{"id":109014,"date":"2023-10-19T17:43:30","date_gmt":"2023-10-19T21:43:30","guid":{"rendered":"https:\/\/panm360.com\/interviews-panm360\/akousma-tomoko-sauvage-eloge-de-lelectro-aquatique\/"},"modified":"2023-10-19T18:03:13","modified_gmt":"2023-10-19T22:03:13","slug":"akousma-tomoko-sauvage-eloge-de-lelectro-aquatique","status":"publish","type":"interviews","link":"https:\/\/panm360.com\/en\/interviews-panm360\/akousma-tomoko-sauvage-eloge-de-lelectro-aquatique\/","title":{"rendered":"AKOUSMA | Tomoko Sauvage, in praise of electro-aquatics"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>Tomoko Sauvage&#8217;s creativity and inventiveness are a subtle blend of technicality and empiricism. Her electro-aquatic approach reveals itself to be an inexhaustible source of sonorities intertwining\u00a0 the injunction of a mastered touch on ceramic containers and the labile result of aqua-echo.\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>Poetic and metaphysical, this staging of sound unfolds like an equation of chance where a liquid component metamorphoses into a voluble sonata.\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>For the past 20 years, this performer-musician, originally from Yokohama (Japan) and now based in\u00a0 Paris, has syncretized a series of practices from her background:\u00a0 jazz piano studies in New York,\u00a0 Indian classical music studies (Hindustani),\u00a0 album productions following the example of the album <em>Fischgeist<\/em>, released in 2020, recorded in Germany in basins with extremely\u00a0 singular conditions.\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>Now renowned for her performances with <em>waterbowls <\/em>performed all over the world, she is one of the quality guests of the Akousma festival.\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>For PAN M 360, she gives us the pleasure of detailing a few aspects of her past, present and future installations.<\/strong>\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: Tomoko, in July 2012, I attended one of your performances at the FRAC -Fond R\u00e9gional d&#8217;Art Contemporain- de Lorraine, in Metz, organized by\u00a0 l&#8217;association des musiques nouvelles: Fragment. You performed on a variety of bowls in a meditative, contemplative context. The audience was in raptures. Your gestures resembled a ritual. How has your practice evolved since then?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>It&#8217;s been 11 years now! My memories are more or less vague, because every performance is different. My music has evolved enormously since then, that&#8217;s for sure. With\u00a0 my instrument <em>waterbowls<\/em>, I accentuate repetitions while playing on slow evolutions,\u00a0 all smoothly. In 11 years, I hope it&#8217;s evolved well!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: More recently, last February, you were invited by MUDAM\u00a0 -Mus\u00e9e d&#8217;Art Moderne du Grand Duch\u00e9- in Luxembourg, in the European district of Kirchberg, to take part in the exhibition by Lebanese artist Tarek Atoui, entitled: Waters&#8217; Witness. The artist is known for his multi-sensory installations based on sound and objects. Considering sound as a catalyst for human interaction, he collaborates with a number of specialists. How did you come up with this performance?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>Effectively, I was invited to play echo music. The\u00a0 project was designed so that I could draw inspiration from the sound already existing in the room. Based on Tarek Atoui&#8217;s sound installation, I had to develop a panoply of notes. I was constantly on the lookout for opportunities to play and outwit. Sometimes, I was able to anticipate quieter moments or pauses to add my sound. It was a real challenge! The structure and configuration of the MUDAM are very special, as it&#8217;s a mixture of reinforced concrete and voluminous spaces that are conducive to strong reverberation;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: Regarding your presence at Akousma, given that each performance\u00a0 is unique, how do you approach it?\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>With <em>waterbowls<\/em>, the acoustics of the venue are decisive for the sounds\u00a0 I can get out of my instrument. Every venue is a technical challenge. It will be very special\u00a0 to play in the acousmonium with lots of speakers. It can be quite difficult to control the feedback I use as a musical element. That&#8217;s why I require a long sound test to get to know the acoustics of the venue and to set up the sound environment for my water bowls.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PANM360: Your latest album, <\/strong><strong><em>Fischgeist<\/em><\/strong><strong>, released in 2020, in Berlin-Prenzlauer Berg,\u00a0 in August 2019. It was recorded under very specific and particular conditions.\u00a0 Can you tell us more about the conditions and how they had a singular effect on the sounds?\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>It was recorded in an old water tank that has\u00a0 very long reverberations, either 20 seconds or more. To play with feedback, it&#8217;s pretty\u00a0 incredible. There were many possible and unimaginable frequencies that I managed to capture, but also very rich harmonics. The tiniest sound was naturally amplified. I loved this unique space made of old nineteenth-century bricks. The setting was damp and cold. The temperature oscillated between 8 and 10\u00b0C. It was incredible! It was incredible!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>PAN M 360: Do you think this style of music should or will remain dedicated to a well-informed, initiated audience? Is there a way of democratizing it or at least raising awareness among a wider audience?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>Actually, yes! In Europe, I&#8217;m often invited to play in rather mainstream contexts. I&#8217;ve already played in small-town media libraries, but also\u00a0 big electronic music festivals. These days, festival programmers want to mix genres. There are a lot of people, especially young people, who are curious to discover music they don&#8217;t know. I&#8217;m delighted!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">\u00a0<strong>PAN M 360: Plans for the near and distant future?\u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>TOMOKO SAUVAGE: <\/strong>A lot of things, yes! I&#8217;m currently preparing new\u00a0 sound installations to be presented at an arts biennial in Santiago, Chile, in November. I&#8217;ve just completed the music for a short hand-drawn animated film by a French director. I&#8217;m preparing an EP release with INA-GRM in Paris. It&#8217;s a good period with a lot of inspiration for me. The multiple crises our world is going through today lead me to believe that we need music more than ever.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:29px\"><strong><a href=\"https:\/\/akousma.ca\/Programmation-Akousma-19\" data-type=\"link\" data-id=\"https:\/\/akousma.ca\/Programmation-Akousma-19\">TOMOKO SAUVAGE PERFORMS THIS THURSDAY, OCTOBER 19, USINE C, 8PM, AS PART OF AKOUSMA. INFO AND TICKETS HERE<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:29px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tomoko Sauvage, Waterbowls\" src=\"https:\/\/player.vimeo.com\/video\/380445075?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomoko Sauvage&#8217;s creativity and inventiveness are a subtle blend of technicality and empiricism. Her electro-aquatic approach reveals itself to be an inexhaustible source of sonorities intertwining\u00a0 the injunction of a mastered touch on ceramic containers and the labile result of aqua-echo.\u00a0\u00a0 Poetic and metaphysical, this staging of sound unfolds like an equation of chance where [&hellip;]<\/p>\n","protected":false},"author":596,"featured_media":109005,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4628],"tags":[],"genre":[3154,8058],"class_list":["post-109014","interviews","type-interviews","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en","genre-electroacoustic","genre-experimental-contemporain-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>AKOUSMA | Tomoko Sauvage, in praise of electro-aquatics - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/interviews-panm360\/akousma-tomoko-sauvage-eloge-de-lelectro-aquatique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AKOUSMA | Tomoko Sauvage, in praise of electro-aquatics - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Tomoko Sauvage&#8217;s creativity and inventiveness are a subtle blend of technicality and empiricism. 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