{"id":59001,"date":"2021-12-19T00:05:00","date_gmt":"2021-12-19T05:05:00","guid":{"rendered":"https:\/\/panm360.com\/2021\/12\/21\/pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre\/"},"modified":"2023-10-02T14:56:24","modified_gmt":"2023-10-02T18:56:24","slug":"pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre\/","title":{"rendered":"PAN M 360\u2019S TOP 100 OF 2021! (PART 4 \u2013 AUGUST TO OCTOBER)"},"content":{"rendered":"\n

PAN M 360\u2019s rundown of the hundred best music releases of 2021, in five parts over five days, continues with more great records, released between August and October.<\/strong><\/p>\n\n\n\n

The Pan M 360 Team<\/em><\/strong>
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The Limi\u00f1anas \/ Laurent Garnier<\/strong>
De Peliculas<\/strong>
Because

French couple Lionel and Marie Limi\u00f1ana pastiche a certain dark, transatlantic psych vibe, summoning the shadows that lingered after the Summer of Love with dope-stunned drones and dissolute poetry. De Pel\u00edculas<\/em><\/strong><\/a> <\/em>finds them partnered with Laurent Garnier, a veteran of 1980s Manchester and a titan of the French Touch scene. Thus are the pneumatic, propulsive grooves assured. Built for comfort, not for speed, they carry The Limi\u00f1anas\u2019 luminous organ grind and raspy raconteur routines with grace. Bonus: Edi Pistolas of legendary Latin dance-punks P\u00e1nico, whose snakebite delivery adds hot sauce to the grand, swaggering \u201cQue Calor !\u201d. (Rupert Bottenberg)<\/p>\n<\/div>\n\n\n\n

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Hubert Lenoir
Pictura de Ipse : musique directe
<\/strong>Simone Records

The ballad \u201cSECRET\u201d sets the tone for Pictura de Ipse : musique directe<\/em><\/strong><\/a>\u2014Hubert switches to the confidential, the guitars have taken over, keyboards, synths and programming reign, funk-like atmospheres dominate. This album, which Hubert produced himself, is in many ways a tribute to Prince, as spectacularly illustrated by \u201cFOURQUARTS\u201d. To summarize, Lenoir dumped neo-glam, went to Flying Lotus, Mac Miller, Thundercat, Frank Ocean and his highness Prince, and then came up with the most daring and successful Quebec album of 2021. (Luc Marchessault)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Andr\u00e9 Duchesne
Travaux publics : ballades urbaines, vol. 1 et 2
<\/strong>Autoproduction

It’s probably harder to make music as a band these days, so the co-founder of Conventum put together a virtual ensemble (guitars, bass, programming [sax and drums]). Then he had fun doing it all himself: recording, editing, mixing, etc. The results are amazing<\/strong><\/a>, and amazing to hear. The sounds are astonishing, and there are colours of the protean musique actuelle<\/em> of the \u201970s and \u201980s, when Conventum resembled Henry Cow (or vice versa), but with a dose of DIY that makes the music sway. (R\u00e9jean Beaucage)<\/p>\n<\/div>\n\n\n\n

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Deutsch Nepal
Dystopian Partycollection III<\/strong>
Entartete Musikk

Deutsch Nepal’s releases are rare. The current album<\/strong><\/a> is the third part of the Dystopian Partycollection<\/em> series, the first two of which date from 2008 and 2016. This time it\u2019s a compilation of tracks, covers and alternative versions composed between 2012 and 2021, and on which some collaborators intervene. Unpretentious, then. The whole is less uniform than his albums, but the magic still works. Happy inclusions are the vocal imprecations of Peter Andersson, the surprising presence of the Italian guitarist Alessio Betterelli (\u201cHow Low\u2026\u201d) and the icy rhythms of Geoffrey Delacroix, alias Derni\u00e8re Volont\u00e9 (\u201cAmanda Lear\u201d). (Genevi\u00e8ve Gendreau)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Tasha
Tell Me What You Miss the Most
<\/strong>Father\/Daughter Records

