{"id":109134,"date":"2023-10-20T12:19:36","date_gmt":"2023-10-20T16:19:36","guid":{"rendered":"https:\/\/panm360.com\/?post_type=interviews&#038;p=109134"},"modified":"2023-10-20T12:19:53","modified_gmt":"2023-10-20T16:19:53","slug":"kristian-north-are-we-engaged-in-pseudoscience","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/kristian-north-are-we-engaged-in-pseudoscience\/","title":{"rendered":"Kristian North: Are we Engaged in Pseudoscience?"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>In the aesthetic of &#8217;70s soul, funk,<\/strong> <strong>and disco, Kristian North&#8217;s Pseudoscience Fiction deals both literally and metaphorically with the pandemic, in a strange and sophisticated way. Blurring the distinction between reality and imagination in a kind of visionary present or augmented version of our world, this conceptual album evokes the soft colour palettes of the &#8217;80s, rock opera, musical theatre, country music with Hawaiian accents, palm trees, beaches, and sports cars. Hiding between these sonic textures, is the dystopian modernity of a collective experience on the brink of collapse, leading us into individual bubbles of reality that are perhaps nothing more than films in their selves. PAN M 360 brings you this interview with Kristian North, for his show at L&#8217;Escogriffe on 21 October, in honour of Analogue Addiction&#8217;s 10th anniversary.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kristian North - Pseudoscience Fiction [Official Visualizer]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/S8x7_CGA5z0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: <em>Pseudoscience Fiction<\/em> is your third album as a solo artist. What happened between the previous album and the beginning of this new record?\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: <em>Passion Play <\/em>came out in 2021 but the album took a long time to come out. Actually, the pandemic happened, while we were going to release <em>Passion Play<\/em>. The album was finished when the pandemic was announced. I remember the first week vividly, as everyone was staying home but I was still going to the studio. People were saying that it would only last a few months and it would resolve itself during the fall. But it got pushed even further than that. It influenced the shows and how it was promoted.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: When did you start recording this new album?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: I guess it was in 2021. I was compelled to make it about how impactful the pandemic was. It was hard to ignore so it became a point of inspiration. Nobody wants to talk about all these things, myself included. I was just thinking about those things when I wrote the album. It has a mood that is not necessarily super happy or something.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You recorded the album with Renny Wilson at the Value Sound studio. How important is he to you in the recording process?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: I\u2019ve always recorded with Renny. We have a collaborative relationship, we work on arrangements together. He also plays bass on the record. At this point, we sort of co-produce the records and he definitely engineers the records. It\u2019s useful to me, I like to have somebody to share my ideas with. I really like collaborations, even though I promote myself as a solo artist. I prefer collaborative environments in music.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You kept the previous sophisti-pop genre but you pushed the idea around it even further. You have soul, funk, disco, rock opera, Hawaiian, and country influences. What albums did you have in mind as an inspiration?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: I listen to a lot of punk and soul music. That\u2019s more like my basis for everything. I like Sophisto-pop, but I don\u2019t completely relate to that. My favourite music is more like funk and soul. This album also has a more jazzy influence.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You also kept your lo-fi and DIY aesthetic.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong> : Sort of. I think of it as hi-fi, actually. But there is something fun about doing it yourself, for sure. Music gets more fun when it\u2019s more difficult. It\u2019s boring when it gets too easy. I like to do things the hard way, I like to be involved in the process, in the technological aspect of it. I don\u2019t go for the lo-fi sound, I go for the creative sound. Renny and I have strong ideas we have developed together. They don\u2019t necessarily coincide with norms.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: What do you mean by that ?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: At this point, there are formulated approaches to recording. We have very strong feelings about how we want the records to sound. That comes across I think. These are subtle details, not everybody hears these things. I have my opinions on these things.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kristian North - The Masked Singer [Official Visualizer]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Yd6hVwiNVoE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You have many guests on this record: bass, flute, sax, violin, etc. Would you like to introduce the people who worked with you on the record?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: There are tons of amazing people on the record, most of them are my favorite musicians in Montreal, I\u2019m pretty happy about that. There\u2019s a duet with Elle Barbara, Ari Swan did the string arrangements, and Joe Grass played pedal steel on a couple of moments on the record. My band is on the record too, we\u2019ve been playing for a long time. When you\u2019ve been playing music for a long time, you don\u2019t have to talk about music as much, music is actually a difficult thing to write and talk about. Music gets better as you develop those relationships. It\u2019s another type of language. Once you develop a language together, it just gets stronger and stronger.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360 : What can we expect for the live shows of this record?\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: I also have my own opinions about live shows too. Live music is a sacred thing to me. The cooler thing about live music is that you get a unique experience, it\u2019s not a fixed medium. We do our own interpretation of the songs live and I like to leave room for improvisation.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360 : What do you mean behind the title of the album, <em>Pseudoscience Fiction<\/em> <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: It was important to me to leave things abstract and to let people have their own ideas. I tried to let go of my own meanings. It was a confusing time. I wanted to write about the internal monologue that a lot of us had to go through. The expression pseudo-science is a meme basically. It kept coming up with the discussions about the vaccines, the pandemic, or what is and what is not scientific. That\u2019s mostly where this idea came from. There was also a sort of experience with the pandemic that was more like science fiction for us to experience.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: By the way, the album cover illustrates the theme of the album well.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: It was made by a British artist I\u2019ve never met, Samuel Tomson. I just like his style. I wanted somebody who could do a 1960s paperback science-fiction novel design. I was looking for a retro-futurist style. One thing that the pandemic did was that it felt futuristic and primitive at the same time as if we were going backwards. It feels like that now too in politics. But the album is not really political, it\u2019s more about bringing up questions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PAN M 360: You mentioned that the album is partially inspired by the author J. G. Ballard. How did it influence the theme ?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Kristian North<\/strong>: I loved J. G. Ballard when I was a teenager. The book <em>Crash<\/em> is his famous one. He deals with near-future science fiction, sometimes about the present days. Just like how I wrote this album, science-fiction is not just about UFOs and other planets, it\u2019s about putting a different lens on modern society. This concept album is playing on the inside of our isolation, our bubble. If we\u2019ve learned anything from that experience is that life is not stable, you can\u2019t plan for the future anymore. It might be good, as it can change your perspective on life, on how you should live your life, because it is always uncertain. The pandemic made it uncertain for everybody.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the aesthetic of &#8217;70s soul, funk, and disco, Kristian North&#8217;s Pseudoscience Fiction deals both literally and metaphorically with the pandemic, in a strange and sophisticated way. Blurring the distinction between reality and imagination in a kind of visionary present or augmented version of our world, this conceptual album evokes the soft colour palettes of [&hellip;]<\/p>\n","protected":false},"author":717,"featured_media":109147,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[5788,3139,4194],"class_list":["post-109134","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-alt-pop-en","genre-disco-2","genre-soul-rb-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kristian North: Are we Engaged in Pseudoscience? - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/kristian-north-are-we-engaged-in-pseudoscience\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kristian North: Are we Engaged in Pseudoscience? - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"In the aesthetic of &#8217;70s soul, funk, and disco, Kristian North&#8217;s Pseudoscience Fiction deals both literally and metaphorically with the pandemic, in a strange and sophisticated way. 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