{"id":153888,"date":"2026-03-05T17:10:17","date_gmt":"2026-03-05T22:10:17","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/arion-orchestre-baroque-les-larmes-de-marie-selon-marie-van-rhijn\/"},"modified":"2026-03-06T07:46:33","modified_gmt":"2026-03-06T12:46:33","slug":"arion-orchestre-baroque-les-larmes-de-marie-selon-marie-van-rhijn","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/arion-orchestre-baroque-les-larmes-de-marie-selon-marie-van-rhijn\/","title":{"rendered":"Arion Orchestre Baroque | Marie\u2019s Tears According to Marie\u2026 van Rhijn"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>In the context of International Women\u2019s Rights Day, Arion Baroque Orchestra promises as many tears of joy as of sorrow\u2014sometimes both at once\u2014throughout this program built around the name Marie, an unavoidable one if ever there was one. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Marie, as in the mother of Christ at the foot of the cross in the moving cantata Il pianto di Maria by Giuseppe Battista Ferrandini, but also as in the first name of two eighteenth-century composers who left their mark on opera\u2014Grimani and Agnesi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">For this program, Arion welcomes\u2014fittingly\u2014women of great talent: the contralto Anthea Pichanick and conductor and harpsichordist Marie van Rhijn, invited by PAN M 360 to give us a preview of the two performances scheduled for Saturday, March 7 at 7:30 p.m., and Sunday, March 8 at 2:30 p.m. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Alexandre Villemaire spoke with Marie via video call so that she could tell us about\u2026 Marie.<\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"153521\"><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\">PROGRAM<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Antonio Vivaldi (1678\u20131741)<\/strong><br>Cantate&nbsp;<em>Cessate, omai cessate<\/em>, RV 684<br>Concerto in D minor for strings and basso continuo RV 129, \u00ab Madrigalesco \u00bb<br><strong>Maria Margherita Grimani (fl. 1713\u20131715)<\/strong><br>Cantate&nbsp;<em>Pallade e Marte<\/em>&nbsp;(extraits)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><em>Intermission<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Maria Teresa Agnesi (1720\u20131795)<\/strong><br>Serenata&nbsp;<em>Ulisse in Campania<\/em>&nbsp;(extraits)<br><strong>Giovanni Battista Ferrandini (1709\u20131791)<\/strong><br>Cantate&nbsp;<em>Il pianto di Maria<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:20px\">FEATURED ARTISTS:<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Arion Orchestre Baroque  Les larmes de Marie la cheffe invit\u00e9e nous en cause\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/5JzH-lcy5T8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/arionbaroque.com\/anthea-pichanick\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:20px\"><a href=\"https:\/\/arionbaroque.com\/anthea-pichanick\" target=\"_blank\" rel=\"noreferrer noopener\">Anthea Pichanick<\/a><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><a href=\"https:\/\/arionbaroque.com\/anthea-pichanick\" target=\"_blank\" rel=\"noreferrer noopener\">Contralto<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/arionbaroque.com\/marie-van-rhijn\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:20px\"><a href=\"https:\/\/arionbaroque.com\/marie-van-rhijn\" target=\"_blank\" rel=\"noreferrer noopener\">Marie van Rhijn<\/a><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><a href=\"https:\/\/arionbaroque.com\/marie-van-rhijn\" target=\"_blank\" rel=\"noreferrer noopener\">Clavecin et direction<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the context of International Women\u2019s Rights Day, Arion Baroque Orchestra promises as many tears of joy as of sorrow\u2014sometimes both at once\u2014throughout this program built around the name Marie, an unavoidable one if ever there was one. Marie, as in the mother of Christ at the foot of the cross in the moving cantata [&hellip;]<\/p>\n","protected":false},"author":1466,"featured_media":153810,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3086,8055],"class_list":["post-153888","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-baroque-2","genre-classique-2-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arion Orchestre Baroque | Marie\u2019s Tears According to Marie\u2026 van Rhijn - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/arion-orchestre-baroque-les-larmes-de-marie-selon-marie-van-rhijn\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arion Orchestre Baroque | Marie\u2019s Tears According to Marie\u2026 van Rhijn - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"In the context of International Women\u2019s Rights Day, Arion Baroque Orchestra promises as many tears of joy as of sorrow\u2014sometimes both at once\u2014throughout this program built around the name Marie, an unavoidable one if ever there was one. 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