{"id":79106,"date":"2022-09-20T14:00:42","date_gmt":"2022-09-20T18:00:42","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=79106"},"modified":"2022-09-20T14:00:45","modified_gmt":"2022-09-20T18:00:45","slug":"the-burning-hell-finds-humour-and-mythical-narrative-in-an-otherwise-bleak-future","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/the-burning-hell-finds-humour-and-mythical-narrative-in-an-otherwise-bleak-future\/","title":{"rendered":"The Burning Hell finds humour and mythical narrative in an otherwise bleak future"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The Burning Hell, one of Canada&#8217;s most singular DIY indie art-folk\/rock projects, has been making music for over a decade, always striving for quick-witted imagery and easy-to-latch enjoy instrumentation. They&#8217;ve always been a band that makes music for themselves, dipping their toes in almost every genre in the book, but never settling. Simply, every album by The Burning Hell is quite different from the last. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This notion rings true with their latest effort,<em> Garbage Island<\/em>, a concept album somewhat inspired by the real-life Trash Vortex circling our seas. Though the album does touch on the very real environmental implications plaguing our world, <em>Garbage Island <\/em>imagines what a distant future may look like for birds and humans.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stuck between provinces due to the pandemic, the band had oodles of time to record, mix, and produce <em>Garbage Island <\/em>themselves, honing in on the DIY aesthetic and artistic style of the band. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We spoke with The Burning Hell&#8217;s founder\/multi-instrumentalist, Mathias Kom, about the concept of Garbage Island, not taking yourself too seriously, and the choice to make fictional narratives over personal ones. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: The\u00a0Burning\u00a0Hell\u00a0has always been a DIY band, but <em>Garbage Island<\/em> has to be your most DIY project yet. You recorded, produced, engineered, and mixed\u00a0the\u00a0album yourself. Was that out of necessity because of\u00a0the\u00a0pandemic or was it in\u00a0the\u00a0cards for\u00a0The Burning\u00a0Hell\u00a0anyways?<\/strong><em><br><\/em><br><strong>Mathias Kom:<\/strong> It was partly out of necessity\u2014we were stuck in three different provinces for most of\u00a0the\u00a0first year of\u00a0the\u00a0pandemic and knew that we\u2019d have to get creative if we wanted to make a record together. At\u00a0the\u00a0same time, we\u2019ve been heading in this direction for a while now. We all have varying levels of experience recording and mixing, but more importantly, I think we all appreciate being able to take our time and bounce ideas off one another without\u00a0the\u00a0pressure of\u00a0the\u00a0studio clock.<br><em><br><\/em><strong>PAN M 360: There are those couple of phrases in \u201cFuck\u00a0the\u00a0Government, I Love You\u201d from 2014 or so that really stuck with me since\u00a0the\u00a0first time hearing it. \u201cI told you I was in a band\/ I asked what\u00a0the\u00a0band was called, I said it\u2019s called\u00a0The\u00a0Burning\u00a0Hell\/ I said I\u2019ve never heard of you, I said that\u2019s probably just as well.\u201d After hearing that I was like, \u2018Holy shit, you can really do anything with music and not take yourself so seriously.\u2019 So with that lead-up, do you take yourself seriously as a DIY indie band?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>That&#8217;s a complicated question! I think I\u2019ve always taken what I do seriously. But I try not to take\u00a0<em>myself\u00a0<\/em>too seriously if that makes sense. It&#8217;s important to maintain a sense of humour and perspective about everything, and maybe especially playing music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Was that really Ariel\u2019s first crack at animation with \u201cNigel\u00a0the\u00a0Gannet?\u201d You could have fooled me!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>Yes! She spent months doing that and I think she&#8217;s found her new passion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nigel the Gannet - The Burning Hell (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ST4BCEu88po?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Do you find it\u2019s easier to write these fantastical narratives with made-up characters and names as opposed to writing a more personal narrative?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>I&#8217;m not so good at writing personal songs, though we did release a whole album\u2014<em>Flux Capacitor<\/em>\u2014of songs that are more or less autobiographical. Still, I always find it more fun to create brand-new worlds in songs than in mine or my own past for material.<br><br><strong>PAN M 360: Musically and instrumentation-wise, every song is so different on this album. Were there basically no rules when composing Garbage <em>Island<\/em>? Find a cool sound and run with it kind of thing?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom:<\/strong> More than any other album we&#8217;ve released,\u00a0<em>Garbage Island\u00a0<\/em>is\u00a0the\u00a0product of all of our different influences, and I think that&#8217;s why it&#8217;s so wide-ranging in terms of sounds and genres. We didn&#8217;t sit down and decide that this or that song should follow a certain style; because of\u00a0the\u00a0back-and-forth way that we produced it, sending parts to each other in different provinces,\u00a0the\u00a0songs evolved kind of organically into what they finally became.\u00a0The\u00a0relatively epic amount of time we had to make\u00a0the\u00a0record also allowed us to try whatever ideas came to us, including building a glass harmonica and a hammered dulcimer, especially for\u00a0the\u00a0album.