{"id":131853,"date":"2025-01-28T09:08:00","date_gmt":"2025-01-28T14:08:00","guid":{"rendered":"https:\/\/panm360.com\/gig_review\/igloofest-samedi-25-janvier-combattre-le-froid-par-la-danse-avec-skepta-mas-tiempo-mnsa-dennis-ferrer-cheba-iman-et-tant-dautres\/"},"modified":"2025-01-29T18:38:35","modified_gmt":"2025-01-29T23:38:35","slug":"igloofest-samedi-25-janvier-combattre-le-froid-par-la-danse-avec-skepta-mas-tiempo-mnsa-dennis-ferrer-cheba-iman-et-tant-dautres","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/igloofest-samedi-25-janvier-combattre-le-froid-par-la-danse-avec-skepta-mas-tiempo-mnsa-dennis-ferrer-cheba-iman-et-tant-dautres\/","title":{"rendered":"Igloofest, Saturday, January 25 \/ Fight the Cold With Dance, featuring Skepta (Mas Tiempo), MNSA, Dennis Ferrer, Cheba Iman and Many Others."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>Two stages, two atmospheres. And always more dancing. For this evening of January 25, 2025, the Igloofest team decided to offer us a particularly different program between the main Sapporo stage, and its little Vid\u00e9otron sister. While the former was an ode to house music, the latter was a blend of traditional North African and contemporary electronic music.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\">.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>VIDEOTRON: Manalou, Mnsa, Nadim Maghzal, Cheba Iman.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Deconstruction, reconstruction, hybridization between different genres\u2026 The sets on the small Videotron stage shone through their sonic interweaving and interweaving. And even though the stage is four times smaller (we didn&#8217;t take the time to measure, but we can imagine!), the sets by these mostly Canadian artists melted the snow beneath our feet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Imagine the setting. We flee behind the main stage and enter the Videotron stage through a tunnel of light. What awaits us there? An audience literally jumping to the beat of the percussion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Afro-beat, drum and bass, drill, downtempo, hip-hop, but also tech-house, all mixed with traditional Arabian music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Mnsa<\/strong>, proudly wearing his Palestine scarf, was like sunshine on a winter&#8217;s night. With his contagious good humor and his succession of sounds at different tempos, he didn&#8217;t let the audience down for a single minute. Between pop classics, heavy bass lines and traditional Arab music, all mixed against a techno backdrop, my fingers, previously chilled by the beer in my hands, quickly warmed up. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">A perfect opening for <strong>Nadim Maghzal<\/strong>&#8216;s set, who, in his own way, took up the torch and brought the crowd &#8211; literally &#8211; to the front of the stage. What&#8217;s on the bill? The kind of percussive electronic music we love, always associated with North African sounds and UK Bass.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">These four artists, from <strong>Manalou<\/strong> to <strong>Cheba Iman<\/strong> &#8211; who also offered us some particularly singular performances &#8211; proved the beauty of the synergy between North American and African music. They also showed us how being a DJ is above all about community, and sharing a certain joie de vivre, together.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">SAPORO: Lia Plutonic, Syreeta, Dennis Ferrer, Skepta (under his house label Mas tiempo) <strong>\u201cHOUSE HOUSE HOUSE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">A word that resonates as I dance in front of the main stage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">From <strong>Lia Plutonic<\/strong> (Residente Montr\u00e9alaise) to <strong>Dennis Ferrer<\/strong>, house music classics follow one another, all remixed in their own style!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:24px\"><strong>Sapporo<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Behind the four DJ-producers of the Sapporo scene, four different visions of house music and its variations. A genre that crosses time and space, and that brings together an audience from diverse backgrounds.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">If <strong>Syreeta<\/strong> offered us sounds a little more rooted in the British house music culture (where she comes from), her mix between techno, melodic voices and UK house rhythms proved to be a particularly fertile ground to welcome her colleague from overseas: <strong>Denis Ferrer<\/strong>, an influential artist of the electronic scene for more than fifteen years.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">While <strong>Syreeta<\/strong> and <strong>Lia Plutonic<\/strong> surfed a little more on the hybridization of house and techno, Dennis Ferrer clearly returned to the roots of New York house, to offer us a very disco-funk-tech-house set. Very melodic, very progressive, very 90s, with classics like Ain&#8217;t Nobody (Loves me better).\u00a0 At the front of the stage, a crowd of all ages danced. Proof, once again, of the unifying capacity of house!\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Their very vibrant sets were able to welcome with undisguised joy the main artist of the evening, <strong>Skepta<\/strong>, performing under her project <strong>Mas tiempo,<\/strong> which quickly increased the BPM a notch. Although he is better known for his performance-productions as an MC-rapper, the London-based artist has been able to stand out in recent years with his very rhythmic mixes, sometimes deconstructed, but nevertheless particularly progressive and always very house.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">On the agenda: UK Drill and Grim, drum and bass, house, to finish on techno prog. The crowd was already unleashed, while more than a dozen couples saw, from the top of my terrace, climbing on each other&#8217;s shoulders. There are balloons flying in the air, bodies colliding while dancing, voices screaming and snowflakes falling on the tops of our heads.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">A very nice end to the winter evening, for a very nice program of this Saturday evening of Igloofest.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two stages, two atmospheres. And always more dancing. For this evening of January 25, 2025, the Igloofest team decided to offer us a particularly different program between the main Sapporo stage, and its little Vid\u00e9otron sister. 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