{"id":151716,"date":"2026-01-23T11:29:09","date_gmt":"2026-01-23T16:29:09","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&p=151716"},"modified":"2026-01-23T11:29:13","modified_gmt":"2026-01-23T16:29:13","slug":"sat-domesicle-luca-lozano-michael-ho-ready-for-a-klassy-night","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/sat-domesicle-luca-lozano-michael-ho-ready-for-a-klassy-night\/","title":{"rendered":"SAT \/ D\u00f4mesicle | Luca Lozano & Michael Ho Ready for a Klassy Night"},"content":{"rendered":"\n

PAN M 360 content creator Z Neto Vinheiras had a lovely chat with British producer & DJ Lucas Hunter aka Luca Lozano K and his Chinese colleague Michael Ho also known as Mr Ho, heads of the Hong Kong based label Klasse Wrecks<\/a> – a multifaceted label combining sound, visuals, design and kinship over an electronic music scene and rave culture. Brought to the <\/strong>D\u00f4mesicle by La Rama Records<\/strong><\/a>, they will be playing this Saturday January 24 at SAT.<\/strong><\/p>\n\n\n\n

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TICKETS & INFOS HERE<\/a><\/strong><\/p>\n\n\n\n

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PAN M 360 : Would you like to start by giving a little introduction of yourselves and your different practices?<\/strong><\/p>\n\n\n\n

Lucas Hunter: <\/strong>I am Lucas Hunter aka Luca Lozano which is my name when I record music and travel as DJ; I\u2019m one half of the duo that runs Klasse Wrecks, the record label that was born in Berlin about 10 years ago and carries on with me in the UK and Michael in Hong Kong. We release records, a lot of zines, we self publish books as well; we produce music and DJ – under the general banner of Klasse Wrecks but also as separate recording artists. <\/p>\n\n\n\n

Michael Ho: <\/strong>My name is Michael Ho, I\u2019m the other half of Klasse Wrecks. I produce music and DJ under the name of Mr. Ho, and I guess Lucas explained the rest!<\/p>\n\n\n\n

PAN M 360 : How did your collaboration start?<\/strong><\/p>\n\n\n\n

Michael Ho :<\/strong> We met in Berlin DJing, we had a lot of mutual friends. We were working under different monikers, in different projects at the time, and I guess we were getting a little bit bored in those; Lucas had the idea to start a label and asked me to join.<\/p>\n\n\n\n

PAN M 360 :<\/strong> Klasse Wrecks is not just a record label releasing music; there\u2019s care with each individual project, the artwork, and as you said, you also produce zines, books and clothing. Was this already in your imagination when you first started or was it something that gradually expanded into your other practices as visual artists?<\/p>\n\n\n\n

Lucas Hunter:<\/strong> It started as a very straightforward record label – we kinda of really only put out records. The artwork and the visual side was always a big part of it because I\u2019ve always done graphic design and I\u2019m a big fan of certain designs and graphics. We had a small crew in Berlin, and the sole purpose of was to just put out records and that\u2019s what we did for a while. Then we started doing tapes as well, we did this series called Graffiti Tapes, which is involved with graffiti people that make music as well and I think that was the first thing that was outside the usual remit of a record label and it started kind of branching off. That was also very interesting to work with the visuals because we wanted to incorporate the artwork of the artists and show the history of their work and show the music. Then the idea of zines came about, the first one was a record label logo archive that we did. It was so popular that we decided to keep on doing the series and build on that. And that\u2019s really grown into like, KFAX having its own identity even though being part of Klasse Wrecks; people know about KFAX but don\u2019t know about Klasse Wrecks maybe. So yeah, it started off as just music and just for us as artists, but it kinda mutate into this bigger scene.<\/p>\n\n\n\n

PAN M 360:<\/strong> As label owners, what do you aim to share with an audience\/community?<\/p>\n\n\n\n

Michael Ho: <\/strong>Musically it\u2019s really just us releasing music that we <\/em>like – we try to not follow trends; it sounds pretty clich\u00e9 to say this but it\u2019s really just stuff that we like rather than think if this is gonna sell. We release music from artists that we feel need to be heard – a lot of the artists we release might be their first or second release. A lot of them actually get on to become pretty well known and it\u2019s quite an honour that they chose us as a home for their first release. I think it\u2019s because the taste of the label is quite eclectic, it\u2019s very personal, you know, based on friendship and common passions. Most of the people we work with have a certain degree of personal connection.<\/p>\n\n\n\n

