{"id":134340,"date":"2025-03-12T15:01:54","date_gmt":"2025-03-12T19:01:54","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=134340"},"modified":"2025-03-12T18:50:37","modified_gmt":"2025-03-12T22:50:37","slug":"semaine-du-neuf-tim-brady-and-the-symphony-in-18-parts","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-tim-brady-and-the-symphony-in-18-parts\/","title":{"rendered":"Semaine du Neuf | Tim Brady and The Symphony in 18 Parts"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Due to unforeseen circumstances, Matthew Warren Ruth will not be playing on March 15th as part of La Semaine du Neuf in a concert that was supposed to showcase his own work in addition to Tim Brady\u2019s in the second half. Instead, Tim Brady will be playing the entirety of his solo guitar piece <em>Symphony in 18 Parts<\/em> and his piece <em>For Guitar. <\/em>\u00a0We had the chance to ask about some of the specifics of these two pieces before this Saturday.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; With respect to <em>Symphony in 18 Parts<\/em>, I would think turning a solo guitar into an entire symphony would be quite the challenge where timbres are concerned; but over forty-nine minutes you pull it off. How did you decide on the quality of the sounds you want and how to use them?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tim Brady: <\/strong><em>Symphony in 18 Parts <\/em>started as just a few little guitar pieces. It was only after I\u2019d written three or four pieces that I decided to make it into this ambitious 50-minute work.\u00a0But once I had made that decision, I knew I need to have as much variety as possible in terms of timbre and sound.\u00a0 Just six strings for 50 minutes is pretty intense, so I spent some time looking for very contrasting effects and loops just playing with sounds before I got into the detailed composition process. Once I had found a wide range of different tones, I then tried to imagine the journey we will make together in the concert hall &#8211; and how these sounds could help create the form of the piece, the journey for the listener.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; Unless I\u2019m mistaken, there aren\u2019t any commercially released recordings of your piece <em>For Electric Guitar <\/em>at the moment. Will this piece be an ode to the instrument? A piece that\u2019s particularly idiomatic of the guitar? Perhaps something altogether different?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><br><strong>Tim Brady: <\/strong>This performance will be the premiere, no recording has yet been released.\u00a0Probably, I\u2019ll release it sometime in 2026, but it is fun to premiere a piece in front of a live audience. And, yes, it is very idiomatic.\u00a0 There are some effects, but far fewer than in <em>Symphony in 18 parts<\/em>.\u00a0It is really more about just playing guitar. Hence the somewhat laconic title: \u201cFor Electric Guitar.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; I understand that you\u2019ve worked with Matthew Warren Ruth in the past and that he has composed works for your Instruments of Happiness guitar ensemble. How did you first begin collaborating and what is it about his own musical sensibilities that jive so well with your own?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><br><strong>Tim Brady: <\/strong>Due to some unforeseen circumstance, Matthew has, regrettably, had to cancel his performance on Mar. 15. He is a great guitarist and strong composer, he was a student of mine at Concordia several years ago.\u00a0I hope the public gets to hear more of his music in the coming years. I will be playing the FULL 18 movements of Symphony, then a short intermission, the premiere of \u201cFor Electric Guitar.\u201d\u00a0 There will still be lots of guitar music on offer!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; I see, that\u2019s too bad about Matthew. Well, I suppose I can still ask you this: This was previously being billed as \u201cTwo generations of guitar virtuosos;\u201d with the electric guitar being a relatively young instrument, I\u2019d be interested to know your take on how much guitar music has changed from one generation to another. Where do you suppose it goes from here?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tim Brady: <\/strong>As an instrument, the electric guitar has evolved a great deal since 1932 (the \u201cofficial\u201d invention date). Amps and instruments are more flexible, more subtle, and the addition of effects (starting in the mid-1960s, with the real explosion starting in the late 1970s) has given it a new voice.\u00a0The younger generation of players are great musicians, capable of playing in a rock band, a jazz gig, or following a conductor. The basics stay the same &#8211; six (well, sometimes seven or eight\u2026) strings, clean versus distortion, loud versus soft, etc.\u00a0 There are a few basic choices,\u00a0but each artist will find their own voice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; You told us previously that you make a habit of improvising on the guitar every day. Were any of the eighteen parts of your symphony improvised or was the piece more through-composed?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tim Brady: <\/strong><em>Symphony in 18 parts<\/em> is composed through. I use improvisation to keep in touch with music creation on a visceral level, and I do sometimes use it in my music.\u00a0 But not in this piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; The names for the symphony parts themselves lie somewhere between poetic and meta. Did you decide to name them after your aesthetic choices? Is there some kind of narrative throughline? Perhaps I\u2019m reading too much into it?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tim Brady: <\/strong>Honestly, I\u2019m not quite sure what those titles mean! I wanted to call things more than just \u201cMovement 1\u201d &#8211; to give a sense of identity to each section.