{"id":75044,"date":"2022-07-20T09:33:37","date_gmt":"2022-07-20T13:33:37","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/manou-gallo-bass-interview-entrevue-festival-nuits-afrique\/"},"modified":"2022-07-19T19:49:47","modified_gmt":"2022-07-19T23:49:47","slug":"manou-gallo-bass-interview-entrevue-festival-nuits-afrique","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/manou-gallo-bass-interview-entrevue-festival-nuits-afrique\/","title":{"rendered":"Manou Gallo: clarity, freedom and femininity, all to the bass guitar&#8217;s advantage"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MManou Gallo is a woman, an African, and a bass player. As she herself says, it took a lot of hard work and overcoming the astonished looks (at best) of the essentially male and just a little bit black environment of the instrument (but that is changing quickly!). The former member of Zap Mama has been a solo rider for over 15 years now and is living out her childhood dream of holding a bass and playing it.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gallo will be performing at the new Esplanade Tranquille in the <a href=\"https:\/\/www.quartierdesspectacles.com\/fr\/activite\/32290\/manou-gallo\">Quartier des Spectacles on July 20th at 7pm<\/a>, her first time as a soloist in Montreal. This will be an opportunity to get to know this musician, acclaimed by her peers, who will be presenting her most recent album, <em>Aliso vol.1<\/em>, as well as an overview of her four previous albums. Pan M 360 spoke with her. <br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Aliso Vol.1 - New EP by Manou Gallo\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OOvsUs4EnxE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: What can we expect on July 20th in terms of musical choices?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo: <\/strong>There will be a bit of everything. It will be a journey into the present and the past. I love revisiting past experiences, especially the good ones! There will be some <em>Aliso<\/em>, of course, but also pieces from <em>Afro Groove Queen<\/em>, and some pieces from previous albums. I will pay tribute to Manu (Dibango), Fela (Kuti), among others. I think it will be a great meeting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: It will also be an opportunity for the Montreal and Canadian public, in general, to know you better. You&#8217;re a fairly prominent figure in Europe, you&#8217;re based in Brussels and you tour regularly on the continent. But here, except for the years you played with Zap Mama, it is much less frequent.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo: <\/strong>Yes, that&#8217;s true. But I&#8217;m even happier that it&#8217;s happening now because I&#8217;ve evolved a lot in my musical game. In my early solo days, I did a bit of everything: percussion, vocals, bass. But now I&#8217;m more focused. The bass is the center of my action, my creativity and my language. It&#8217;s much clearer in my head, and it shows in my music. And I&#8217;m very happy that this is what people will see in me!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: If we want to summarize your musical evolution, is there a common thread? Would it be the focus more and more concentrated on the bass as the engine of your music and your creativity?Manou Gallo:<\/strong> Yes, quite. I am a musician who has struggled for a long time to be able to clearly assume what she wants to do. You may know that I stopped playing for about 8 years (between <em>Lowlin <\/em>in 2010 and <em>Afro Groove Queen<\/em> in 2018), during which time I essentially stayed in my basement working on my instrument, perfecting it and mastering it better! I questioned myself, I worked on harmony to be better at it (I was originally a percussionist and I still play bass with a percussive color) and I finally found my essence. I acquired the tools to be able to express myself adequately. But it took time and hard work. I feel like my early career was going in all directions, left, right, all over the place, then the path cleared, the sun came out and now I&#8217;m coming in with renewed confidence. I can&#8217;t wait to share this with Canadian audiences.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MANOU GALLO - LADY (Live)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Sv8Qd_1DET0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: What is the idea behind <em>Aliso vol.1 <\/em>(released in 2021)?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo:<\/strong> Freedom. It is priceless. Being a woman and an African in the world of bass, it was a journey of hardship. I had to prove myself, and even twice as hard! Now, I make the music I want to make, according to my desires. I felt like going to visit jazz a little more, so I threw a pitch to Christian McBride, who was kind enough to enthusiastically accept.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: What did you learn from him?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo: <\/strong>Humility. Here is a very great musician, very learned and very humble with me. He respects me totally, and I respect him in return. The difference is obvious with some of the pop stars we see more, who spout off, who are sometimes full of themselves. It&#8217;s completely different with the kind of musicians that Christian is a part of. We are in dialogue with each other&#8217;s spirit. It&#8217;s beautiful and inspiring.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: As a woman and a bass player, do you have any advice for young girls who\u2019d want to start a career like you?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo:<\/strong> I don&#8217;t think young women today need advice. When I was young, you had to go out of your way to discover music and get to know bass players. All I had was a cassette player and I had never seen Marcus Miller or Victor Wooten. Today, it&#8217;s all there, just a phone touch away on the web! Young people can see Meshell (Ndegeocello) live at any time of the day. Inspiration is available. You just have to want it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: Still, do you feel that you have a role to play as a female model?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo: <\/strong>Wow! That&#8217;s a lot of responsibility! I know many women who are much brighter than me. I&#8217;m just a musician. But if anyone ever asks me for advice, I&#8217;ll be happy to answer, of course. And I&#8217;m always happy to meet a girl who wants to talk to me after a concert, that&#8217;s for sure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: I heard that your grandmother was a cousin of Myriam Makeba? You have rubbed shoulders with her?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo: <\/strong>That&#8217;s an urban legend! I don&#8217;t know where this story comes from and why it is on the web. It&#8217;s even listed on Wikipedia. It&#8217;s not true. My grandmother was from West Africa, and Myriam was from South Africa. There was no connection. But anyway, I accept the reference, and it&#8217;s not unpleasant at all to be associated with this very great artist, but it&#8217;s just not true.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pan M 360: There, the truth is set straight thanks to Pan M 360! Do you have any musical idols?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Manou Gallo:<\/strong> Difficult question, of course, but I would say three. Marcus Miller for the sound, the melodies. Victor Wooten for the fabulous technique, and Richard Bona for the ease of playing. If I can bring these three personalities together one day in my music-making, that will be wonderful!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><br><strong><em>Manou Gallo will perform on Loto-Qu\u00e9bec stage, Wednesday, July 20th at 7 p.m. It&#8217;s a FREE CONCERT!<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MManou Gallo is a woman, an African, and a bass player. As she herself says, it took a lot of hard work and overcoming the astonished looks (at best) of the essentially male and just a little bit black environment of the instrument (but that is changing quickly!). The former member of Zap Mama has [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":74751,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3073,3071],"class_list":["post-75044","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-afrobeat-2","genre-afro-pop-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manou Gallo: clarity, freedom and femininity, all to the bass guitar&#039;s advantage - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/manou-gallo-bass-interview-entrevue-festival-nuits-afrique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manou Gallo: clarity, freedom and femininity, all to the bass guitar&#039;s advantage - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"MManou Gallo is a woman, an African, and a bass player. 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