PAN M 360: What\u2019s your connection to La Rama?<\/strong><\/p>\n\n\n\n

Lucas Hunter:<\/strong> I was DJing in Bogot\u00e1, Colombia, and I just remember Kris Guilty, who runs La Rama, turning up at the club or for dinner straight from the jungle and I was just like \u201coh this guy is awesome, who is this dude\u201d you know, turning up to the party super laid back coming off of the wilderness on his own. So we stayed in touch since then, we had a really good time in Bogot\u00e1. Since then I\u2019ve done a couple of pieces of artwork for his label and I\u2019ve been to see him when I\u2019ve been to Montr\u00e9al before which is a handful of times. What he does is quite similar to what we do, he has quite a similar approach to music and the kind of music he wants to release, from his wife and his friends, more of a local thing. We\u2019ll stay at the record shop with him and his family the time we\u2019re there and we\u2019ll do small collaboration on a t-shirt project. I don\u2019t know how long we\u2019ve known each other but it’s probably been under 10 years, so it\u2019ll be a good reunion.<\/p>\n\n\n\n

PAN M 360 : And what\u2019s the role of the DJ for you? How do you feel it has changed throughout the years?<\/strong><\/p>\n\n\n\n

Lucas Hunter: <\/strong>It\u2019s such a huge part of my persona and my identity, we\u2019ve been doing it for over 20 years now – first parties I was DJing was like 99\u2019 early 2000\u2019s – so the role of the DJ is like half of my life now. If you\u2019re talking about the role of a DJ in the public, in the party, it means different things. I\u2019m a big fan of DJs that somehow manage to bring their own flavour and their own taste of music to the party, but also remembering that they\u2019re there to provide a service, and make a party be as good as it can be; which can be confused sometimes, as some DJs sometimes impose too much of their taste and style on people and ignore the ambiance of the party. I think the role of the DJ is to be super sensitive to what\u2019s happening in the party, what people are looking for, what works, what can they repeat, without going too far in one direction. It\u2019s a thin line between making a good job and the ego taking over. So yeah, to temper your ego and help create an atmosphere.<\/p>\n\n\n\n

Michael Ho: <\/strong>Yeah, I agree with everything he says. It has changed a lot since I started out, it was much more about like \u201coh listen to this kind of music I <\/em>have to play\u201d, you know, much more ego driven. You have to weave that balance. Now it\u2019s much more about doing your best to create an atmosphere in the room with your taste. It\u2019s your job to find new music – not necessarily new but unheard – to present to people. There\u2019s some sort of responsibility to the people who make the music. I like to play a lot of old music but I also make the point to play new music because being a producer myself, I would like that others play my music too, you know, contributing to the whole environment.<\/p>\n\n\n\n

PAN M 360: Yeah, you mostly listen and mix music of the old days that has been forgotten. Do you consider yourself nostalgic? Do you feel disappointed at what\u2019s being produced right now or how it’s been consumed?<\/strong><\/p>\n\n\n\n

Michael Ho: <\/strong>Not at all disappointed, there\u2019s good new music all the time, maybe there\u2019s just a shit of volume that makes you have to look a little bit harder\u2026 In terms of the nostalgia thing I guess I do reference a lot of things. We grew up in a certain era, that\u2019s why Klasse Wrecks is not just music, it\u2019s also books, apparel\u2026 we\u2019re sensitive to that, the music is just one part of the whole history and every history evokes a different feeling to us, and that carries on to the present; even though we  do play new music, there\u2019s always a reference to a certain time which we\u2019re excited about.<\/p>\n\n\n\n

Lucas Hunter: <\/strong>Yeah I\u2019m definitely nostalgic. The music that we grew up listening to as teenagers will always resonate with you, always gonna stick with you. So for me it\u2019s like a comfort place that I\u2019ve kinda built. When I start listening to too much other new music, I start to question my own choices and what what we should be doing with the label, and I\u2019ve come to realise over the years that the easiest way for me is to be ignorant a little bit of what\u2019s going on, so I don\u2019t check new stuff so much because it usually affects me in a way that\u2019s detrimental to making and releasing music. Some of my favourite music is from the 80\u2019s, 90\u2019s, 00\u2019s\u2026 I think that\u2019s when it was most creative for EDM music. There\u2019s always good stuff out there but it\u2019s kind of like a survival method for me to avoid what\u2019s going on. It\u2019s an ego thing and an inferiority thing, and I would just be too affected by what\u2019s going on.<\/p>\n\n\n\n