On Tell Me What You Miss the Most<\/em><\/strong><\/a>, her second album, Tasha sings that she would stay in bed all day if she could. Her slow, fluffy drums and lightly saturated guitar summon both sweetness and melancholy. Her flute, strings, celestial voice, a slight echo and evocative titles (\u201cBurton Island\u201d, \u201cLake Superior\u201d) form a warm envelope. Simplicity stirs feelings when expressed well. It\u2019s a necessary break that she offers here, between the sky and the earth, the tumult of grey days and the noise of the city, for a more beautiful winter. (Anne-Sophie Rasolo)<\/p>\n<\/div>\n\n\n\n

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Hayden Pedigo
Letting Go
<\/strong>Mexican Summer

A prolific musician at only 27, it’s safe to assume that Texan Hayden Pedigo’s fame and influence will continue to grow. Letting Go<\/em><\/strong><\/a> features blue skies, an abandoned ranch and high Texas plains that stretch as far as the eye can see. Alternating between a six-string and a twelve-string, the acoustic guitar is played in the primitive American style, and Pedigo handles the rhythms perfectly, as a storyteller would. The pieces evoke vivid, fundamental emotions, making Letting Go<\/em> a gripping listen. (Isabelle Marceau)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Little Simz
Sometimes I Might Be Introvert
<\/strong>Age 101 – AWAL

If you’re looking for the definition of an artist, fulfilled, radiant, putting her beauty and intelligence at the service of the concept of the powerful woman, capable of giving off both strength and sweetness in one go and of laying down her committed lyrics with genius, you’ll find it in Little Simz<\/strong><\/a>. My dear colleague and friend Alain Brunet has already reviewed this album and I follow him all the way. I put this queen on my list because she exudes incredible maturity and undeniable talent. Her exceptional personality comes through in her voice, regardless of the styles of her albums. For me, the image and symbols they convey honour all women in this world. (Salima Bouaraour)<\/p>\n<\/div>\n\n\n\n

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Michael Spyres, Orchestre philharmonique de Strasbourg, Marko Letonja
Baritenor
<\/strong>Erato

Is it possible for the same singer to perform both baritone and tenor roles? Michael Spyres is the exception to this separation of voices. Originally a baritone, Spyres has spent many years perfecting his voice to expand his vocal range. The result is astonishing;<\/strong><\/a> one is amazed at the ease with which he takes on the vocal garb of different characters and alternates between bel cantiste high notes and sonorous Verdian lows. Accompanied by Marko Letonja and the Strasbourg Philharmonic Orchestra, nothing sounds forced and the grain of the voice remains stable and percussive in the performance. (Alexandre Villemaire)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Suuns
The Witness
<\/strong>Secret City Records

The Witness <\/em><\/strong><\/a>explores new avenues for Suuns, with the inclusion of acoustic, wind and string instruments, superb, almost jazz arrangements punctuating the hybridizations between avant-rock, electronic and experimental aesthetics, to which Suuns have accustomed us since 2010. The Witness<\/em> poetically addresses various angles of our globalized voyeurism, planetary facts and gestures simultaneously observed on a daily basis by millions of humans. There is an added value in a congruent portion of the arrangements and execution on this album, which is certainly one of the best vintages from this extraordinary band, still one of the most important on the Montreal scene. (Alain Brunet)<\/p>\n<\/div>\n\n\n\n

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Low
Hey What
<\/strong>Sub Pop

In 2018, the band Low confused many with the release of Double Negative<\/em>, an album on which they exploded their song structures with distortion and electronic assaults. Overwhelmed by the radical approach, bassist Steve Garrington left the band, which was reduced to the pairing of Alan Sparhawk and Mimi Parker. The duo’s comforting vocal harmonies now make their way<\/strong><\/a> through a cloud of discordant noise and show us that amidst the chaos, the lights of humanism still manage to shine. (Steve Naud)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Nicolas Bernier et Simon Trottier
Les \u00e9ternit\u00e9s vibrantes<\/strong>
Ind\u00e9pendant

This is music that is atmospheric, to say the least. In the eleven-minute final movement, which gives the record its title, one can almost hear the voice\u2014or the solo instrument\u2014rising above what would then be a magnificent backdrop. It’s quite a power to let us hear what isn’t there, and that’s what develops over the course of this programme<\/strong><\/a>, which is based on a certain form of voluntary simplicity. (R\u00e9jean Beaucage)<\/p>\n<\/div>\n\n\n\n

