{"id":141630,"date":"2025-07-22T01:20:25","date_gmt":"2025-07-22T05:20:25","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/"},"modified":"2025-07-22T01:32:42","modified_gmt":"2025-07-22T05:32:42","slug":"festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/","title":{"rendered":"Festival de Lanaudi\u00e8re\u00a0|\u00a0Franco Fagioli and the voice of bel canto"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">For his Canadian debut, Argentinian countertenor Franco Fagioli offers a program dedicated to the castrato repertoire of the XVII\u1d49 and XVIII\u1d49 centuries. Taking Giovanni Battista Velluti (1780-1861), considered to be one of the last great castrati, as a reference figure in this program, the singer praised by critics for the virtuosity of his interpretations that are \u201cunfailingly intelligent and stylistically aware\u201d (Presto Magazine), will present works by Rossini, Mercadante, Zingarelli, Nicolini and many others, accompanied by the Orchestre de l&#8217;Op\u00e9ra Royal de Versailles, conducted by Stefan Plewniak, also making their Canadian debut.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Ahead of the July 26 concert at the Festival de Lanaudi\u00e8re, PAN M 360&#8217;s Alexandre Villemaire had the opportunity to chat with the singer about the program he&#8217;ll be performing, his personal and professional background, and the complex issue of defining the human voice.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Festival de Lanaudi\u00e8re\u00a0|\u00a0Franco Fagioli et la voix du bel canto\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/l46LEdlo0Qs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"140418\"><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For his Canadian debut, Argentinian countertenor Franco Fagioli offers a program dedicated to the castrato repertoire of the XVII\u1d49 and XVIII\u1d49 centuries. Taking Giovanni Battista Velluti (1780-1861), considered to be one of the last great castrati, as a reference figure in this program, the singer praised by critics for the virtuosity of his interpretations that [&hellip;]<\/p>\n","protected":false},"author":1466,"featured_media":141629,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3111,3110],"class_list":["post-141630","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-classical","genre-classical-singing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Festival de Lanaudi\u00e8re\u00a0|\u00a0Franco Fagioli and the voice of bel canto - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival de Lanaudi\u00e8re\u00a0|\u00a0Franco Fagioli and the voice of bel canto - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"For his Canadian debut, Argentinian countertenor Franco Fagioli offers a program dedicated to the castrato repertoire of the XVII\u1d49 and XVIII\u1d49 centuries. Taking Giovanni Battista Velluti (1780-1861), considered to be one of the last great castrati, as a reference figure in this program, the singer praised by critics for the virtuosity of his interpretations that [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-22T05:32:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2025\/07\/Franco-Fagioli.-Photo-by-Clarissa-Lapolla-1-scaled-r40h449rnbqttq19wjyt3tceieir8gfxhi8dionrzk-e1753161162636.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/panm360.com\/en\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/\",\"url\":\"https:\/\/panm360.com\/en\/interviews-panm360\/festival-de-lanaudiere-franco-fagioli-et-la-voix-du-bel-canto\/\",\"name\":\"Festival de Lanaudi\u00e8re\u00a0|\u00a0Franco Fagioli and the voice of bel canto - 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