{"id":156434,"date":"2026-04-23T15:38:29","date_gmt":"2026-04-23T19:38:29","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/"},"modified":"2026-04-26T14:37:22","modified_gmt":"2026-04-26T18:37:22","slug":"codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/","title":{"rendered":"Codes d&#8217;Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>This Sunday, April 26, at the Sala Rossa, the organization Codes d\u2019acc\u00e8s presents *Constellations corporelles*, a program featuring emerging composers from Quebec who explore \u201cthe body and the unusual aspects of staging.\u201d<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong><em>Gabo Champagne and Rebecca Gray have collaborated on a musical theater piece that pushes the emotional boundaries of the audience and the physical limits of the singer, blending classical singing with performance art.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong><em>\u201cAssembly Line Apparitions,\u201d by Nicholas Ma, is a work for cello and electronics. All electronic elements are created from cello recordings, edited to appear as ghostly apparitions during the live performance. This piece is presented in collaboration with the Vivier Interuniversitaire (ViU).<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong><em>The duo Gabriela Tom\u00e9 and Christophe Lengel\u00e9 present Caos Celestial by Archivos for electronics, guitar, and voice, 2024 (25 min), a performance blending electronic music, guitar, visuals, and voice, inspired by the theory of black holes and cosmic forces.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><em>Alexis Blais presents Crowdwork, for violin, viola, and speakers placed on the audience\u2019s laps, inspired by the interactions observed between a performer and their audience.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Alexis explains the ins and outs to us.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: Tell us about your background!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Alexis Blais\u00a0: <\/strong>After training as a classical pianist, I earned a bachelor\u2019s degree in electroacoustics at the Conservatoire de musique de Montr\u00e9al under Louis Dufort. There, I learned the fundamentals of acousmatics and developed my own edgy, raw compositional style, with pieces such as *Skand* (2021) and *animal_farm* (2022). I then completed a master\u2019s degree in composition and sound design at the University of Montreal with Ana Dall\u2019Ara-Majek. There, I conducted research on types of collaboration in electroacoustic music and began composing mixed-media music, a practice I had not previously pursued. Crowdwork is one of the pieces I composed during this period. I also compose for the stage, creating music for dance and theater productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: What are your aesthetic preferences in music?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Alexis Blais\u00a0:<\/strong> In electroacoustic music, I appreciate works that emphasize the malleability and abstraction of the material, using an organic approach.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: You\u2019ve composed a piece for viola and speakers placed on the audience\u2019s laps, and you say you drew inspiration from the interactions between a comedian and their audience. Can you explain the reasoning behind these choices? What kind of speakers are they? How does the interaction between a comedian and their audience inspire you?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Alexis Blais\u00a0: <\/strong><em>Crowdwork<\/em> was conceived as a reimagining of a classic comedy routine, alternating between moments of monologue and moments of interaction with the audience. H\u00e9lios, on the violin, plays the role of the comedian on stage and cracks jokes at his instrument, to which the eight speakers in the audience\u2014which I operate live\u2014respond.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">These speakers are old living room speakers I found for a few dollars at a thrift store. They play electroacoustic transformations of studio recordings of H\u00e9lios\u2019s instrument, serving as reactions to his jokes. The inspiration for the piece came to me while I was thinking about the audience\u2019s role in contemporary music. I wanted to find a way to integrate the audience into the piece\u2019s narrative. The parallel with stand-up comedy came quite naturally.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">In this type of performance, audience participation and their reactions are almost as important as the performer\u2019s role on stage. The audience chuckles, is surprised, takes offense, or walks out, sometimes even influencing the course of the act. I felt there was something truly musical about these interactions, which is why I wanted to set them entirely to music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: What are your upcoming projects?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Alexis Blais\u00a0: <\/strong>I am currently working on the presentation of a collaborative acousmatic work titled *Les brasiers mobiles*. It is a semi-narrative piece featuring Amaryllis Tremblay reading texts by Hannah Arendt, drawn from her book *The Nature of Totalitarianism*. I am also working on the composition of a new semi-narrative long-form piece in the same vein, which can be experienced in a concert hall like a film without images.<\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"156279\"><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROGRAM<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicholas Ma, Assembly Line Apparitions, for solo cello and electronics (6\u201930\u201d). 2025.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jaeyoung Chong, cello<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabo Champagne\/Rebecca Gray \u201cFunnelleries,\u201d 2025 (25\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabo Champagne, composition<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rebecca Gray, composition and vocals<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">INTERMISSION<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexis Blais \u201cCrowdwork\u201d for violin and electronics, 2025 (10\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexis Blais, composition<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">H\u00e9lios Paradis, violin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabriela Tom\u00e9 and Christophe Lengel\u00e9 \u201cCaos Celestial de Archivos\u201d for electronics, guitar, and voice, 2024 (25\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabriela Tom\u00e9, composition and guitar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Christophe Lengel\u00e9, composition and electronics<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Sunday, April 26, at the Sala Rossa, the organization Codes d\u2019acc\u00e8s presents *Constellations corporelles*, a program featuring emerging composers from Quebec who explore \u201cthe body and the unusual aspects of staging.