{"id":154219,"date":"2026-03-11T16:23:08","date_gmt":"2026-03-11T20:23:08","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/semaine-du-neuf-soiree-dimpro-collective-avec-no-hay-banda-ana-maria-romano-et-limules-montreal\/"},"modified":"2026-03-11T16:34:53","modified_gmt":"2026-03-11T20:34:53","slug":"semaine-du-neuf-free-improv-night-no-hay-banda-ana-maria-romano-limules-montreal","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-free-improv-night-no-hay-banda-ana-maria-romano-limules-montreal\/","title":{"rendered":"Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The Montreal ensemble No Hay Banda presents a creation by Ana Maria Romano on Sunday, March 15, 2026, at La Sala Rossa, on the occasion of the fourth edition of La Semaine du Neuf, from Le Vivier. The title <\/strong><strong><em>nadie nos quita lo bailado<\/em><\/strong><strong> (no one can take away what we have danced) refers to a well-known saying in the Latino community, which means that no one can ever take away what we possess inside. I quote here the official definition of the project:<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong><em>A meeting of bodies, memories, dreams, and sensibilities that intertwine through listening and curiosity. This work brings together sound universes nourished by personal stories, connections with instruments, emotions, trust, and cultural exchanges. It is an invitation to breathe, imagine, create, transform. A space where conversation, meticulousness, subtlety, vulnerability, the small, the fragile intersect. A bet on the presents, the pasts, and the futures that connect us and speak to us.<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>This being a double bill concert, the Limules ensemble will offer us a dive into completely free and spontaneous collective improvisation. I spoke with Noam Bierstone, percussionist, and Daniel \u00c1\u00f1ez (Ondes Martenot) from No Hay Banda, as well as \u00c9ric Normand, bassist of Limules, to learn more about the program and what adventurous music lovers can expect.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/levivier.ca\/en\/concert\/2025-26-season\/limules-no-hay-banda-ana-maria-romano\"><strong>DETAILS AND TICKETS<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Hello, gentlemen. Let&#8217;s start with the creation of Ana Maria Romano&#8217;s piece. Who is she, and what can you tell us about her music?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Daniel \u00c1\u00f1ez (No Hay Banda): <\/strong>Ana Maria is one of the key figures of the recent contemporary music scene in Bogot\u00e1 (Colombia), which emerged in the early 2000s. She is fundamentally an electroacoustic artist. There was a period when she created acoustic pieces at the end of the 90s and 2000s. After that, she exclusively switched to electro for about twenty years. She is the director of a festival called En Tiempo Real. At first, it was a festival of electro-acoustic sound art, but at some point, she transformed the festival into a feminist artistic platform. She is a pioneer in Colombia. It was the first organization there to take on an entirely feminist vocation, I think.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Her own electro-acoustic pieces talk about feminism, talk about women. Recently, she has started taking commissions, but these are collaborative commissions.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">That&#8217;s what we&#8217;re going to do with her. For now, we have only held workshops where we shared feelings, where we shared questions, where we did collective listening. We shared field recordings, which will be used.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">She arrived in Montreal about a week ago to build the piece with us, for a week and a half.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1895456307&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/norient\" title=\"Norient\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Norient<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/norient\/cuando-el-fuego-suena\" title=\"Cuando el Fuego Suena\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Cuando el Fuego Suena<\/a><\/div>\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: So there&#8217;s quite a bit of improvisation?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Daniel \u00c1\u00f1ez (No Hay Banda):<\/strong> Yes, we believe there will still be a lot of room for improvisation in what is to come. She will play the computer with us. She will be doing electroacoustic work and manipulations, combining recordings we&#8217;ve made so far, with soundscapes already created.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">There will also be a cello with Audrey-Anne Filion, Pablo Jim\u00e9nez on double bass, Lori Freedman on bass clarinet, Noam Bierstone on percussion, and myself on Ondes Martenot.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Anna-Maria will be on the electroacoustic. We will be six.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: So, she no longer limits herself to just electro in her compositions? Why?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Daniel \u00c1\u00f1ez (No Hay Banda): <\/strong>I imagine people have asked her to create works. For my part, I know that I begged her for years to write an electroacoustic piece. Then, it never materialised. I think this project was the way to finally fulfil the order I wanted to place with her.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Tell me about the work.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Noam Bierstone (No Hay Banda): <\/strong>There will be an immersive electroacoustic space with six speakers surrounding the audience, in addition to the band playing. We will mix immersive electroacoustic ideas with the performance of acoustic instruments.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Why this title? Is there dancing?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Noam Bierstone (No Hay Banda): <\/strong>Not dance as such, but there might be some movement. That said, the title also refers to the individual baggage that each person, musician, or female musician in the group has, and that they bring to the piece. The piece is based on the individual experiences that everyone brings and which create a collective experience. Ana Maria often uses popular references as titles for her compositions. No one can take away what we&#8217;ve danced, it means that no one can take away our memories, our experiences. That&#8217;s what belongs to us deeply.