{"id":154950,"date":"2026-03-22T16:40:40","date_gmt":"2026-03-22T20:40:40","guid":{"rendered":"https:\/\/panm360.com\/gig_review\/5ilience-au-quai-5160-programme-fort-et-contrastant\/"},"modified":"2026-03-24T10:16:41","modified_gmt":"2026-03-24T14:16:41","slug":"5ilience-au-quai-5160-programme-fort-et-contrastant","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/5ilience-au-quai-5160-programme-fort-et-contrastant\/","title":{"rendered":"5ilience at Quai 5160: A Bold and Contrasting Program"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>With a program full of contrasts, 5ilience performed Devinim on Wednesday at Quai 5160 in Verdun. The woodwind quintet captivated the Verdun audience, taking them on a rhythmic, harmonious journey where movement reigned supreme.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">\u201cAstro Errante,\u201d by Mexican composer Abraham Gomez, immediately transports us into the world of the quintet. Beginning with a restrained opening, the piece unfolds as the musicians\u2019 notes soar. This is followed by a much more rhythmic second section, characterized by a recurring rhythmic motif that creates a dialogue among the musicians.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">On a completely different note, <em>Gravit\u00e9<\/em>, by composer Florence Tremblay, begins with a mass of sound that evolves through the musicians. As the musicians enter and exit in succession, this sound mass evolves in depth and dissonance. A natural crescendo builds, amplified by the bellows, giving the audience the impression of a continuous wave.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">In contrast to the previous piece, <em>Letters to a Friend<\/em> by composer Theresa Wong is based on a rhythmic pattern that repeats throughout the performance. The inspiration for this sequence? The translation into Morse code of a poem that a friend sent her before her death. Through a combination of percussion, instrumental playing, and contemporary techniques such as slap-tonguing, the composer reimagines Morse code for the listener throughout the piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">The concert continues with two pieces that could not be more different from one another. <em>Summa<\/em>, by Estonian composer Arvo P\u00e4rt, embodies simplicity and fills every corner of Quai 5160. \u201cDevinim,\u201d by composer Ufuk Bi\u00e7ak, is the most lively piece of the concert, with a highly rhythmic opening and a melodic motif that weaves between the musicians.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">The concert\u2019s sole new work, <em>Pauline<\/em>, composed by the ensemble\u2019s saxophonist Thomas Gauthier-Lang, begins with a series of sustained tones interwoven with multiphonics and brief, more rhythmic interjections from the oboe. As the piece unfolds, a rhythmic dimension emerges. An acceleration of the tempo leads to a series of melodic flights by the instrumentalists, over a rhythmic ostinato that remains present throughout this second section.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">All in all, a powerful and striking performance for the audience at Quai 5160.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With a program full of contrasts, 5ilience performed Devinim on Wednesday at Quai 5160 in Verdun. The woodwind quintet captivated the Verdun audience, taking them on a rhythmic, harmonious journey where movement reigned supreme. \u201cAstro Errante,\u201d by Mexican composer Abraham Gomez, immediately transports us into the world of the quintet. Beginning with a restrained opening, [&hellip;]<\/p>\n","protected":false},"author":1503,"featured_media":154870,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[8058,9772],"salle":[],"ville":[],"class_list":["post-154950","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en","genre-experimental-contemporain-en","genre-musique-de-creation-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>5ilience at Quai 5160: A Bold and Contrasting Program - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/5ilience-au-quai-5160-programme-fort-et-contrastant\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5ilience at Quai 5160: A Bold and Contrasting Program - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"With a program full of contrasts, 5ilience performed Devinim on Wednesday at Quai 5160 in Verdun. 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