{"id":135735,"date":"2025-04-04T11:58:17","date_gmt":"2025-04-04T15:58:17","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/arion-orchestre-baroque-et-lunivers-de-thomas-dunford-du-16e-au-20e-siecle\/"},"modified":"2025-04-05T22:51:31","modified_gmt":"2025-04-06T02:51:31","slug":"arion-orchestre-baroque-et-lunivers-de-thomas-dunford-du-16e-au-20e-siecle","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/arion-orchestre-baroque-et-lunivers-de-thomas-dunford-du-16e-au-20e-siecle\/","title":{"rendered":"Arion Orchestre Baroque and The World of Thomas Dunford\u2026 From The 16th to The 20th Century!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>This weekend, Arion Orchestre Baroque welcomes French lute virtuoso and guest conductor Thomas Dunford. A French citizen with Franco-American roots, Thomas Dunford is unique in his ability to blend early and Baroque music with modern repertoire, from the Beatles to Leonard Bernstein, as well as composing and performing original material of his own. The program concocted for the two performances at Salle Bourgie covers 4 centuries of Western music, from English lutenist and composer John Dowland (1563-1626) to Berstein (1918-1990), via Henry Purcell (1659-1695) and Georg Friedrich Handel (1685-1759). Brilliant, don&#8217;t you think? Experience it in real time before you decide: Saturday, 7:30 p.m. and Sunday, 2:30 p.m., at Salle Bourgie. For a preview, watch this conversation with bassoonist and maestro Mathieu Lussier, artistic director of Arion Orchestre Baroque, interviewed by Alain Brunet.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:30px\"><strong><a href=\"https:\/\/arionbaroque.com\/fr\/concert\/arion-recoit-thomas-dunford\/\">INFOS AND TICKETS HERE<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Arion Orchestre Baroque et l\u2019univers de Thomas Dunford... du 16e au 20e si\u00e8cle!\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1C5AU9ecwIM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:24px\">PROGRAM:<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><br><br><strong>John Dowland<\/strong><br>&#8220;Come Again&#8221; from <em>First Book of Songs or Ayres<\/em><br><em>Lachrimae<\/em><br>King of Denmark\u2019s Galliard<br>&#8220;Now, O, now, I needs must part&#8221; from\u00a0<em>First Book of Songs or Ayres<\/em><br><br><strong>Henry Purcell<\/strong><br><em>The Fairy-Queen<\/em>, Z.629 (excerpts)<br>&#8220;When I am laid in earth&#8221; (<em>Dido and Aeneas<\/em>, Z. 626)<br><br><strong>Georg Frideric Handel<\/strong><br>Suite n\u00ba 4 in en r\u00e9 mineur, HWV 437 (excerpts)<br>&#8220;Guardian Angels&#8221; (<em>The Triumph of Time and Truth<\/em>, HWV 71)<br>&#8220;No, no I\u2019ll take no less&#8221; (Semele, HWV 58)<br><br><strong>Leonard Bernstein<\/strong><br><em>West Side Story<\/em>\u00a0(extraits)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:24px\">ARTISTES:<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:20px\">THOMAS DUNFORD: \u00a0luth and direction<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\" style=\"font-size:20px\">MARIANNE LAMBERT&nbsp;soprano<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Arion Orchestre Baroque<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This weekend, Arion Orchestre Baroque welcomes French lute virtuoso and guest conductor Thomas Dunford. A French citizen with Franco-American roots, Thomas Dunford is unique in his ability to blend early and Baroque music with modern repertoire, from the Beatles to Leonard Bernstein, as well as composing and performing original material of his own. The program [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":135712,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3086,3232,3117],"class_list":["post-135735","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-baroque-2","genre-early-music","genre-modern-classical"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arion Orchestre Baroque and The World of Thomas Dunford\u2026 From The 16th to The 20th Century! - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/arion-orchestre-baroque-et-lunivers-de-thomas-dunford-du-16e-au-20e-siecle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arion Orchestre Baroque and The World of Thomas Dunford\u2026 From The 16th to The 20th Century! - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"This weekend, Arion Orchestre Baroque welcomes French lute virtuoso and guest conductor Thomas Dunford. 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