{"id":123612,"date":"2024-08-18T14:10:41","date_gmt":"2024-08-18T18:10:41","guid":{"rendered":"https:\/\/panm360.com\/?post_type=gig_review&#038;p=123612"},"modified":"2024-08-18T14:20:17","modified_gmt":"2024-08-18T18:20:17","slug":"viree-classique-2024-between-classics-and-rarities","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/viree-classique-2024-between-classics-and-rarities\/","title":{"rendered":"Vir\u00e9e classique 2024 &#8211; OSM and Milo\u0161: Between Classics and Rarities"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>On Saturday evening, the concert with the OSM of guitarist Milo\u0161 took place in Rodrigo\u2019s <em>Concierto de Aranjuez<\/em>, preceded by excerpts from Bizet\u2019s <em>Carmen<\/em> and works by Rossini, Ravel and Mel Bonis.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Let\u2019s ignore the opening<em> L\u2019italiana in Algeri<\/em>, which didn\u2019t bring anything masterful and was too much in this concert. Ravel\u2019s <em>Cinq m\u00e9lodies populaires grecques<\/em> is a short, brilliantly orchestrated collection. Mezzo-soprano Emily Sierra unfortunately performs it almost without any difference in nuances, only exaggerating the consonants in the fast melodies. Conversely, in <em>Carmen<\/em>, she plays the part. With a suave, mischievous and resonant voice, adding a few vocal inflections, the rendering of this classic is successful, despite poorly coordinated accelerations with the orchestra in the <em>Chanson Boh\u00e8me<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Before the <em>Aranjuez<\/em>, we were treated to a short four-minute work by Mel Bonis, <em>Salom\u00e9<\/em>. We would have taken more because this composer, a student of Franck, knows how to orchestrate. We will remember the central portion of the work in five beats.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Then came Milo\u0161. He plays with great precision and a sensitivity to nuances that takes us into another world. His dialogue with the English horn remains memorable and the orchestra adjusts in its accompaniment, too present in the first movement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Alas!, this moment of grace was spoiled by (another) cell phone ringing. As such, through the coughs and the multiple escaped programs, we heard three last night, including one between the end of the warning message and the entrance of the solo violin, which did not fail to raise general laughter.<\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"120622\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>On Saturday evening, the concert with the OSM of guitarist Milo\u0161 took place in Rodrigo\u2019s Concierto de Aranjuez, preceded by excerpts from Bizet\u2019s Carmen and works by Rossini, Ravel and Mel Bonis. Let\u2019s ignore the opening L\u2019italiana in Algeri, which didn\u2019t bring anything masterful and was too much in this concert. Ravel\u2019s Cinq m\u00e9lodies populaires [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":123610,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[],"salle":[],"ville":[4415],"class_list":["post-123612","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en","ville-montreal-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vir\u00e9e classique 2024 - OSM and Milo\u0161: Between Classics and Rarities - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/viree-classique-2024-between-classics-and-rarities\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vir\u00e9e classique 2024 - OSM and Milo\u0161: Between Classics and Rarities - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"On Saturday evening, the concert with the OSM of guitarist Milo\u0161 took place in Rodrigo\u2019s Concierto de Aranjuez, preceded by excerpts from Bizet\u2019s Carmen and works by Rossini, Ravel and Mel Bonis. Let\u2019s ignore the opening L\u2019italiana in Algeri, which didn\u2019t bring anything masterful and was too much in this concert. 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