Plays Pop Montreal at Casa Del Popolo on Sept 30. Tickets HERE<\/a><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>One artist from Alberta, Sister Ray, might be finally getting the recognition they deserve. The debut album, Communion, was released this past May on Royal Mountain Records and is still a shining stalwart example of the intricacies and simplicity you can achieve in the indie\/ alternative folk genre. Behind Sister Ray is the songwriter, Ella [&hellip;]<\/p>\n","protected":false},"author":1197,"featured_media":79473,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3198],"class_list":["post-79472","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-indie-folk-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>POP Montreal: Sister Ray talks about their untethered, conversational, lyrical style - PAN M 360<\/title>\n<meta name=\"description\" content=\"Sister Ray chats with us about Communion, an album we can&#039;t simply put down, before their performance at Pop Montreal.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/sister-ray-communion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POP Montreal: Sister Ray talks about their untethered, conversational, lyrical style - 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