{"id":103088,"date":"2023-08-06T11:51:39","date_gmt":"2023-08-06T15:51:39","guid":{"rendered":"https:\/\/panm360.com\/?post_type=gig_review&p=103088"},"modified":"2023-08-06T11:51:41","modified_gmt":"2023-08-06T15:51:41","slug":"osheaga-day-1-altin-gun-bbno-rina-sawayama-the-flaming-lips-soccer-mommy-jpegmafia-and-joey-badass","status":"publish","type":"gig_review","link":"https:\/\/panm360.com\/en\/gig_review\/osheaga-day-1-altin-gun-bbno-rina-sawayama-the-flaming-lips-soccer-mommy-jpegmafia-and-joey-badass\/","title":{"rendered":"Osheaga Day 1: Alt\u0131n G\u00fcn, BBNO$, Rina Sawayama, The Flaming Lips, Soccer Mommy, JPEGMAFIA and Joey Badass"},"content":{"rendered":"\n

There might be over 92 different acts at this year’s Osheaga, but our writers have been jumping between many of the shows to give a concise and creative review of our experience. So without further ado, here is what we saw and heard on the first day of Osheaga<\/strong>…<\/p>\n\n\n\n

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Alt\u0131n G\u00fcn<\/strong><\/p>\n\n\n\n

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Photo by Benoit Rousseau <\/p>\n\n\n\n

One of the first shows of the day came from the trippy stylings of Turkish psychedelia band, Alt\u0131n G\u00fcn<\/strong>, who was playing much of their new album, A\u015fk<\/em>, which turned out to be a lot more synthy than the crowd was expecting. Still, there was enough wah, phase, and tabla drumming to make your head spin, and the vocals by Merve Da\u015fdemi and Erdin\u00e7 Ecevit Y\u0131ld\u0131z were droney and pleasing. <\/p>\n\n\n\n

The ba\u011flama, or plucked Turkish guitar, rang true throughout the winds and got the crowd swaying and rhythmically moving. Though we were in a park on the corner of Montreal, for much of Alt\u0131n G\u00fcn<\/strong>‘s set it felt like stepping into a Turkish bazaar. I think Alt\u0131n G\u00fcn<\/strong> would have faired better opening for someone like The Flaming Lips, but their set was still thoroughly enjoyable.<\/p>\n\n\n\n

– Stephan Boissonneault<\/p>\n\n\n\n

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BBNO$<\/strong><\/p>\n\n\n\n

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Photo by Frederique Menard Aubin<\/p>\n\n\n\n

From the moment BBNO$ took the stage at Osheaga, his charisma, uniqueness, nerve, and talent could not have been more apparent. (Initially) dressed in a sheer white set that effectively left him delivering his quirky west-coast bars in boxer briefs and a toque, BBNO$\u2019s set was equal parts comedy show and lighthearted, youthful rap concert. At one point, he pulled out a cookbook and announced that he would give it away to whoever was “going the hardest in the crowd”\u2014though not before reading a recipe for zucchini parmesan salad aloud\u2014right before diving into hit, after hit, after hit.\u00a0<\/p>\n\n\n\n

After an AV interlude depicting Justin Trudeau spilling the beans about an unreleased track, BBNO$ triumphantly returned to the stage to deliver it, now wearing a frilly white bonnet and diaper, complete with an oversized safety pin. Despite (or maybe because of) the get-up, he strutted around the stage with the confidence and ease that has become such a hallmark of this young performer. Another highlight was when he pulled up a young audience member named Zachary, who was peaking on something and had already lost his voice. Regardless, he absolutely committed to performing not one, but two songs alongside BBNO$, utterly exhausting himself in the process. In the end, BBNO$ tossed the cookbook to his first real estate agent\u2014I guess it pays to know people.<\/p>\n\n\n\n

– Lyle Hendriks<\/p>\n\n\n\n

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Soccer Mommy<\/strong><\/p>\n\n\n\n

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Photo by Tim Snow<\/p>\n\n\n\n

Nashville-based indie rock outfit Soccer Mommy is nothing if not consistent. The heart-wrenching vocals and delivery of Sophia Allison are the most immediately captivating part of this group, and she didn\u2019t disappoint in a live setting. Whether it was the gut-wrenching anthem \u201cShotgun,\u201d off the new album Sometimes, Forever<\/em>, old classics like \u201cYour Dog,\u201d or even their latest, a cover of Sheryl Crow\u2019s iconic summer number \u201cSoak Up The Sun,\u201d there\u2019s a unique pathos to Soccer Mommy that leaves you with chills as you watch it unfold before you.<\/p>\n\n\n\n

While Allison may not always have much to say between songs, you never feel left out of her mind once the next track starts. Though the grinding melodies would sometimes clash, each and every moment felt refined and rehearsed to perfection, something of a rare occurrence in the gritty, DIY style that Soccer Mommy is so firmly cemented within. With soaring rhythm guitar that perfectly straddles the line between grunge and glamour, cinematic, shoegaze-y lead lines that accentuate every track on a thematic level, and bonafide vulnerability on each song, Soccer Mommy gave us everything we could want and more.<\/p>\n\n\n\n

– Lyle Hendriks<\/p>\n\n\n\n

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Rina Sawayama<\/strong><\/p>\n\n\n\n

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Photo by Tim Snow<\/p>\n\n\n\n

I had no idea who Rina Sawayama was, but I can say I am now a fan after witnessing her set on the Mountain main stage. It was alternative pop mixed with contemporary RnB, sometimes sounding like Destiny’s Child or even someone like Lady Gaga. Rina’s a very powerful vocalist, but the true highlight of the show was the choreography and general set up of the show. Rina had three costume changes (one that involved a red corset and bullwhip during the song “This Hell”) and was jokingly ruthless with the crowd, constantly saying she would not come out for an encore cause the crowd’s energy was lackluster. She of course did and brought back the dancers after poking more fun at the crowd.<\/p>\n\n\n\n

