{"id":152587,"date":"2026-02-11T14:36:47","date_gmt":"2026-02-11T19:36:47","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=152587"},"modified":"2026-02-11T19:38:52","modified_gmt":"2026-02-12T00:38:52","slug":"taverne-tour-fake-friends-dont-overthink-it","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/taverne-tour-fake-friends-dont-overthink-it\/","title":{"rendered":"Taverne Tour | Fake Friends: Don&#8217;t Overthink it."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Operating somewhere between sharp-edged rock, controlled chaos, and self-aware humor, Fake Friends have carved out a space that feels both immediate and slightly unhinged.&nbsp;<\/strong>The Montreal-based six-piece have built a reputation on songs that flirt with noise and tension while never fully letting go of melody, pairing abrasive moments with an instinctive sense of groove.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">With <em>Let\u2019s Not Overthink This<\/em>, their second full-length album arriving February 13, 2026, Fake Friends return with a record that feels bolder, louder, and more confident in its contradictions. It\u2019s a project that reflects a band comfortable with friction between influences, personalities, and ideas, while continuing to evolve beyond their earlier releases.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">As part of Taverne Tour, Fake Friends will be doing a free release show at <a href=\"https:\/\/www.tavernetour.ca\/13-fevrier\">Saint-Sacrament on the 13th of February.<\/a> We caught up with Fake Friends to dig into the ideas, detours, and contradictions that shaped the record and the band around it.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">From Brainstorm to Stage<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: You recently announced your second full-length album, <em>Let\u2019s Not Overthink This<\/em>, coming out February 13, 2026. As a six-piece band, how do you approach writing and arranging? Does everyone contribute equally, or is there one member who leads the demo\/riff process?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> This album is basically Felix\u2019s brainchild. He had a bunch of old demos on his computer, and we listened through them to pick the most inspiring ones. The lyrics are split between Felix and Matt. A lot of the arranging really comes together when we rehearse and play the songs live, which helps the tracks evolve naturally.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Noise, Basslines, and Everything In Between<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Comparing this new album to your previous EPs and albums, and especially to your two singles (<em>Sucker Born Every Minute<\/em> and <em>The Way She Goes<\/em>), there seems to be a shift toward more noise and dissonance. You\u2019ve incorporated more synthesizers, instrumental layering, and tracks that revolve around the bassline. As a band, who would you say are your main inspirations for this album?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> People often compare us to The Hives and Shame. A friend who heard the album early even said we sounded like Spiritual Cramp. Honestly, it\u2019s hard to pin down exactly where our sound comes from because there are so many influences within the band that we don\u2019t all agree on. Luca tends to lean toward heavier music, Felix\u2026 doesn\u2019t really like music at all (no joke). So inspiration kind of comes from a mix of everything and nothing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Following up on that, is there a band or artist people often compare you to that you secretly disagree with?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> In Halifax, some drunk guy almost peed on my shoe and said, \u201cyou guys are like the Canadian blink-182.\u201d I absolutely hated that one.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Finally, are there influences on your sound that have nothing to do with music at all, such as movies, literature, art, or personal experiences, and how do they shape the mood or atmosphere of your songs?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> Oh, the usual stuff \u2014 <em>South Park<\/em>, McDonald\u2019s, the fine city of Cincinnati in the \u201980s, spaghetti\u2026 Basically random pieces of our world end up leaking into the songs and giving them a certain weird vibe.<\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"151863\"><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Tracks, Guests, and Accidental Hits<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Were there any collaborations or guest musicians on this album that fans should look forward to?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> Absolutely. Our good pals Hannah Castelli (Cross Check) and Clarence Tremblay (Birds of Prrrey) contributed some amazing vocals on a few tracks. Akira Sato (Chop Sue Me) helped out with gang vocals and added some dialogue on one track. And, of course, sworn enemy and nemesis Timothy Aaron Bryan (Timo Bryan) of MULCH and DEATH AS IT SHOOK YOU tried to sabotage our recording\u2026 but somehow we ended up using his spoken word vocals for the benefit of the album.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: If you had to describe the new album in one sentence to someone who\u2019s never heard your music, what would you say?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> 80s Cincinnati Spaghetti Chili Rock.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: What\u2019s the track you\u2019re most proud of, and what makes it special compared to everything else you\u2019ve done?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> The last track, <em>Good Friends<\/em>, came together completely out of nowhere. Most of the album has kind of goofy, cheeky lyrics, but <em>Good Friends<\/em> is much more emotional and desperate. It wasn\u2019t even supposed to be on the album, which makes it my personal favorite. It\u2019s raw, unexpected, and heartfelt.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Compared to past releases marked by lineup changes and fragmented recording processes, how does this album reflect your growth as a band?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> This one just feels solid. We were more focused, and everyone\u2019s heart was in the same place. On our last release, we recorded in different studios with different engineers and went through so many lineup changes. Overall, this album feels more organic because it was all made with the same people from start to finish.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Greasy Sets, Big Stages, and Summer Plans<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: You\u2019re doing a free launch show at Saint-Sacrement Bar in Montreal as part of the Taverne Tour. How are you adapting these songs for a live setting, and are there moments in your performance where you like to experiment or improvise?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> You\u2019ll have to come to the show to find out. The set is greasy, and we\u2019re looking forward to performing in such a special space.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: You\u2019ve done some incredible shows in Canada, like your memorable performances with Me First and the Gimme Gimmes, and at Club Soda in Montreal. What can fans expect from your touring and live shows this year?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> We\u2019ll be out and about this summer. There\u2019s a big Pouzza gig on the outdoor stage in spring, and we\u2019ll definitely be hitting Ontario and the Maritimes. We\u2019re also hoping to play some festivals outside Quebec that we\u2019ve never done before. For the latest updates, just check our Instagram.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Closing statement<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM 360: Looking back at this album and your journey as a band, what\u2019s one piece of advice you\u2019d give to other artists about evolving their sound while staying true to themselves?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>MICHEAL KAMPS:<\/strong> Delete TikTok, delete Grindr and Tinder, throw your labubu in a volcano, listen to Miles Davis\u2026 and maybe try opium. Just kidding. The real thing? Have fun, don\u2019t take yourself too seriously, and be nice to each other. That\u2019s the most important part.<\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"151863\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Operating somewhere between sharp-edged rock, controlled chaos, and self-aware humor, Fake Friends have carved out a space that feels both immediate and slightly unhinged.&nbsp;The Montreal-based six-piece have built a reputation on songs that flirt with noise and tension while never fully letting go of melody, pairing abrasive moments with an instinctive sense of groove. With [&hellip;]<\/p>\n","protected":false},"author":1509,"featured_media":152586,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[9071],"genre":[3200,4208,3255],"class_list":["post-152587","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","tag-taverne-tour-2","genre-indie-rock-2","genre-noise-rock-en","genre-post-punk-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Taverne Tour | Fake Friends: Don&#039;t Overthink it. - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/taverne-tour-fake-friends-dont-overthink-it\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Taverne Tour | Fake Friends: Don&#039;t Overthink it. - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Operating somewhere between sharp-edged rock, controlled chaos, and self-aware humor, Fake Friends have carved out a space that feels both immediate and slightly unhinged.&nbsp;The Montreal-based six-piece have built a reputation on songs that flirt with noise and tension while never fully letting go of melody, pairing abrasive moments with an instinctive sense of groove. 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