PAN M 360 : The rave culture has deeply changed from its roots in the 90\u2019s compared to now, and you\u2019ve experienced that in the first person. Could you go a bit deeper on this subject?<\/strong><\/p>\n\n\n\n

Michael Ho: <\/strong>I don\u2019t think you can bring back certain eras – time just moves it would be futile to bring back  a certain era. Technology has changed, communication between us\u2026 but I can say I feel very blessed to have experienced that era. It was pretty special not having all the information. Having to really discover everything, I mean you really have to use your imagination, let\u2019s say I hear a track that I like and I want to recreate, there\u2019s no video showing you that, so you have to create something based on your memory which is already kinda blurry.<\/p>\n\n\n\n

Lucas Hunter: <\/strong>Yeah I agree with Michael, it\u2019d be futile to try and replicate an old 90\u2019s house rave. That belonged in those times. We do experience times though that are as good as before. There\u2019s a lot of pessimism around the parties of today, but we travel around the world all the time and you do get a glimpse of how it felt back in those days. And you see a lot even in big commercial parties and big stuff that they\u2019re doing with a no phone or photo policy. It\u2019s kind of the spirit, it\u2019s still there. We\u2019re reaching a level of saturation and overpopulation of social media in clubs and I think people are getting a little bit bored of it, it\u2019s kind of slowly ending. In the end people just wanna go to a club and dance and I don\u2019t think that\u2019s ever gonna change. It suffers sometimes because of the economy and Covid and things like that, but there\u2019s no danger of it disappearing. It\u2019s good to change and good to adapt.<\/p>\n\n\n\n

PAN M 360: What have you been listening to lately?<\/strong><\/p>\n\n\n\n

Michael Ho: <\/strong>A bunch of stuff I don\u2019t usually listen to\u2026 <\/strong>Country music\u2026 I don\u2019t know anything about it. There\u2019s something really nice, how it\u2019s recorded, what elements are important, such as the voice because it\u2019s very present. It\u2019s very interesting because it\u2019s very different from what I\u2019m used to.<\/p>\n\n\n\n

Lucas Hunter: <\/strong>Same actually, I\u2019ve been listening a lot to guitar music, more conventional Rock or Indie, not Electronic music; so I\u2019ve been listening to The B-52s quite a lot and really enjoying their universe; and  been revisiting a band called A.R.E Weapons, who were around the early 2000\u2019s released on Rough Trade from New York. They have a really cool discography that kinda sounds like Suicide, Nico or Velvet Underground kind of stuff. But yeah I\u2019ve been really enjoying listening to stuff completely different from what we do.<\/p>\n\n\n\n

PAN M 360: Nice! Well, thank you so much for making the time to talk and I hope you enjoy Montr\u00e9al!<\/strong><\/p>\n\n\n\n

LH & MH:<\/strong> Thanks!<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n

Publicit\u00e9 panam<\/span>
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

PAN M 360 content creator Z Neto Vinheiras had a lovely chat with British producer & DJ Lucas Hunter aka Luca Lozano K and his Chinese colleague Michael Ho also known as Mr Ho, heads of the Hong Kong based label Klasse Wrecks – a multifaceted label combining sound, visuals, design and kinship over an […]<\/p>\n","protected":false},"author":1498,"featured_media":151717,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":true,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3144,3145,3155,3253],"class_list":["post-151716","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-dub-2","genre-dub-techno-2","genre-electronic","genre-post-dubstep-2"],"acf":[],"yoast_head":"\nSAT \/ D\u00f4mesicle | Luca Lozano & Michael Ho Ready for a Klassy Night - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/sat-domesicle-luca-lozano-michael-ho-ready-for-a-klassy-night\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SAT \/ D\u00f4mesicle | Luca Lozano & Michael Ho Ready for a Klassy Night - 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