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: I\u2019m sure I don\u2019t have to tell you, but\u00a0the\u00a0world, from an environmental perspective, is at its worst right now. Is this where\u00a0the\u00a0idea for\u00a0the\u00a0narrative of <em>Garbage Island <\/em>comes from?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>Exactly.\u00a0<em>Garbage Island\u00a0<\/em>is a colloquial name for\u00a0the\u00a0Pacific Trash Vortex, which is one of many trash vortices currently swirling around\u00a0the\u00a0world. But\u00a0the\u00a0album isn&#8217;t so much about contemporary environmental concerns as about what\u00a0the\u00a0distant future might look like long after we&#8217;ve finally wrecked\u00a0the\u00a0planet for good. It&#8217;s bleak, but it does end on a note of hope.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: Yes. We have an actual garbage island floating somewhere in\u00a0the\u00a0Pacific, that grows every day. I\u2019m sure birds land there all\u00a0the\u00a0time, but in\u00a0the\u00a0album, they reign supreme?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom:<\/strong> Although\u00a0the\u00a0Pacific Trash Vortex (and similar phenomena in other parts of\u00a0the\u00a0world) is a constantly shifting thing, in\u00a0the\u00a0world of\u00a0the\u00a0album, I imagined that it had eventually congealed into a solid land mass, or at least solid enough for certain creatures to make a home there. Many of\u00a0the\u00a0world&#8217;s birds are in extreme danger from climate change, habitat loss, and other forms of environmental catastrophe, but at\u00a0the\u00a0same time, I have a feeling that at\u00a0the\u00a0end of\u00a0the\u00a0world, there will be a handful of feathered survivors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: How important is the context for a\u00a0Burning\u00a0Hell\u00a0song? Do you believe fans follow\u00a0the\u00a0stories or are they just pieces of pleasurable, quirky\/surrealist alt-indie rock to them? And does that really matter to you,\u00a0the\u00a0songwriters?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>That&#8217;s a great question. I think when you write and release a song you have to kind of let it go, and recognize that people will engage with it in whatever way they will, or not at all, and there&#8217;s not much you can do. In a live situation, I occasionally set a song up to give it context, but typically I just let them stand on their own. Some fans definitely love\u00a0the\u00a0dense narratives, and I appreciate that, but if people are enjoying something I&#8217;ve made I&#8217;m just happy that they&#8217;ve connected to it, even if they don&#8217;t hear a word of\u00a0the\u00a0lyrics.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: You actually became faux-ornithologists by making this companion book,\u00a0<\/strong><em><strong>The\u00a0Illustrated Field Guide to Birds of Garbage island. What was that experience like?<\/strong><\/em><strong> It must have been stupid fun.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>I actually got into birding just before\u00a0the\u00a0pandemic, and then being stuck on P.E.I. for two years allowed me to dive deeper. And\u00a0the\u00a0book kind of emerged from that, really. I had a lot of fun imagining what a post-apocalyptic bird guide might look like, and partly it was an excuse to work with some of my favourite illustrators. I basically gave everyone\u00a0the\u00a0same prompt\u2014create a real or imaginary bird you think might live on Garbage Island\u2014and I had so much fun creating\u00a0the\u00a0fictional narratives that went along with each one.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> <strong>I\u2019ve never seen you guys live, so with this album, is there any sort of imagery associated with\u00a0the\u00a0live performance? Visuals, costumes? Or are you basically taking\u00a0the\u00a0role of\u00a0the\u00a0narrators?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mathias Kom: <\/strong>If we ever had\u00a0the\u00a0sort of budget that would allow us to do it I&#8217;m sure we&#8217;d leap at\u00a0the\u00a0chance to have an elaborate stage show with costumes and sets and a touring lighting engineer and so on. But for this tour, we&#8217;ll just have a simple hanging backdrop made of garbage, and we&#8217;ll try our hardest to be diligent narrators.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.eventbrite.ca\/e\/the-burning-hell-and-michael-feuerstack-at-ursa-tickets-358684162987\">The Burning Hell w\/ Krista Muir play URSA Mtl on Sept 23. Tickets HERE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Burning Hell, one of Canada&#8217;s most singular DIY indie art-folk\/rock projects, has been making music for over a decade, always striving for quick-witted imagery and easy-to-latch enjoy instrumentation. They&#8217;ve always been a band that makes music for themselves, dipping their toes in almost every genre in the book, but never settling. Simply, every album [&hellip;]<\/p>\n","protected":false},"author":1197,"featured_media":79075,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5527,4628],"tags":[],"genre":[],"class_list":["post-79106","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-borealis-2","category-interviews-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Burning Hell finds humour and mythical narrative in an otherwise bleak future - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/the-burning-hell-finds-humour-and-mythical-narrative-in-an-otherwise-bleak-future\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Burning Hell finds humour and mythical narrative in an otherwise bleak future - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"The Burning Hell, one of Canada&#8217;s most singular DIY indie art-folk\/rock projects, has been making music for over a decade, always striving for quick-witted imagery and easy-to-latch enjoy instrumentation. 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