{"id":118166,"date":"2024-04-16T14:08:22","date_gmt":"2024-04-16T18:08:22","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=118166"},"modified":"2024-04-29T13:53:27","modified_gmt":"2024-04-29T17:53:27","slug":"at-annie-claude-deschenes-table-between-utensils-and-sound-experimentation","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/at-annie-claude-deschenes-table-between-utensils-and-sound-experimentation\/","title":{"rendered":"At Annie-Claude Desch\u00eanes&#8217; table: between utensils &amp; sound experimentation"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">As a key figure of the Montreal independent music scene for almost twenty years, Annie-Claude Desch\u00eanes (PYPY, Duchess Says) is still driven by a constant need to create outside her comfort zone, to renew and grow through improvisation and provocation. Fuelled by a spontaneous creative impulse in her kitchen and hungry to take unplanned risks in her musical laboratory, the songs from her debut solo album, entitled <em>LES MANI\u00c8RES DE TABLE<\/em> (released on Bonsound and Italians Do It Better), were conceived during the confinement to fill the void of inactivity, without initially being intended for public release. In the face of increasing digital surveillance, perhaps they should have been kept enclosed&#8230; Because everything seems hopeless when randomness starts to offend.<br><br>Using rhythms constructed from samples of utensils, the theme of the table has become a source of inspiration for looking at robotic alienation and the absurdity of social conventions that sometimes drive us to excessive politeness and precaution. By merging these rhythms with her new fascination for surveillance cameras and other supposedly innovative technologies, Annie-Claude reveals humanity in its constant struggle against its own programmed obsolescence in the face of the increasing dematerialisation of our time. Part of the same coldwave movement as Automelodi, Xarah Dion and Essaie Pas, this radical and masterful album, inspired by the pioneers of electronic music, will be transformed on 26 April at Centre Phi into a live experience combining minimal pop and culinary performance art improbably and experimentally. The audience will be invited to interact with the artist.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">PAN M 360 spoke to Annie-Claude Desch\u00eanes to find out more about the motivations behind this new artistic vision. Careful, it\u2019s hot. Bon app\u00e9tit.<br><br>Opening photo by: Lawrence Fafard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You are known above all as the frontwoman of the Montreal bands Duchess Says and PYPY, and you&#8217;ve just released your first solo album <em>LES MANI\u00c8RES DE TABLES<\/em> on Bonsound. These tracks were written during the pandemic because you were bored in your kitchen. What motivated you to release them and share them?<\/strong><br><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> Well, these songs would obviously never have left home&#8230; In 2022 I was asked to do a show at the Centre Phi for HEAVY TRIP, to improvise and experiment to create a twenty-minute performance. I decided to use these songs because the show was scheduled three months later. I didn&#8217;t have the time to compose a lot so I took those songs. I enjoyed doing that performance. Then I had a residency at the Phi Centre, where I was able to develop the rest of the album.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Annie-Claude Desch\u00eanes \u00e0 la R\u00e9sidence PHI Nord 2022\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/kgLDjd9mCQs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: For this album, you used sequencers and drum machines to play around with sounds created with kitchen utensils. Can you tell us more about this particular creative process?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> I opened the kitchen drawer and suddenly had a flash! (laughs). I thought it was beautiful. I don&#8217;t know&#8230; I started sampling a knife and a spoon. I looped it, dephased it, added a kick to it and that made the first song. I played the keyboard over it. It slowly built up. As the album wasn&#8217;t conceived with conventional structures there are a lot of instrumental parts. I improvised it without any purpose.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You apparently familiarised yourself with drum machines during the creation of that album. Was it something new for you?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> Not in that way. In my bands, drum machines were added afterwards, in the studio. But this time I was on my own. I had no choice but to replace the drummer with a drum machine and the bass with a sequencer. That&#8217;s how the album became an electronic project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: Precisely, you draw your inspiration from the pioneers of electronic music. On this album we can hear Kraftwerk, New Order or Simple Minds. We can also recognise the influence of the Montreal groups Automelodi, Essaie Pas and Xarah Dion. And then there&#8217;s the experimental, left-field feel of Born Bad Records&#8217; &#8216;Des Jeunes Gens M\u00f6dernes&#8217; compilations.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes<\/strong>: In fact, all these influences were crushed together on this album. I wasn&#8217;t so much trying to sound like New Order, even though the album sounds very danceable.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: The subject of this album revolves around table manners, surveillance and the omnipresence of technology. This work has enabled you to deconstruct certain social codes. In the song \u2018LES MANI\u00c8RES DE TABLE\u2019, you even say \u2018Your table manners may offend\u2019. Could you tell us about the reflections you&#8217;ve had around this work?\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> I developed them because of the performance I had to do at the Centre Phi. It was a performance that involved interaction with the audience, with tables and objects, where the guests wondered what they could or couldn&#8217;t eat. For example, a USB stick made of marzipan. I wrote that song to speak to the audience in the context of that show. Of course, I&#8217;m always reacting against things that are a bit too &#8216;rigid&#8217;, if I can put it that way, but it was really just to have fun.\u00a0I was also disconnected from the music scene for quite a while. When I came back, I really tried to get to grips with social media, to understand where we&#8217;d got to. I found it really strange to watch other people&#8217;s lives, I found it absurd. When you think about it, surveillance cameras may represent something technological, but they&#8217;re already outdated. There&#8217;s nothing really futuristic about it for me.