\u00a0So, I worked on a series of phrases that I found intriguing and then tried to see if there was some sort of relationship between the phrases and the music.\u00a0 But it is very much on a subconscious level &#8211; I just went totally on intuition, with no grand plan for the titles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360 &#8211; And finally: I need to know; any model of pedal or effect over the years that you have a sweet spot for? Do you happen to be a gearhead or do you go with whatever serves the music in the moment?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tim Brady: <\/strong>I do enjoy following gear trends, and have owned tons of different gear over the decades, but I have not bought any new stuff for a while.\u00a0Better to really know and use the gear you know than always trying something new.\u00a0 I have spent quite a bit of time on the basic sound and set-up for my guitars &#8211; pickups, alternate wiring configurations, strain gauge, string height, and choice of woods.\u00a0 It all starts with the guitar &#8211; that better sound and feel right.\u00a0 All the pedals in the world won\u2019t fix a bad-sounding instrument.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Due to unforeseen circumstances, Matthew Warren Ruth will not be playing on March 15th as part of La Semaine du Neuf in a concert that was supposed to showcase his own work in addition to Tim Brady\u2019s in the second half. Instead, Tim Brady will be playing the entirety of his solo guitar piece Symphony [&hellip;]<\/p>\n","protected":false},"author":1472,"featured_media":134344,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[9114],"genre":[9575],"class_list":["post-134340","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","tag-semaine-du-neuf-en","genre-guitare-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Semaine du Neuf | Tim Brady and The Symphony in 18 Parts - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-tim-brady-and-the-symphony-in-18-parts\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Semaine du Neuf | Tim Brady and The Symphony in 18 Parts - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Due to unforeseen circumstances, Matthew Warren Ruth will not be playing on March 15th as part of La Semaine du Neuf in a concert that was supposed to showcase his own work in addition to Tim Brady\u2019s in the second half. 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John Hollenbeck Large Ensemble featuring Jeremy Viner, Tony Malaby, Ellery Eskelin performing Perseverance by John Hollenbeck Quartet New Generation performing Danse macabre*** by Dorothee Hahne, Mortal Flesh by Paul Moravec, and Flea Walls* by Moritz Eggert Kambar Kalendarov &amp; Kutman Sultanbekov from Kyrgyzstan performing Janglyk by Nurlanbek Nyshanov and traditional songs from Kyrgyzstan: Bek Tash, Kukuk, and Erke Kyz Florent Ghys performing Simplement by Florent Ghys Moritz Eggert performing Hammerklavier III: One Man Band by Moritz Eggert Steve Coleman, Jonathan Finlayson, and David Millares performing Formation - Lunar Eclipse by Steve Coleman Slagwerk Den Haag performing DaDeRimGil*** by Seung-Ah Oh and Ludica by Marco Momi JACK Quartet performing Tetras by Iannis Xenakis Gamelan Galak Tika performing Tire Fire by Evan Ziporyn Quartet New Generation w\/ Mortiz Eggert performing Oh, I am sorry, did I break your concentration? by Michiel Mensingh and Black Box* by Mary Ellen Childs Bang on a Can All-Stars performing Snakes and Ladders by Fred Frith Talea Ensemble performing Professor Bad Trip** by Fausto Romitelli A performance by Buke and Gass Moritz Eggert Slagwerk Den Haag performing I Delayed People's Flights By Walking Slowly In Narrow Hallways** by Mayke Nas &amp; Wouter Snoei Vernon Reid, Mazz Swift, and Leon Gruenbaum performing Ghost Narratives by Vernon Reid Bang on a Can All-Stars performing Ridgeway by Kate Moore A performance by Mira Calix Bang on a Can All-Stars &amp; Mira Calix performing spring falls back* by Mira Calix Tim Brady performing Switch (Seconds \/ Liquid \/ Leaps \/ Singularity \/ Melismatic)** and Strumming (Hommage a John Lennon)** by Tim Brady with Video by Martin Messier Kambar Kalendarov &amp; Kutman Sultanbekov from Kyrgyzstan performing Chyibyldyn Kyzynyn Koshogu Florent Ghys performing 4 by Florent Ghys A performance by Burkina Electric SIGNAL conducted by Brad Lubma\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-tim-brady-and-the-symphony-in-18-parts\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/panm360.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Interviews\",\"item\":\"https:\/\/panm360.com\/en\/interviews-panm360\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Semaine du Neuf | Tim Brady and The Symphony in 18 Parts\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/panm360.com\/en\/#website\",\"url\":\"https:\/\/panm360.com\/en\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\/\/panm360.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/panm360.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/panm360.com\/en\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\/\/panm360.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/panm360\/\",\"https:\/\/x.com\/PANM360\",\"https:\/\/www.instagram.com\/panm360\/\",\"https:\/\/www.linkedin.com\/company\/panm360\/\",\"https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Semaine du Neuf | Tim Brady and The Symphony in 18 Parts - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/interviews-panm360\/semaine-du-neuf-tim-brady-and-the-symphony-in-18-parts\/","og_locale":"en_US","og_type":"article","og_title":"Semaine du Neuf | Tim Brady and The Symphony in 18 Parts - PAN M 360","og_description":"Due to unforeseen circumstances, Matthew Warren Ruth will not be playing on March 15th as part of La Semaine du Neuf in a concert that was supposed to showcase his own work in addition to Tim Brady\u2019s in the second half. 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