Her backup dancers (only two of them) were sweaty profusely from being pushed down, thrown, chained to a wall, and caressed by Rina. The dancing story felt like an abusive relationship between a throuple and was just as captivating as the music. Her guitar player is also a virtuoso, who only took the limelight a few times with a face-melting solo. This was a show fit for the main stage. <\/p>\n\n\n\n

– Stephan Boissonneault <\/p>\n\n\n\n

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The Flaming Lips <\/strong><\/p>\n\n\n\n

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Photo by Tim Snow<\/p>\n\n\n\n

The Flaming Lips have over 15 albums, but nostalgia was in the air when they played their 2002 hit album, Yoshimi Battles the Pink Robots<\/em> in its entirety for their Osheaga set. From the opening song “Fight Test,”\u2014which kind of sounds like a Cat Steven’s song, because he’s actually featured on it\u2014four giant, inflatable pink robots took the center of the stage as the band played the songs. It was a fantastic and loud set, as the frazzled, long-haired lead singer, Wayne Coyne, sang in his bubble, looking like a jet pilot fried on LSD. <\/p>\n\n\n\n

Whether he was on psychedelics or not during his set remains to be seen, but he did go on many tangents about a few of the songs, the clouds, summer, and the general story of Yoshimi<\/em>. This could just be an again rockstar coming to grips with his mortality and running out of live-show banter. It was cool for the first five songs, but he did tend to repeat himself a bunch as the crowd was hungry for the hit “Do You Realize.” Still, The Flaming Lips once again proved why they are one of the contemporaries of hair-brained psychedelia. <\/p>\n\n\n\n

– Stephan Boissonneault<\/p>\n\n\n\n

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JPEGMAFIA<\/strong><\/p>\n\n\n\n

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Photo by Frederique Menard Aubin<\/p>\n\n\n\n

JPEGMAFIA is one of if not the most, intriguing, exciting, and downright weird acts in Hip-Hop today. You didn\u2019t need to look far to sense the crowd\u2019s excitement leading up to Peggy\u2019s set. Whether it was the people behind me chain-vaping DMT or the throng of concertgoers cheering for JPEG in between songs from Bicep, who played next door, it was clear that this was about to get crazy. And what a show it quickly became.\u00a0<\/p>\n\n\n\n

When the man himself emerged, he was draped in shadow and a durag, dramatically backlit against his retro PlayStation-inspired logo. Moshpits, moshpits, moshpits. Open the pit. Then open it somewhere else. Combine the two\u2014wait for the drop, and charge. Thrashing about in the centre of the chaos was akin to being a spinach leaf in the blender\u2014only none of us minded being macerated in the process. In the next hour, Peggy covered virtually every era of his catalogue, whether it was his first released track (an acapella cover of Carley Rae Jepsen\u2019s \u201cCall Me Maybe,\u201d) the unbelievably aggressive \u201c1539 N. Calvert\u201d off Veteran<\/em>, or new bangers off his latest project, Scaring the Hoes <\/em>with Danny Brown. Despite his violently aggressive delivery, tirelessly chasing demons with every song, Peggy actually came off as rather sweet and genuine in between songs, thanking everyone for being a fan and indulging himself in little jokes that give us a look at one of the genre\u2019s more enigmatic figures.<\/p>\n\n\n\n

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Joey Bada$$<\/strong><\/p>\n\n\n\n

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Photo by Frederique Menard Aubin<\/p>\n\n\n\n

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It was hard to follow up on the intensity of JPEGMAFIA, which the group I was with, was still recovering from the vicious moshpits, right as Joey Bada$$ took the next door stage. “Do you have some fuckin’ Joey Bada$$ fans here tonight or what?” Jo-Vaughn Virginie Scott screamed into the mic before jumping into “Temptation” off the album ALL-AMERIKKK<\/s>AN BADA$$<\/em>. We mostly watched from the bleachers to the right of the stage, exhausted, and I wasn’t feeling too much of the auto-tune, but the straightforward rap tracks from Joey Bada$$ were electric as all hell. Judging by the crowd, Joey Bada$$ played everything they wanted and more.<\/p>\n\n\n\n

– Stephan Boissonneault
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Opening photo by Tim Snow<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

There might be over 92 different acts at this year’s Osheaga, but our writers have been jumping between many of the shows to give a concise and creative review of our experience. So without further ado, here is what we saw and heard on the first day of Osheaga… Alt\u0131n G\u00fcn Photo by Benoit Rousseau […]<\/p>\n","protected":false},"author":936,"featured_media":103105,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[8152],"tags":[],"genre":[],"salle":[],"ville":[],"class_list":["post-103088","gig_review","type-gig_review","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques-de-concerts-en"],"acf":[],"yoast_head":"\nOsheaga Day 1: Alt\u0131n G\u00fcn, BBNO$, Rina Sawayama, The Flaming Lips, Soccer Mommy, JPEGMAFIA and Joey Badass - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/gig_review\/osheaga-day-1-altin-gun-bbno-rina-sawayama-the-flaming-lips-soccer-mommy-jpegmafia-and-joey-badass\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Osheaga Day 1: Alt\u0131n G\u00fcn, BBNO$, Rina Sawayama, The Flaming Lips, Soccer Mommy, JPEGMAFIA and Joey Badass - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"There might be over 92 different acts at this year’s Osheaga, but our writers have been jumping between many of the shows to give a concise and creative review of our experience. 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