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: And yet, with the emergence of facial recognition, cameras are going to become more sophisticated, aren&#8217;t they?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> Yes, of course. But it happens so quickly, you think you&#8217;re holding something that&#8217;s hyper-technological and innovative in your hands, and suddenly, in two seconds, it&#8217;s already obsolete. It also allowed me to reflect on my own existence. We can apply this thought to our own lives. As we grow older, we ourselves become obsolete. I don&#8217;t claim to be a great philosopher, but that&#8217;s how I felt as I tried to adapt.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"ANNIE-CLAUDE DESCH\u00caNES &quot;PHONES&quot; (Visualizer)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/T1USaV5X22M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: In the song \u2018Y ALLER\u2019, you even talk about a \u2018digital gaze that uninstalls me\u2019.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> Yes, everything is linked. At the same time, it&#8217;s absurd for me to have to explain any of it. It&#8217;s abstract. I find it interesting to try, but it&#8217;s something that is unconscious &#8230; It&#8217;s hard to try and explain what I really wanted to say. I just said it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You&#8217;re launching your album on 26 April at the Centre Phi. Your previous show combined performance art with music. What can we expect from your launch?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> I don&#8217;t want to say it&#8217;s an immersive experience, because it&#8217;s not an immersive experience as such. But we&#8217;re trying to create a certain aesthetic. There&#8217;s going to be a lot of food&#8230; There are going to be projections by Anthony Piazza and guest musicians. Lola 1:2 will be opening.\u00a0I&#8217;m in the process of building a more danceable show, punctuated by three or four performances that leave room for improvisation depending on the audience&#8217;s reaction. These moments can end up going in any direction, as I&#8217;ve always done with PYPY or Duchess Says. I like to keep things open. This show is actually really dangerous for me (laughs). I really get myself into an uncomfortable situation. I&#8217;ve got my turntables, I&#8217;ve got my beatboxes, I&#8217;ve never done the song order, I&#8217;ve never played these songs with the musicians. I have no idea if the show will turn out the way I imagine. At the same time, I find it exciting, given that I don&#8217;t really take it that seriously. It&#8217;s just going to be funny at worst.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: It&#8217;s pretty cool to see artists like you still putting themselves at risk. It&#8217;s quite rare, there&#8217;s less and less room for improvisation these days. What do you get out of putting yourself in these kinds of situations? Does it challenge you to confront yourself?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Annie-Claude Desch\u00eanes:<\/strong> I&#8217;d say it makes life more complicated for me (laughs). Instead of doing what I have to do, I&#8217;m always looking for something new to surprise myself. Is it good, is it bad, is it interesting? I don&#8217;t know. But it allows me to renew myself, with good or bad results. Life goes by quickly, and even if it&#8217;s comfortable to repeat what I&#8217;m capable of doing, I don&#8217;t have the impression that it makes me grow.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: I just have one last weird question. Your first track is called \u2018TASSEOMANCIE\u2019. It is a divination method that interprets the patterns in tea leaves. Do you think music can be a method of divination?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><br><strong>Anne-Claude Desch\u00eanes:<\/strong> Absolutely, what I&#8217;m doing at the moment will also define my future. But first and foremost, this song has a link with the members of my family, who have a tradition of reading tea leaves in the morning, at noon and in the evening. There was also the fortune-telling dice and dream analysis. It was part of my daily life. I grew up in an esoteric environment. Even though I&#8217;ve always found it absurd, it still influences me.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c0 la table d&#039;Annie-Claude Desch\u00eanes : entre ustensiles et exp\u00e9rimentation sonore\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/di9FtZS1X-E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TICKETS TO MONTREAL SHOW : <a href=\"https:\/\/phi.ca\/fr\/evenements\/annie-claude-deschenes\/\">https:\/\/phi.ca\/fr\/evenements\/annie-claude-deschenes\/<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tour dates<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">04\/26\/2024 &#8211; Montr\u00e9al, QC &#8211; Centre PHI<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">05\/02\/2024 &#8211; Ottawa, ON &#8211; Club SAW<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">05\/10\/2024 &#8211; Chicoutimi, QC &#8211; CEM<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">05\/11\/2024 &#8211; Quebec, QC &#8211; Le Pantoum<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/IfCBucqk4uHG5Pu52w34oBCFFkhiPTe4DWOM0Ksq-3bXPOybm3LLJq3SBSAsdSWsVZb03ALJ9Z239SfjG5Gex4ZQXHpB_l8XaBwKgBVtBVmhJY0UfidnclvfEx2wSFRV_8FT02hZXlv6Y7U_Qmq-TeY\" width=\"404\" height=\"505\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a key figure of the Montreal independent music scene for almost twenty years, Annie-Claude Desch\u00eanes (PYPY, Duchess Says) is still driven by a constant need to create outside her comfort zone, to renew and grow through improvisation and provocation. Fuelled by a spontaneous creative impulse in her kitchen and hungry to take unplanned risks [&hellip;]<\/p>\n","protected":false},"author":717,"featured_media":118174,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3121,3155,9010,3238],"class_list":["post-118166","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-coldwave","genre-electronic","genre-experimental-experimental-2","genre-new-wave-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>At Annie-Claude Desch\u00eanes&#039; table: between utensils &amp; sound experimentation - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/at-annie-claude-deschenes-table-between-utensils-and-sound-experimentation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"At Annie-Claude Desch\u00eanes&#039; table: between utensils &amp; sound experimentation - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"As a key figure of the Montreal independent music scene for almost twenty years, Annie-Claude Desch\u00eanes (PYPY, Duchess Says) is still driven by a constant need to create outside her comfort zone, to renew and grow through improvisation and provocation. 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