{"id":32599,"date":"2020-11-12T14:06:13","date_gmt":"2020-11-12T19:06:13","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/"},"modified":"2020-11-12T14:14:34","modified_gmt":"2020-11-12T19:14:34","slug":"group-modular-loin-dans-la-quatrieme-dimension","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/","title":{"rendered":"Group Modular: Far out in the fourth dimension"},"content":{"rendered":"\n

Photos: Eldad Menuhin<\/em><\/p>\n\n\n\n

Time heals all wounds. This includes the excruciating heartache and howling void in the auditory canals of retro synth-funk afficionados, who\u2019ve had to wait eight years for a new album from Israel\u2019s Group Modular, following their fascinating debut, The Mystery of Mordy Laye<\/em><\/strong><\/a>, in 2012. The core of Group Modular is Jerusalem\u2019s Markey Funk, founder of the Delights label, and Tel Aviv\u2019s Harel Schreiber, AKA Mule Driver, mastermind of the Confused Machines imprint. The two busy musicians, producers, and DJs share an intense enthusiasm for the strange and wonderful sounds of obscure (and often anonymous) soundtrack and library music from the glory days of vinyl. This they\u2019ve channelled into the Group Modular project, which now presents its new album, Time Masters<\/em>, created with contributions from numerous friends. PAN M 360 corresponded with the pair to talk about Time Masters<\/em>, and everything else they\u2019ve been up to lately.<\/p>\n\n\n\n

PAN M 360: <\/strong>Group Modular is a celebration of older-generation, analog electronic musical instruments. There\u2019s still so much love out there for the sounds of those devices \u2013 so familiar, yet exceedingly strange! Why do you two appreciate them so much?<\/p>\n\n\n\n

Mule Driver:<\/strong> When I started on my way with electronic music, VSTs or software synth sounds weren\u2019t as good, and were too heavy on the CPU, and midi controllers with assignable knobs were not as available as today. So in order to have real-time control over the instrument \u2013 I always liked to play live \u2013 and have more decent sound, I bought my first synth, a Roland SH09. Back then, vintage synths were less expensive than nowadays. I also like the limitations in some of them \u2013 it allows you focus and squeeze more from the machine. As for that old-school analog sound \u2013 today it can be achieved with digital or modern instruments (or software), so the most important thing to me is an intuitive instrument that I could start playing straight away.<\/p>\n\n\n\n

Markey Funk:<\/strong> I think that to me, it\u2019s a matter of a certain aesthetic that I gravitate to. And yes \u2013 a certain amount of nostalgia too. There\u2019s something very unique about the sounds of the Space Age era, this romance and anticipation of how far the technology is going to take us in the not-so-distant future. Besides, I tend to believe that there\u2019s still a lot of unrevealed potential in all these instruments. I mean, over the last 60 years, a lot of great ideas, sound- or genre-wise, had been abandoned long before they\u2019d been fully explored \u2013 just for the sake of progress and changing trends. And now, we can take a few steps back and follow those old paths again a bit further \u2013 and from a very different, broader perspective.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

PAN M 360: <\/strong>Even though this is an album about retro electronics, the key element is the drummers \u2013 the \u201ctime masters\u201d of the title \u2013 who build the foundations of the pieces. They include Matan Assayag of Afrobeat powerhouse Hoodna Orchestra \u2013 who hits hard, as expected! Tell me about that creative strategy, and what the different drummers brought to the table.<\/p>\n\n\n\n

MD:<\/strong> Since you\u2019ve mentioned Matan, I must admit that I wanted to work with him for a very long time. I met him at a dinner with his brother and we had an interesting talk about polyrhythm, African and electronic music. So, although we still didn\u2019t get to play together in the same room, and only created tracks based on his drumming, it\u2019s great to finally release something in collaboration with him. For the main question: each drummer brought his own feel, energy, and style \u2013 which later had an effect on what Markey and I overdubbed in the studio.<\/p>\n\n\n\n

MF:<\/strong> After finishing the Mordy Laye<\/em> album, we realized that drums are very much a driving force behind our creativity in the studio (both cuts on our 45 started off as a drum recordings by our friend, Sagi Sachs). Now, given the Audio Montage connection, we were literally surrounded by the crop of Israel\u2019s finest groove drummers \u2013 that\u2019s how the idea of working with more than one drummer on the next album came along. We didn\u2019t have particular parts to record, only a small bunch of genre references that didn\u2019t really impact the recording. After all, every player just brought his distinctive style, picked the BPM for each take and played along with the metronome (and sometimes, without it as well).<\/p>\n\n\n\n

Everyone approached the session differently. For instance, Ori Lavi was switching patterns every few bars within the same take, Sagi recorded a lot of five- to six-minute loops, and Matan had come up with a very clear song structure in each take \u2013 A and B parts, a solo\/drum-break part, a beginning and end \u2013 all made up in the moment. So yeah, every stickman had his own unique character, which was setting a backbone not only for our playing, but for the whole arrangement.<\/p>\n\n\n\n

