{"id":54083,"date":"2021-10-08T14:33:06","date_gmt":"2021-10-08T18:33:06","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&p=54083"},"modified":"2021-10-11T09:31:22","modified_gmt":"2021-10-11T13:31:22","slug":"southern-attitude-northern-latitude-two-nights-of-norte-tropical","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/southern-attitude-northern-latitude-two-nights-of-norte-tropical\/","title":{"rendered":"Southern Attitude, Northern Latitude: Two Nights of Nort\u00e9 Tropical"},"content":{"rendered":"\n

After too long a wait\u2014the inaugural edition was in 2019, and the of course the pandemic happened\u2014the Nort\u00e9 Tropical is back at last, and then back again. The 2021 edition makes up for the missing year with two nights, each distinct in its sounds yet both following an exciting formula. The soir\u00e9es are overseen by Boog\u00e1t<\/a>, a Latin-music leader in Quebec\u2014a rapper, singer, DJ, producer and radio host, though he\u2019ll be doing little of any of that, as artistic director, truly a task for an octopus what with the incredible array of local Latin talent on hand, in all aspects of the productions. PAN M 360 connected with self-described \u201cMexicanuck\u201d Boog\u00e1t, aka Daniel Russo Garrido, for a painstaking review of everyone involved in the wild weekend ahead.<\/strong><\/p>\n\n\n\n

PAN M 360: What\u2019s the overall theme or intention of the Nort\u00e9 Tropical shows?<\/strong><\/p>\n\n\n\n

Boog\u00e1t: <\/strong>The intention is to celebrate the incredible Latin music scene that we have in Montreal right now, and that has been blooming in an unprecedented way recently. This year, Nort\u00e9 Tropical is two nights, but we could have easily\u2014with the right budget\u2014done four or five nights with the talent that is around, and I don’t think that this\u2014the amount of quality Latin music projects in Montreal right now\u2014ever happened before. The point of Nort\u00e9 Tropical is to create unique shows with two Latin bands that merge into a monster ensemble for the last set of the night\u2014that’s the trademark, the descarga<\/em>\/palomazo<\/em> and live collaboration aspect of it, with an open-minded, inclusive and diverse spirit.<\/p>\n\n\n\n

PAN M 360: The first night\u2019s focus appears to be South American sounds \u2013 cumbia, champeta, reggaeton \u2013 crossed with hip-hop. What can you tell me about the two main acts, Sonido Pesao and Ramon Chicharron, and their special guests for the evening, Baby K, No\u00e9 Lira and Elo Sono, and of course DJ Pituca Putica?<\/strong><\/p>\n\n\n\n

Boog\u00e1t: <\/strong>Sonido Pesao<\/strong><\/a> are good friends of mine, I had the chance to co-produce their last record Todo Revuelto<\/em>. They’re Montreal’s Latin-scene OGs, veterans, respected, active and involved in the community. Their main composer, Ian Lettre, is also part of the Japanese psychedelic surf rock band Teke Teke. Loopy Monster, their bassist, is a great finger-drummer on the Maschine pad, and also involved with Loop Sessions. Luny and Chellz, the vocalists, are involved in the label Nort\u00e9 Rec and used to be in Heavy Soundz and other great projects. They have a killer show that has a feel of Rage Against the Machine mixed with Cypress Hill. I love their music.<\/p>\n\n\n\n

Ramon Chicharron<\/strong><\/a> is a Colombian from Medellin who immigrated 10 years ago and played every week at l’Escalier, that alternative bar at Berri-UQAM, for almost six years straight. He’s now blowing up provincially, with an ADISQ nomination, and nationally and internationally with his last record Pescador de Sue\u00f1os <\/em>which I also produced. His music and show are elegant, modern, dancey, romantic and sensual but without the kitsch aspect of those last two. A crowdpleaser.<\/p>\n\n\n\n

Baby K is Chellz\u2019s sister, one of the greatest Spanish rappers to ever touch a mic in Montreal, some kind of Salvadorian Lady of Rage (The Chronic). No\u00e9 Lira is a multitalented artist, a really good actress and an incredible dancer who\u2019s also starting a music career. There’s a chill Lhasa feel to what she does with a happier, younger, refreshing twist of the new generation to it. Elo Sono is one half of El Son Sono<\/strong><\/a>, a group she has with her brother, the great guitarist and singer Tito Sono. She has a smooth, beautiful, raspy and smoky voice that can remind one of Alejandra Ribera. Of Qu\u00e9b\u00e9cois and Peruvian decent, she brings that Andes feel to our scene that is mostly Caribe. Finally, there\u2019s Pituca Putica<\/strong><\/a>, also of Peruvian origin, from the new generation, a really cool DJ who is part of the new international Latin-urban scene, dembow, digital, neo-perreo, reggaeton, etc.<\/p>\n\n\n\n

PAN M 360: The second night leans to the Central American, or rather the Caribbean. You\u2019ve got Andy Rubal\u2019s Cuban sounds, and the Nuyorican salsa of Lenga\u00efa Salsa Brava, joined by guests Esmeralda, Noderlis and St\u00e9phanie Osorio, and DJ Zarah Kali in between.<\/strong><\/p>\n\n\n\n

Boog\u00e1t: <\/strong>The second night leans towards the most popular sound of the Gran Caribe: salsa. Andy Rubal<\/strong><\/a> is originally from La Habana. He’s the greatest salsa pianist I ever had the chance to work with. He’s been a great showman since his early childhood, when he was performing with the band Baby Salsa. He recorded several of his records at the EGREM studios (Buena Vista Social Club), then fell in love with a Montrealer and is now right here, working a lot, always inspired, prendido<\/em>. His music is really Cuban, timba-oriented… \u00a1Un vacil\u00f3n!<\/em><\/p>\n\n\n\n