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LLNN
Unmaker
<\/strong>Pelagic Records

The Danish band’s third record<\/strong><\/a> is, according to the accompanying release, a thunderous sonic tale of how technology, in combination with certain power structures, transforms humanity and affects human values. This description makes sense of the darkness that emanates from Unmaker’s post-metal sludge swirls. A meditative record that you can listen to over and over again. Matt McCachy, singer of the Montreal band Cryptopsy, guests on the song \u201cDesecrator\u201d.  (Christine Fortier)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Emily D\u2019Angelo; das freie orchester Berlin & Jarkko Riihim\u00e4ki
enargeia
<\/strong>Deutsche Grammophon

Mezzo-soprano Emily D’Angelo’s daring debut album<\/strong><\/a> pushes the envelope with an eclectic programme that mixes medieval works with electro-indie rock and pieces by 21st-century female composers. The \u201caugmented\u201d works of Hildegard von Bingen rub shoulders with the low, soaring pieces of Hildur Gu\u00f0nad\u00f3ttir, the percussive and lyrical tunes of Missy Mazoli and the poignant excerpts from Sarah Kirkland Snider’s Penelope<\/em> cycle, of which the memorable \u201cThe Lotus Eaters\u201d is a highlight, with its effective and engaging rock passage of electric guitar and drums, to which D’Angelo’s clear, low tone is surprisingly grafted. A shocking album from a young lyrical artist who turns the canon associated with classical singers on its head. And that’s just as well! (Alexandre Villemaire)<\/p>\n<\/div>\n\n\n\n

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Malik Djoudi
Troie<\/strong>
Lisbonne Lux

Here\u2019s Troie<\/em><\/strong><\/a> (Troy<\/em>), whose title refers to the famous horse, except that instead of hiding a commando of Greek warriors, it reserves for the music lover a dozen beautiful electro-soul tracks c\/o Malik Djoudi. Their common denominator lies in the sweetness they exude, to varying degrees, without it ever being too much. It must be said that Djoudi sings high, always right, with a voice that acts like a non-steroidal anti-inflammatory ointment. Duets with the rapper Lala &ce, sacred monster Isabelle Adjani and Philippe Katerine, who personifies the title character of the twisted nursery rhyme \u201cEric\u201d. So we smile briefly before \u201cPetit h\u00e9ros\u201d, the melancholic finale to an otherwise invigorating album. (Luc Marchessault)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Fuck Toute<\/strong>
Cok\u00e9 Computer
<\/strong>Slam Disques

It starts with \u201cGel\u00e9 su’l feu\u201d, a tribal riff with Arabic tendencies, big drums that hammer out a nasty beat, a guttural voice that would scare an ear doctor, and it goes on for 36 and a half minutes<\/strong><\/a>, until the last note of \u201cPersona\u201d. We are dealing with skilful practitioners in whom harmonic rigour takes precedence, with musicians who alternate genres and tempos without a hitch. On this second full-length opus, Fuck Toute edify the listener with their musical and lyrical cohesion. The band that is now at the confluence of punk, metal and Quebecois noise is called Fuck Toute, let’s face it. (Luc Marchessault)<\/p>\n<\/div>\n\n\n\n

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Circuit des Yeux<\/strong>
-io<\/strong>
Matador

Haley Fohr, better known by the name of her main project Circuit des Yeux, is a singer-songwriter with a four-octave vocal range. From her lo-fi beginnings of accompanying herself on twelve-string guitar and releasing dark experimental albums, her compositions have become more melodic and dramatic. The album -io<\/em><\/strong><\/a> presents powerful pieces with orchestral support that can match her voice. It\u2019s her most accomplished album. (Isabelle Marceau)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Marissa Nadler<\/strong>
The Path of the Clouds<\/strong>
Sacred Bones