PAN M 360: <\/strong>In addition to the drummers, you have a vocalist on just one track of the otherwise instrumental album. No lyrics, just celestial atmospherics on the final part of \u201cThe Phantom Mazone\u201d, care of Zohar Shafir. I think that\u2019s my favourite moment on the record.<\/p>\n\n\n\n

MD: <\/strong>Thank you! Zohar, AKA Nico Teen, is a very interesting and talented singer. I would recommend checking out her releases, and if possible, her live shows. Over the years, I had worked with her many times \u2013 from releasing her music on my label to mixing and playing live \u2013 but I think it\u2019s the first time we\u2019ve been actually recording something together. It was Markey who suggested that she do the vocals on \u201cThe Phantom Mazone\u201d, and apparently it turned out good.<\/p>\n\n\n\n

MF:<\/strong> As we were making progress with this tune, Harel suggested adding vocals \u2013 and Zohar was my immediate candidate! I had no doubt it would turn out good and I\u2019m glad she agreed. I guess we\u2019re both big fans of her work. <\/p>\n\n\n\n

PAN M 360: <\/strong>The title is a tip of the hat to French animator Ren\u00e9 Laloux, whose films were so representative of a certain psychedelic science-fantasy sensibility of the late \u201970s and early \u201980s, which goes hand in hand with the sonic aesthetics of that era\u2019s electronic music. Any thoughts on that \u2013 and on your amazing cover artwork, by Nick Taylor of Spectral Studio in the U.K.?<\/p>\n\n\n\n

MF: <\/strong>Actually, the project got its codename \u201cTime Masters\u201d at the very early stage, when we were still scheduling recording sessions with each drummer. The title refers to two different films: first, of course, is Ren\u00e9 Laloux\u2019 1982 animated feature of the same name, Les Ma\u00eetres du temps<\/em>, which deals a lot with the topic of time travel. And the other one is the 2000 documentary by B+, Keepintime<\/em>, which focuses on the drummers behind classic hip-hop breaks. So basically, our \u201ctime masters\u201d were the drummers, because they set the time for each track \u2013 but also the leading rhythm behind our own journeys in time, exploring sounds of the past.<\/p>\n\n\n\n

As much as library and early electronic music is a meeting point between us, it\u2019s also clear that we both grew up with certain sci-fi references, which include plenty of animation. In fact, more than half of the track titles on the album are taken from the 1970s and \u201980s animated films and series.<\/p>\n\n\n\n

Both Harel and I are strongly attached to visuals. Harel is a full-time designer, while I\u2019m more of an amateur with a strong aesthetic vision. We\u2019ve been both fans of Nick Taylor\u2019s work for years, so when Polytechnic Youth, whom Nick often works with, offered us a deal and confirmed that he would be doing the artwork, our excitement was through the roof! Working with Nick was a pure joy \u2013 it took us a few days of ping-ponging references until he came up with two options, the second of which is what you see on the cover. Our sync was immediate \u2013 it was like finally meeting someone else who speaks the same obscure language as we do.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

PAN M 360: <\/strong>Sticking with the theme of time, it\u2019s been eight years since Group Modular\u2019s first album, The Mystery of Mordy Laye<\/em>. Since then, you\u2019ve only released one single, on Markey\u2019s Delights label, for International Synthesizer Day 2018. You\u2019ve both been busy with other things, of course \u2013 what are some recent projects of yours that PAN M360\u2019s readers might dig?<\/p>\n\n\n\n

MD:<\/strong> Eight years is really a long time\u2026 we\u2019ve been working on Time Masters<\/em> for the last few years. Since The Mystery of Mordy Laye<\/em>, I\u2019d done quite a lot \u2013 played a lot and released an album with my industrial band, Mujahideen<\/strong><\/a>; launched a label called Confused Machines<\/strong><\/a>, which focuses on the raw side of electronic music, from less functional club music to other electronic experiments; and had a few releases (and many live shows) under my Mule Driver moniker, including an EP on the infamous Creme Organization<\/strong><\/a> last April. Recently, I\u2019ve also dropped an album under the name Max Schreiber<\/strong><\/a>, which is more about experimental and improvised electronic music<\/p>\n\n\n\n

MF:<\/strong> As you\u2019ve already mentioned, I\u2019m running my own imprint called Delights, where I release 45s by contemporary artists inspired by \u201960s and \u201970s film and library music. This year, we\u2019ve dropped the second seven-inch by London-based Project Gemini<\/strong><\/a>, which was followed by SimfOnyx<\/strong><\/a> (my own collaboration with a super-talented artist and good friend from Haifa, Shuzin), and a new title<\/strong><\/a> is dropping right now, featuring two of my remixes for local bands. In general, 2020, with all its madness, turned out to be my collabs year: besides SimfOnyx and Group Modular, I\u2019ve also released a limited cassette of a library-themed improv session with two friends in Berlin, called Aquasonic Research Society<\/em><\/strong><\/a>, and a whole bunch of other collaborations is in the pipeline for 2021 (fingers crossed!).<\/p>\n","protected":false},"excerpt":{"rendered":"