Lenga\u00efa Salsa Brava<\/strong><\/a> is a milestone in Montreal. To my taste, the best salsa band to perform their own material, not covers, in Canada. They’ve also been the backing band for some of the greatest salsa artists in the game, including Ismael Miranda and Yoko Mimata. They’ve been nominated for the last Junos, and are signed to Toronto’s Lula World Records. They’re 12 in the band, it’s big and loud and powerful.<\/p>\n\n\n\n

Esmeralda is a really talented singer and guitarist with a crystal voice who toured a lot with Samian and was around Montreal’s hip-hop scene in her beginnings. She leans more toward nueva trova now, performing her own compositions. Noderlis is a great Cuban singer, involved in the show Fiesta Cubana at NAC last summer in Ottawa. Great powerful voice, the real deal. St\u00e9phanie Osorio is the main singer of the Colombian music band Bumaranga<\/strong><\/a>, which explores Afro-Colombian sounds. DJ Zarah Kali is the woman behind Provoxmtl<\/strong><\/a>, a really cool multidisciplinary space that also streams shows, and she also happens to be an amazing old-school salsa and cumbia DJ.<\/p>\n\n\n\n

PAN M 360: The visual aspect of these two soir\u00e9es is very developed. There\u2019s a VJ, Eli Levinson, lighting design by Chele, the photographer Carlos Guerra, and overall mise en sc\u00e8ne care of Carmen Ruiz. How is that side of things shaping up?<\/strong><\/p>\n\n\n\n

Boog\u00e1t: <\/strong>It’s shaping up great. I don’t think we can do big musical events in 2021 without thinking about the visual aspect of it. The idea is to do something tropical but northern at the same time. We’re lucky that we have a lot of talent right here. Carmen Ruiz is the artistic director for Gypsy Kumbia Orchestra<\/strong><\/a>. They have crazy shows. Having Carmen to do the mise en sc\u00e8ne was just natural, she said yes right away. Same for Eli Levinson, he’s one of the hottest music producers in Montreal with his project Oonga<\/strong><\/a>, but also happens to be a kickass VJ too. He did amazing visuals for Afrotronix’s last tour and he was part of the first Nort\u00e9 Tropical night back in 2019, so it’s just a natural fit to have him doing that. Chele is my favourite MC but also a great tech who studied lighting. We do a lot of projects together so having him designing the lights feels like home.<\/p>\n\n\n\n

Carlos Guerra and myself became friends after a trip to CDMX and Oaxaca back in 2017 to film two videos for mySan Cristobal Baile Inn <\/em>record. Since then he became one of the most prolific video directors in Qu\u00e9b\u00e9cois hip-hop, also shooting for French artist Kaaris and winning a G\u00e9meaux prize\u2014the Oscars for qu\u00e9b\u00e9cois TV shows\u2014for theCannabis Ill\u00e9gal <\/em>documentary in collaboration with Simon Coutu for Vice, he even acted in a movie recently. He just never stops and has the best eye around. We’re blessed to have the privilege to all work together for two nights, makes us all proud. Everybody is really talented and respects each other as artists. Feels incre\u00edble y inspirador<\/em>.<\/p>\n\n\n\n

PAN M 360: I was going to ask, why aren\u2019t you yourself performing, or even just hosting \u2013 it\u2019s Elkin Polo from CISM who\u2019ll be the MC for the nights \u2013 but I imagine as artistic director of the events, you\u2019ll have your hands full!<\/strong><\/p>\n\n\n\n

Boog\u00e1t: <\/strong>I think Elkin Polo<\/strong><\/a> will have way more fun than myself MCing both nights, and the more fun someone is having on stage, the more fun to watch and listen. He’s been doing his radio show nonstop since 2013 and has hosted several events, so he’s the man for the job. I’ll be dropping verses here and there both nights, though. This Nort\u00e9 Tropical thing is like doing features without going to the studio, creating the excuse to work with people I appreciate on an artistic and human level. But to answer your question, yes, it’s a lot of work to do this, but it’s beautiful to come together to do something we all love, live Latin music, and celebrate our heritage with pride.<\/p>\n\n\n\n

Andy Rubal photo: Marion Brunelle; Ramon Chicharron photo: VictorineYok<\/em><\/p>\n\n\n\n

At Le National (1220 Sainte-Catherine E.) on Friday and Saturday, Oct. 15-16. Each night $25 (+taxes and service) or both for $40 (+taxes and service). <\/em><\/strong>More info here<\/em><\/strong><\/a>.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

After too long a wait\u2014the inaugural edition was in 2019, and the of course the pandemic happened\u2014the Nort\u00e9 Tropical is back at last, and then back again. The 2021 edition makes up for the missing year with two nights, each distinct in its sounds yet both following an exciting formula. The soir\u00e9es are overseen by […]<\/p>\n","protected":false},"author":62,"featured_media":54085,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3105,3128,3191,4535,4114,3285],"class_list":["post-54083","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-champeta-2","genre-cumbia-2","genre-hip-hop-2","genre-latino-en-2","genre-reggaeton-en","genre-salsa-2"],"acf":[],"yoast_head":"\nSouthern Attitude, Northern Latitude: Two Nights of Nort\u00e9 Tropical - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/southern-attitude-northern-latitude-two-nights-of-norte-tropical\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Southern Attitude, Northern Latitude: Two Nights of Nort\u00e9 Tropical - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"After too long a wait\u2014the inaugural edition was in 2019, and the of course the pandemic happened\u2014the Nort\u00e9 Tropical is back at last, and then back again. 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