\u201d Gabo Champagne and Rebecca Gray have collaborated on a musical theater piece that pushes the emotional boundaries of the audience and the physical [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":156330,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false},"categories":[4628],"tags":[],"genre":[],"class_list":["post-156434","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Codes d&#039;Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Codes d&#039;Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"This Sunday, April 26, at the Sala Rossa, the organization Codes d\u2019acc\u00e8s presents *Constellations corporelles*, a program featuring emerging composers from Quebec who explore \u201cthe body and the unusual aspects of staging.\u201d Gabo Champagne and Rebecca Gray have collaborated on a musical theater piece that pushes the emotional boundaries of the audience and the physical [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-26T18:37:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2026\/04\/Alexis-Blais.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"996\" \/>\n\t<meta property=\"og:image:height\" content=\"697\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/\",\"name\":\"Codes d'Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/Alexis-Blais.jpg\",\"datePublished\":\"2026-04-23T19:38:29+00:00\",\"dateModified\":\"2026-04-26T18:37:22+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/#primaryimage\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/Alexis-Blais.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/Alexis-Blais.jpg\",\"width\":996,\"height\":697},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Interviews\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/interviews-panm360\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Codes d&rsquo;Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/panm360.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/panm360\\\/\",\"https:\\\/\\\/x.com\\\/PANM360\",\"https:\\\/\\\/www.instagram.com\\\/panm360\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/panm360\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Codes d'Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/","og_locale":"en_US","og_type":"article","og_title":"Codes d'Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360","og_description":"This Sunday, April 26, at the Sala Rossa, the organization Codes d\u2019acc\u00e8s presents *Constellations corporelles*, a program featuring emerging composers from Quebec who explore \u201cthe body and the unusual aspects of staging.\u201d Gabo Champagne and Rebecca Gray have collaborated on a musical theater piece that pushes the emotional boundaries of the audience and the physical [&hellip;]","og_url":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/","og_site_name":"PAN M 360","article_publisher":"https:\/\/www.facebook.com\/panm360\/","article_modified_time":"2026-04-26T18:37:22+00:00","og_image":[{"width":996,"height":697,"url":"https:\/\/panm360.com\/wp-content\/uploads\/2026\/04\/Alexis-Blais.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@PANM360","twitter_misc":{"Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/","url":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/","name":"Codes d'Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers - PAN M 360","isPartOf":{"@id":"https:\/\/panm360.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/#primaryimage"},"image":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/#primaryimage"},"thumbnailUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2026\/04\/Alexis-Blais.jpg","datePublished":"2026-04-23T19:38:29+00:00","dateModified":"2026-04-26T18:37:22+00:00","breadcrumb":{"@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/#primaryimage","url":"https:\/\/panm360.com\/wp-content\/uploads\/2026\/04\/Alexis-Blais.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2026\/04\/Alexis-Blais.jpg","width":996,"height":697},{"@type":"BreadcrumbList","@id":"https:\/\/panm360.com\/en\/interviews-panm360\/codes-dacces-constellations-corporelles-crowdwork-dalexis-blais-pour-violons-alto-et-hauts-parleurs\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/panm360.com\/en\/"},{"@type":"ListItem","position":2,"name":"Interviews","item":"https:\/\/panm360.com\/en\/interviews-panm360\/"},{"@type":"ListItem","position":3,"name":"Codes d&rsquo;Acc\u00e8s, Constellations corporelles | \u201cCrowdwork\u201d by Alexis Blais, for Violins, Viola, and Loudspeakers"}]},{"@type":"WebSite","@id":"https:\/\/panm360.com\/en\/#website","url":"https:\/\/panm360.com\/en\/","name":"PAN M 360","description":"Le m\u00e9dia num\u00e9rique de la musique !","publisher":{"@id":"https:\/\/panm360.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/panm360.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/panm360.com\/en\/#organization","name":"PAN M 360","url":"https:\/\/panm360.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","width":1663,"height":631,"caption":"PAN M 360"},"image":{"@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/panm360\/","https:\/\/x.com\/PANM360","https:\/\/www.instagram.com\/panm360\/","https:\/\/www.linkedin.com\/company\/panm360\/","https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber"]}]}},"_links":{"self":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/interviews\/156434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/interviews"}],"about":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/types\/interviews"}],"author":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/users\/36"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media\/156330"}],"wp:attachment":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media?parent=156434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/categories?post=156434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/tags?post=156434"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/genre?post=156434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}