{"id":31293,"date":"2020-10-26T13:24:00","date_gmt":"2020-10-26T17:24:00","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/saycet-ce-nest-pas-une-revolte\/"},"modified":"2020-10-26T13:29:57","modified_gmt":"2020-10-26T17:29:57","slug":"saycet-ce-nest-pas-une-revolte","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/saycet-ce-nest-pas-une-revolte\/","title":{"rendered":"Saycet: It\u2019s not a revolt…"},"content":{"rendered":"\n

The artist Saycet, whose real name is Pierre Lefeuvre, has created the original soundtrack for the French Netflix series La R\u00e9volution<\/em>, an ambitious project for both Netflix and himself that earned him the privilege of working with a symphony orchestra for the first time. As a composer, musician, and producer, Saycet has been able to evolve thanks to his influences, collaborations, and concerts. Somewhat involuntarily, he\u2019s recently turned to composing music for moving images. This large-scale project has turned out to be a titanic work that\u2019s given birth to 240 minutes of music mixing modern, powerful electronics with adaptations of works by classical composers such as Beethoven, Bach, Lully, and Handel. Saycet reflects on this great premiere, crowning his 15-year career.<\/p>\n\n\n\n

PAN M 360:<\/strong> How does one go about composing a soundtrack for a Netflix series?<\/p>\n\n\n\n

Saycet: <\/strong>Well, first of all, you do a casting like an actor, with a file that you send in (via an agent). Then we make a demo tape, like the other composers, and then we wait. Then one day, you get a call. But, of course, that\u2019s without mentioning all the upstream work that has been going on for several years for documentaries, films, and advertisements. [NB: the recent soundtrack to the wildlife documentary <\/em>Le Roi B\u00e2tard<\/em><\/strong><\/a>, which he composed with Laurent Garnie<\/em>r]<\/p>\n\n\n\n

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