{"id":143594,"date":"2025-08-23T16:48:58","date_gmt":"2025-08-23T20:48:58","guid":{"rendered":"https:\/\/panm360.com\/?post_type=gig_review&#038;p=143594"},"modified":"2025-08-23T17:00:11","modified_gmt":"2025-08-23T21:00:11","slug":"mutek-deesse-ex-machina","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/mutek-deesse-ex-machina\/","title":{"rendered":"MUTEK | dea ex machina !"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Tokyo and Berlin-based producer Mach\u00ecna took the first edition of MUTEK\u2019s Metropolis series by storm with a live modular techno performance that was as bare-bones as it was dumbfounding. For this North American premiere of <em>Action, <\/em>she stripped techno down to its core, improvising with nothing more than a drum machine and her voice woven into the framework of the eponymous album \u2013 a truly mesmerizing experience from start to finish.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Clad in a sleek black latex dress and bathed in flashes of red light, Mach\u00ecna put the venue\u2019s monster sound system to work with classic rave sonics and an infectious minimal beat. It was a full sensory experience as the subwoofers made the floor shake and dancers responded accordingly \u2013 moving in unison and responding to shifts in tempo. Her live modular improv unfurled themselves in measured intensity \u2013 sharp snares, intricate cymbal patterns, funky distortion \u2013 electrifying both floors of the concert hall.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">As the set progressed, the Korean-born artist steered progressively towards something darker and ominous. A single spotlight from above cut through the hazy stage, as vertical bars of red light enclosed her in a cage-like structure. At times, the beams seemed to drip from the vaulted ceiling like blood, a detail that strikingly evoked the infamous \u201cBlood Rave\u201d scene from the movie Blade.&nbsp; The crowd, immersed in the visuals, danced in near-ritualistic rhythm as pounding drum kicks reverberated through the space.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">At moments, Mach\u00ecna trimmed down the melodies to their rawest elements \u2013 the roar of the drum kicks, bouncy hi-hats &amp; textured sounds \u2013 heightened anticipation before releasing the floor back into an all-out frenzy of rhythms and light. The alternating tension and release, combined to a formidable light installation, made the set a fully sensory experience: bass reverberated to the back of the Metropolis, lasers cut through the sea of bodies in motion, and every shift in sound eliciting a reaction from the crowd.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">By the time she closed, Mach\u00ecna had set the bar impossibly high for the rest of the night : fans clapped and begged for more, aThis sharp, refreshing techno set firmly established the artist as a true master, fluidly blending simple beats and layered percussion. One of the best performances of Mutek so far.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">By the time she closed, Mach\u00ecna had set the bar impossibly high for the rest of the night to festivalgoer\u2019s delight. Fans clapped and begged for more, a true testament to her talent. This sharp, refreshing set that fluidly blended stripped-down beats with layered percussion was by far one of the best performances of MUTEK so far.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Photo: Fr\u00e9d\u00e9rique M\u00e9nard-Aubin<\/strong><\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"142980\"><\/div><\/div>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 753px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2036954474\/size=large\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless><a href=\"https:\/\/yeoheemusic.bandcamp.com\/album\/action\">Action de mach\u00ecna<\/a><\/iframe>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 786px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=562831334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless><a href=\"https:\/\/yeoheemusic.bandcamp.com\/album\/compass-point\">Compass Point de mach\u00ecna<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Tokyo and Berlin-based producer Mach\u00ecna took the first edition of MUTEK\u2019s Metropolis series by storm with a live modular techno performance that was as bare-bones as it was dumbfounding. For this North American premiere of Action, she stripped techno down to its core, improvising with nothing more than a drum machine and her voice woven [&hellip;]<\/p>\n","protected":false},"author":1495,"featured_media":143595,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[3155,3306],"salle":[],"ville":[],"class_list":["post-143594","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en","genre-electronic","genre-techno-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MUTEK | dea ex machina ! - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/mutek-deesse-ex-machina\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUTEK | dea ex machina ! - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Tokyo and Berlin-based producer Mach\u00ecna took the first edition of MUTEK\u2019s Metropolis series by storm with a live modular techno performance that was as bare-bones as it was dumbfounding. 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