{"id":133150,"date":"2025-02-19T13:04:54","date_gmt":"2025-02-19T18:04:54","guid":{"rendered":"https:\/\/panm360.com\/gig_review\/m-nm-musique-a-lame-et-a-lencre-de-chine-montreal-nouvelles-musiques-2025-trio-argent-michel-boizot-xavier-saint-bonnet-francois-daudin-clavaud-son-de-encre-concert-montreal-shanshan-sun\/"},"modified":"2025-02-20T15:37:47","modified_gmt":"2025-02-20T20:37:47","slug":"m-nm-musique-a-lame-et-a-lencre-de-chine-montreal-nouvelles-musiques-2025-trio-argent-michel-boizot-xavier-saint-bonnet-francois-daudin-clavaud-son-de-encre-concert-montreal-shanshan-sun","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/m-nm-musique-a-lame-et-a-lencre-de-chine-montreal-nouvelles-musiques-2025-trio-argent-michel-boizot-xavier-saint-bonnet-francois-daudin-clavaud-son-de-encre-concert-montreal-shanshan-sun\/","title":{"rendered":"M\/NM | Music with soul and Indian ink"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Yesterday the Festival Montr\u00e9al Nouvelles Musiques presented an unusual programme, <em>Le son de l&#8217;encre<\/em>, at the centre of which was the mechanical and symbolic process of line, drawing and writing. Five works for flute and various additions (video, gesture-animated sound interface, live calligraphy) were performed. The spirit of Asian calligraphy is associated with elegance, harmony and meticulousness. It was also in this state of sound, at least in general, that the music on offer flourished. Although \u2018contemporary,\u2019 most of the pieces on the programme were enveloped in more or less explicit echoes of Asian music, thanks to the harmonies on pentatonic scales. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Penned by Fran\u00e7ois Dery, Claire-Melanie Sinnhuber, Tao Yu, Gualtiero Dazzi and Fran\u00e7ois Daudin Clavaud, the evocatively-titled works (Bambous, Fleurs de prunes tombantes, Le son de l&#8217;encre, Vent l\u00e9ger, etc.) set the scene in a way that was both modern and timeless, bathed in an atmosphere that was often contemplative, even ritualistic. Some pieces were more poignant than others, such as Gualtiero Dazzi&#8217;s La demeure du r\u00eave, a superb sound construction based on drawings by South Korean Kim Yung Gi, one of the great illustrators of our time, who died at the age of 47 in 2022. Gi&#8217;s drawings, four in all and admirable for their naturalness but also for their symbolic complexity, took the form of a series of family portraits set against each other. A deeply moving moment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/panm360.com\/wp-content\/uploads\/2025\/02\/Publication_le-son-de-lencre_V1.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The presence of renowned calligrapher Shanshan Sun was necessary to accompany some of the works, such as Feu, neige, cendres by Fran\u00e7ois D\u00e9ry. I wasn&#8217;t as convinced by the coherent relationship between Sun&#8217;s live gestures and the music. Especially in the last piece of the evening, coordination seemed to be lacking, with Sun finishing his writing on a large piece of paper on the floor, while the musicians had finished playing. I&#8217;d say almost a minute passed during which I caught the look on the face of one of the flautists, silently wondering how long he should hold his instrument up&#8230;\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Be that as it may, I must mention the great versatility of the Trio d&#8217;argent, made up of Michel Boizot, Xavier Saint-Bonnet and Fran\u00e7ois Daudin Clavaud. Three flutes together, some would say, is suicide. The French have shown that it can be done very well, and sound magnificently too. The variety of flutes used was also a major factor. Western, Oriental, bass flutes (I love them!), etc., the colours deployed were numerous and beautifully applied, in a contemporary perspective, certainly, but not experimental.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">It was an evening that was sometimes bewitching, often soothing, always pleasant and surprising. A lovely offering from the Festival Montr\u00e9al Nouvelles Musiques, and it&#8217;s only just beginning.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Interview (in French) with one of the musicians : <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Montr\u00e9al \/ Nouvelles Musiques:  Le son de l\u2019encre... et de 3 fl\u00fbtes\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UG7Sna26SDA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"130106\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday the Festival Montr\u00e9al Nouvelles Musiques presented an unusual programme, Le son de l&#8217;encre, at the centre of which was the mechanical and symbolic process of line, drawing and writing. Five works for flute and various additions (video, gesture-animated sound interface, live calligraphy) were performed. The spirit of Asian calligraphy is associated with elegance, harmony [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":133135,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[7977],"salle":[9845],"ville":[7246],"class_list":["post-133150","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en","genre-musique-contemporaine-2-en","salle-studio-theatre-des-grands-ballets-edifice-wilder-en","ville-montreal-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\/NM | Music with soul and Indian ink - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/m-nm-musique-a-lame-et-a-lencre-de-chine-montreal-nouvelles-musiques-2025-trio-argent-michel-boizot-xavier-saint-bonnet-francois-daudin-clavaud-son-de-encre-concert-montreal-shanshan-sun\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\/NM | Music with soul and Indian ink - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Yesterday the Festival Montr\u00e9al Nouvelles Musiques presented an unusual programme, Le son de l&#8217;encre, at the centre of which was the mechanical and symbolic process of line, drawing and writing. 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