{"id":70302,"date":"2022-05-19T11:40:54","date_gmt":"2022-05-19T15:40:54","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&p=70302"},"modified":"2022-05-19T11:46:22","modified_gmt":"2022-05-19T15:46:22","slug":"mats-gustaffson-next-explosions","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/mats-gustaffson-next-explosions\/","title":{"rendered":"Mats Gustaffson next explosions"},"content":{"rendered":"\n

He is one of the true successors to the great saxophonist Peter Br\u00f6tzmann but\u2026  in 2022, we can\u2019t really qualify him successor at 57 years old ?! In fact, he is a true international leader of free improvisation and avant-garde composition beyond free jazz. Mats Olof Gustafsson is a Swedish saxophonist, born in 1964 in Ume\u00e5, Sweden. Since the beginning of his international career in the mid-80\u2019s, he added clarinet, keyboards and electronics in his tool box. <\/strong><\/p>\n\n\n\n

Mats Gustafsson is known for his explosive style, we could witness his talent in many contexts, witch so many artists as Gunter Christmann, Peter Br\u00f6tzmann, Joe McPhee, Paul Lovens, Barry Guy, Derek Bailey, Hamid Drake, Michael Zerang, Ken Vandermark, Magnus Broo, Otomo Yoshihide, Jim O’Rourke, Thomas Lehn, Evan Parker, Misha Mengelberg, Zu, The Ex, Sonic Youth, Merzbow, Fire! orThe Thing.<\/strong><\/p>\n\n\n\n

Mats Gustaffson is also an excellent speaker about his craft, PAN M 360 shares his comments before his performances at FIMAV this week-end. On Saturday, he will share the stage with Rob Mazurek and David Grubbs, <\/a>and he will be involved in a power duet with Colin Stetson<\/a>.<\/strong><\/p>\n\n\n\n

First, some questions about the trio concert :<\/strong><\/p>\n\n\n\n

\u00ab All three drove Chicago\u2019s experimental music scene forward in the 1990s: MATS GUSTAFSSON with several free jazz bands and as a member of Peter Br\u00f6tzmann\u2019s Tentet, while he was staying in the US; DAVID GRUBBS at the onset of the post-rock movement in Gastr del Sol, his duo with Jim O\u2019Rourke; ROB MAZUREK in a multi-stylistic approach under various iterations of his Chicago Underground project. \u00bb<\/em><\/strong><\/p>\n\n\n\n

PAN M 360  : Can you remind us what led you to David Grubbs, whom with you recorded the duet Off Road? How have you built this musical relationship?<\/strong><\/p>\n\n\n\n

MATS GUSTAFFSON : <\/strong>We met in Chicago in the mid 90s through my good friends John Corbett and Jim O `Rourke and we immediately started to work and hang out together. I played w Gast and I played other things together with David, on his solo records until we decided to record Apertura, our first duo.. followed up by a Swedish tour and recordings of Off Road. It ain’t over yet\u2026<\/p>\n\n\n\n

PAN M 360 : About Rob Mazurek, the 3rd playor of this Victoriaville concert, same question, how did you meet? How did you play together? What has been built yet or what is gonna be?<\/strong><\/p>\n\n\n\n

MATS GUSTAFFSON : <\/strong> Also the Chicago connection. That is important. Chicago was BEAMING of energy and creativity in the mid \/ end of 90s\u2026 and still is. But that period in particular stands out. We played a few ad hoc things and we kept on meeting in all kind of places internationally. And when this chance occurred to play a trio we jumped at it\u2026.  The pandemic stopped all the plans\u2026 but  we will reboot now. All is open!<\/p>\n\n\n\n

\u00ab They worked many times together, but never all three at the same time, surprisingly. That is, until May 2019. They jumped on journalist John Corbett\u2019s proposition to play as a trio for a two-day engagement at The Underflow in Athens, Greece. \u00bb<\/em><\/strong><\/p>\n\n\n\n

PAN M 360: Is this trio an important step for 3 of you? How could you describe with words what happened in Greece ?<\/strong><\/p>\n\n\n\n

MATS GUSTAFFSON :<\/strong> No words can describe those things enough. It was pure creativity and pure SHARING. As simple as that. When chemistry works, both musically and socially\u2026. What can you do ?  just go with the flow. This trio is super important to me, hell yeah!<\/p>\n\n\n\n

\u00ab The Underflow \u00bb : present-tense music exploring a wide range of dynamics, at the crossroads of acoustics, electrics, and electronics<\/em><\/strong><\/p>\n\n\n\n

PAN M 360 : Above that, what can you add to make us understand the language elaborated between you guys?<\/strong><\/p>\n\n\n\n

MATS GUSTAFFSON : <\/strong> Listen openly and you will get rewarded. All and nothing is in there. As it always should be. All possibilities. All rules. All non-rules. All perspectives. We bring in all our experiences to the mix\u2026 and when people are willing to share\u2026. The audience will feel it. Listen freely. Think freely. Act freely \u2013 as simple as that.<\/p>\n\n\n\n

\u00ab They made the venue\u2019s name their own, and their debut album, culled from these concerts, came out in early 2020, followed by a second one recorded just before the first wave of lockdowns. These albums showcase the rich history between these three masters. \u00bb<\/em><\/strong><\/p>\n\n\n\n

PAN M 360 : Can you see the progression from the first live sessions and the 2 following recording sessions?<\/strong><\/p>\n\n\n\n

MATS GUSTAFFSON :<\/strong>  I can hear something<\/em>. What is it ?  I have no idea ?  Progression ?  I have no idea\u2026.<\/p>\n\n\n\n

Development ?  i Have no idea. We move on. We deal with the past, with our experiences, individually and as a collective. And we SHARE . when this is true\u2026 SOMETHING happens. We can call it whatever we want. But we want to SHARE it. On stage. And with the audience. New things will happen. And again. And again. And again.<\/p>\n\n\n\n

PAN M 360 : Will the Victoriaville concert offer new things  after what has been achieved ? What would it be, roughly or even more?<\/strong><\/p>\n\n\n\n

MATS GUSTAFSSON :<\/strong>  ;))<\/p>\n\n\n\n

Yeah \u2013 let’s hope some new things will POP out! I’m pretty sure, since we have waited 2 years now to play together\u2026 it will be an EXPLOSION never ever heard of before. Followed by some bad- ass IMPLOSIONS \u2013 and if we survive that, we will try to play something entirely different  at the end of the concert. Watch out for THAT!<\/p>\n\n\n\n

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