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Will you be in Rimouski (Qc) on March 13th as well?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Noam Bierstone (No Hay Banda): <\/strong>Yes, because this project is a collaboration with Tour de Bras, from Rimouski. For a few years now, we&#8217;ve been inviting Tour de Bras projects to our place, and then they invite us to theirs. We have a lot of respect and admiration for Tour de Bras&#8217; work in contemporary creation and improvisation music in smaller communities outside Montreal.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: How does this creation fit into Ana Maria Romano&#8217;s feminist approach that you were talking about earlier?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Noam Bierstone (No Hay Banda): <\/strong>Her feminist reflection leads her to want to destroy all these monolithic, patriarchal figures that construct Western classical music. The idea of collaboration is based on the premise that collective knowledge is as important and fundamental as the creation of the composer genius, often male of course.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Among the characters she has highlighted in her previous works, there is the witch, this person condemned, burnt because she had a knowledge that was different, a collective knowledge. That&#8217;s one of the things she wants to convey in this piece.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Regarding Limules, what is it, and how long has it been around?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>\u00c9ric Normand (Limules):<\/strong> We&#8217;ve barely been around for a year. These are all people I&#8217;ve been working with for almost 20 years, and whom I&#8217;ve brought together. It&#8217;s improvisation, but I call it chosen improvisation, in the sense that we know each other very well. There is still an implicit direction, even if it is completely improvised and we won&#8217;t say anything about the music before playing. These are musicians who master what could be called the &#8220;extended language.&#8221; This group is a dream for me. It&#8217;s the perfect group, the ideal group.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: And what does it look like, in terms of sound, style?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>\u00c9ric Normand (Limules):<\/strong> It&#8217;s not going to be free jazz, far from it. We are in the texture, in the listening, in the close listening. One could say that it is something very heartfelt, which does not mean that there are no moments of energy, of contrasts. It&#8217;s a sharing, really a co-creation, and spontaneous. As I said, we won&#8217;t say a word about the music. We have so much trust in each other that we don&#8217;t want to plan anything. With this group, for me, there is no risk factor. I know it will be very satisfying.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Even in spontaneous creation, can there be themes, guidelines?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>\u00c9ric Normand (Limules): <\/strong>No, our philosophy is that anything is possible as long as you start from nothing. If we start from something, we limit ourselves and create a hierarchy. First of all, someone has decided something. For us, it&#8217;s completely collective. There is no choice possible. It&#8217;s music.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Wow. We&#8217;re going to have a lot of fun.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>\u00c9ric Normand (Limules):<\/strong> Oh yes!<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PanM360: Thanks, guys.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>No Hay Banda: <\/strong><strong><em>nadie nos quita lo bailado<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">NO HAY BANDA<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Genevi\u00e8ve Liboiron (violin)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Audr\u00e9anne Filion (cello)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Pablo Jim\u00e9nez (double bass)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Lori Freedman (basse clarinet)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Daniel \u00c1\u00f1ez (ondes Martenot)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Noam Bierstone (percussions)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Ana Mar\u00eda Romano (artistic direction, electronics)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Limules<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Xavier Charles (clarinet)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Barbara Dang (piano)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Peter Orins (drums)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Audrey Lauro (alto saxophone)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Anne-F Jacques (objects)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">\u00c9ric Normand (electric bass)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Montreal ensemble No Hay Banda presents a creation by Ana Maria Romano on Sunday, March 15, 2026, at La Sala Rossa, on the occasion of the fourth edition of La Semaine du Neuf, from Le Vivier. The title nadie nos quita lo bailado (no one can take away what we have danced) refers to [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":154218,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3122,3197],"class_list":["post-154219","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-contemporary","genre-free-improvisation"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview - Soir\u00e9e d\u2019impro collective avec No Hay Banda et Limules - PAN M 360<\/title>\n<meta name=\"description\" content=\"On s&#039;entretient avec des musiciens de No Hay Banda et de Limules pour parler d,une soir\u00e9e d&#039;impro d\u00e9lirante \u00e0 La Sala Rossa (Montr\u00e9al)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-free-improv-night-no-hay-banda-ana-maria-romano-limules-montreal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview - 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