Photos: Eldad Menuhin Time heals all wounds. This includes the excruciating heartache and howling void in the auditory canals of retro synth-funk afficionados, who\u2019ve had to wait eight years for a new album from Israel\u2019s Group Modular, following their fascinating debut, The Mystery of Mordy Laye, in 2012. The core of Group Modular is Jerusalem\u2019s […]<\/p>\n","protected":false},"author":62,"featured_media":32321,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3155,3169,3304],"class_list":["post-32599","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-electronic","genre-psych-funk","genre-synthwave-2-pop-2"],"acf":[],"yoast_head":"\nGroup Modular: Far out in the fourth dimension - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Group Modular: Far out in the fourth dimension - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Photos: Eldad Menuhin Time heals all wounds. This includes the excruciating heartache and howling void in the auditory canals of retro synth-funk afficionados, who\u2019ve had to wait eight years for a new album from Israel\u2019s Group Modular, following their fascinating debut, The Mystery of Mordy Laye, in 2012. The core of Group Modular is Jerusalem\u2019s […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-12T19:14:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Group-Modular-by-Eldad-Menuhin-01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1071\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/\",\"name\":\"Group Modular: Far out in the fourth dimension - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/Group-Modular-by-Eldad-Menuhin-01.jpg\",\"datePublished\":\"2020-11-12T19:06:13+00:00\",\"dateModified\":\"2020-11-12T19:14:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/#primaryimage\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/Group-Modular-by-Eldad-Menuhin-01.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/Group-Modular-by-Eldad-Menuhin-01.jpg\",\"width\":1500,\"height\":1071},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/group-modular-loin-dans-la-quatrieme-dimension\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Interviews\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Group Modular: Far out in the fourth dimension\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/panm360.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/panm360\\\/\",\"https:\\\/\\\/x.com\\\/PANM360\",\"https:\\\/\\\/www.instagram.com\\\/panm360\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/panm360\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Group Modular: Far out in the fourth dimension - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/","og_locale":"en_US","og_type":"article","og_title":"Group Modular: Far out in the fourth dimension - PAN M 360","og_description":"Photos: Eldad Menuhin Time heals all wounds. This includes the excruciating heartache and howling void in the auditory canals of retro synth-funk afficionados, who\u2019ve had to wait eight years for a new album from Israel\u2019s Group Modular, following their fascinating debut, The Mystery of Mordy Laye, in 2012. The core of Group Modular is Jerusalem\u2019s […]","og_url":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/","og_site_name":"PAN M 360","article_publisher":"https:\/\/www.facebook.com\/panm360\/","article_modified_time":"2020-11-12T19:14:34+00:00","og_image":[{"width":1500,"height":1071,"url":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Group-Modular-by-Eldad-Menuhin-01.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@PANM360","twitter_misc":{"Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/","url":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/","name":"Group Modular: Far out in the fourth dimension - PAN M 360","isPartOf":{"@id":"https:\/\/panm360.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/#primaryimage"},"image":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/#primaryimage"},"thumbnailUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Group-Modular-by-Eldad-Menuhin-01.jpg","datePublished":"2020-11-12T19:06:13+00:00","dateModified":"2020-11-12T19:14:34+00:00","breadcrumb":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/#primaryimage","url":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Group-Modular-by-Eldad-Menuhin-01.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Group-Modular-by-Eldad-Menuhin-01.jpg","width":1500,"height":1071},{"@type":"BreadcrumbList","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/group-modular-loin-dans-la-quatrieme-dimension\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/panm360.com\/en\/"},{"@type":"ListItem","position":2,"name":"Interviews","item":"https:\/\/panm360.com\/en\/interviews-panm360\/"},{"@type":"ListItem","position":3,"name":"Group Modular: Far out in the fourth dimension"}]},{"@type":"WebSite","@id":"https:\/\/panm360.com\/en\/#website","url":"https:\/\/panm360.com\/en\/","name":"PAN M 360","description":"Le m\u00e9dia num\u00e9rique de la musique !","publisher":{"@id":"https:\/\/panm360.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/panm360.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/panm360.com\/en\/#organization","name":"PAN M 360","url":"https:\/\/panm360.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","width":1663,"height":631,"caption":"PAN M 360"},"image":{"@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/panm360\/","https:\/\/x.com\/PANM360","https:\/\/www.instagram.com\/panm360\/","https:\/\/www.linkedin.com\/company\/panm360\/","https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber"]}]}},"_links":{"self":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/interviews\/32599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/interviews"}],"about":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/types\/interviews"}],"author":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/users\/62"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media\/32321"}],"wp:attachment":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media?parent=32599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/categories?post=32599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/tags?post=32599"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/genre?post=32599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}