{"id":138302,"date":"2025-05-25T10:44:59","date_gmt":"2025-05-25T14:44:59","guid":{"rendered":"https:\/\/panm360.com\/gig_review\/orchestre-philharmonique-choeur-melomanes-francis-choiniere-opcm-montreal-concert-mahler-resurrection-maison-symphonique-allyson-mchardy-sarah-dufresne-gfn\/"},"modified":"2025-05-25T10:54:06","modified_gmt":"2025-05-25T14:54:06","slug":"orchestre-philharmonique-choeur-melomanes-francis-choiniere-opcm-montreal-concert-mahler-resurrection-maison-symphonique-allyson-mchardy-sarah-dufresne-gfn","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/orchestre-philharmonique-choeur-melomanes-francis-choiniere-opcm-montreal-concert-mahler-resurrection-maison-symphonique-allyson-mchardy-sarah-dufresne-gfn\/","title":{"rendered":"Reaching for the sky: Francis Choini\u00e8re&#8217;s challenge to end his OPCM&#8217;s 10th season"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Last night&#8217;s finale and premiere at the Maison symphonique de Montr\u00e9al were one and the same: the Orchestre Philharmonique et Choeur des M\u00e9lomanes (OPCM) ended its season (the tenth of its existence) with a first-ever performance of a Mahler symphony, in this case the Second, \u201c<em>Resurrection<\/em>\u201d. Conductor Francis Choini\u00e8re had chosen it for its beauty and magnificence, allowing him to showcase his orchestra&#8217;s capabilities. Soprano Sarah Dufresne and mezzo Allyson McHardy joined the ensemble for the short but beautiful lyrical lines of the work&#8217;s fourth and fifth movements.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/panm360.com\/en\/interviews-panm360\/francis-choiniere-orchestre-philharmonique-choeur-melomanes-concert-mahler-2-resurrection-mai-2025-maison-symphonique-montreal-interview\/\"><strong>WATCH THE INTERVIEW WITH FRANCIS CHOINI\u00c8RE ABOUT MAHLER&#8217;S RESURRECTION SYMPHONY.<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francis Choini\u00e8re conducts in a poised manner, without the effluvia of his Montreal colleagues Rafael Payare and Yannick N\u00e9zet-S\u00e9guin, or the historic Bernstein, a model in his own right. This induces an attention to the almost crystalline clarity of the score&#8217;s numerous lines and contrasts. Where Bernstein creates a gripping viscerality, Francis draws precise, more thoughtful portraits. This does not prevent the achievement of impressive and effective tutti when necessary.<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DJmWO_ntYq7\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/DJmWO_ntYq7\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Voir cette publication sur Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/DJmWO_ntYq7\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">Une publication partag\u00e9e par OPCM (@opcmelomanes)<\/a><\/p><\/div><\/blockquote>\n<script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p class=\"wp-block-paragraph\">I particularly appreciated the characterization he gave to the strings, very beautiful and rich in temperament. Hats off to the orchestra&#8217;s first chair, violinist Mary-Elizabeth Brown, who played some vibrant, very lilting solos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The second movement, andante moderato, was beautifully pastoral and debonair. The same was true of the Scherzo (third movement), with its dance-like \u201callant\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Urlicht<\/em>, that moment of grace (fourth movement), gave us the opportunity to appreciate mezzo McHardy&#8217;s sound projection, a tad dark for the needs of the score, but given in a very pleasant tonal and aesthetic refinement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The final movement, with its many dynamic pauses, is a formidable piece to tie down, for it must be ensured that the fluidity of the \u201cascent\u201d to the final light, which begins here and ends in the next movement, is not diminished and rendered less penetrating by these frequent pauses. These must appear as mere breaths in a spiritually continuous ascent, despite the changes in texture and affect. I must report that, listening furtively to a few comments from the audience after the concert, this aspect of the work was perhaps not fully understood by all. If I myself did not feel the irremediability of this ascent during the unfolding of the movement, the choral finale ended up reconciling the purpose with the objective. Indeed, Francis Choini\u00e8re led his 200-odd musicians to an apotheosis that (again, comments gleaned from the audience) sent shivers down the spines of many present, yours truly included. It was well worth the trip, for this grand tutti had panache! Heaven was reached, even if it almost had to wait.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a good critic who has to quibble over technical details, I would like to note the lack of technical and aesthetic finish of the trumpets and horns in several delicate passages. If you want to play Mahler again, you absolutely must polish up this aspect.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All in all, a fine incursion into Mahler&#8217;s repertoire by a very young orchestra showing its aptitude for this demanding repertoire. There will be plenty of time to fine-tune the details and offer more in the near future to audiences who are often new to this repertoire, a specialty of this orchestra. This audience, considering its reaction, appreciated the experience and will be back in the future.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thank you Francis and the OCPM for building tomorrow&#8217;s classical public in such a wonderful way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last night&#8217;s finale and premiere at the Maison symphonique de Montr\u00e9al were one and the same: the Orchestre Philharmonique et Choeur des M\u00e9lomanes (OPCM) ended its season (the tenth of its existence) with a first-ever performance of a Mahler symphony, in this case the Second, \u201cResurrection\u201d. Conductor Francis Choini\u00e8re had chosen it for its beauty [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":138300,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[8339],"salle":[7031],"ville":[7246],"class_list":["post-138302","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en","genre-periode-romantique-en","salle-maison-symphonique-en","ville-montreal-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reaching for the sky: Francis Choini\u00e8re&#039;s challenge to end his OPCM&#039;s 10th season - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/orchestre-philharmonique-choeur-melomanes-francis-choiniere-opcm-montreal-concert-mahler-resurrection-maison-symphonique-allyson-mchardy-sarah-dufresne-gfn\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reaching for the sky: Francis Choini\u00e8re&#039;s challenge to end his OPCM&#039;s 10th season - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Last night&#8217;s finale and premiere at the Maison symphonique de Montr\u00e9al were one and the same: the Orchestre Philharmonique et Choeur des M\u00e9lomanes (OPCM) ended its season (the tenth of its existence) with a first-ever performance of a Mahler symphony, in this case the Second, \u201cResurrection\u201d. 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