Dark dream-folk ballads make up this ninth album<\/strong><\/a>, conceived during the pandemic and produced by Nadler. During quarantine, she watched reruns of episodes of Unsolved Mysteries<\/em> intensively; the sordid and fantastic stories served as inspiration for the lyrics. This forced isolation also prompted her to learn to play the piano, which she used in an exploratory way on the album. She was able to count on the following (remote) collaborators: harpist Mary Lattimore, guitarist Emma Ruth Rundle, keyboardist Jesse Chandler (Mercury Rev) and Simon Raymonde, ex-bassist of the Cocteau Twins. (Isabelle Marceau)<\/p>\n<\/div>\n\n\n\n

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Andrew Wan, Charles Richard-Hamelin <\/strong>
<\/strong>Beethoven : Sonates pour violon et piano n\u00ba 4, 9 & 10<\/strong>
Analekta<\/p>\n\n\n\n

Violinist Andrew Wan and pianist Charles Richard-Hamelin conclude, in imperial fashion<\/strong><\/a>, their series of Beethoven’s complete violin and piano sonatas, begun in 2018. United in a synergistic expression of playing, the striking duo delivers a coherent interpretation of the multiple dynamics and nuances of Beethoven’s sonatas. From the fine, richly textured piano writing of the fourth sonata, through the virtuosic musical competition of the ninth, to the lyrical and biting harmonic textures of the tenth, the two performers deliver a deft and sensitive performance of great musicality. (Alexandre Villemaire)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Vanishing Twin<\/strong>
Ookii Gekkou<\/strong>
Fire

At the helm of Vanishing Twin is the farsighted multi-instrumentalist Cathy Lucas, and it\u2019s to her credit as captain of the ship that something so multifarious should also be satisfyingly cohesive. Stereolab are the most obvious reference point, but other delicious ingredients that constitute the band\u2019s excellent second album<\/strong><\/a> include low-gravity tropical space disco, elegant Ellingtonian exotica, celestial harmonies and unusually refined lyric-writing. That every second phrase concludes with a question mark is in keeping with the insatiable curiosity that clearly propels the auditory adventures of Vanishing Twin. (Rupert Bottenberg)<\/p>\n<\/div>\n\n\n\n

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Ju\u00e7ara Mar\u00e7al<\/strong>
Delta Est\u00e1cio Blues<\/strong>
Mais Um<\/p>\n\n\n\n

One third of the Afrocentric and highly experimental samba-punk unit Met\u00e1 Met\u00e1, S\u00e3o Paulo singer and songwriter Ju\u00e7ara Mar\u00e7al steps out with a solo album<\/strong><\/a> that\u2019s perhaps a bit more accessible, but no less inventive and inspired\u2013and though it never mentions the execrable Bolsonaro by name, it carries a compelling if unspoken political energy. Francophone listeners will appreciate the rough, raw reinterpretation of \u201cLa femme \u00e0 Barbe\u201d by the great Brigitte Fontaine, France\u2019s feminine equivalent of Serge Gainsbourg. (Rupert Bottenberg)<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PAN M 360\u2019s rundown of the hundred best music releases of 2021, in five parts over five days, continues with more great records, released between August and October. The Pan M 360 Team The Limi\u00f1anas \/ Laurent GarnierDe PeliculasBecause French couple Lionel and Marie Limi\u00f1ana pastiche a certain dark, transatlantic psych vibe, summoning the shadows […]<\/p>\n","protected":false},"author":936,"featured_media":58985,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-59001","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"\nPAN M 360\u2019S TOP 100 OF 2021! 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The Pan M 360 Team The Limi\u00f1anas \/ Laurent GarnierDe PeliculasBecause French couple Lionel and Marie Limi\u00f1ana pastiche a certain dark, transatlantic psych vibe, summoning the shadows […]","og_url":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre\/","og_site_name":"PAN M 360","article_publisher":"https:\/\/www.facebook.com\/panm360\/","article_modified_time":"2023-10-02T18:56:24+00:00","og_image":[{"width":1067,"height":800,"url":"https:\/\/panm360.com\/wp-content\/uploads\/2021\/12\/TOP100-main-4.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@PANM360","twitter_misc":{"Est. reading time":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre\/","url":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360-presente-son-top-100-de-2021-quatrieme-partie-daout-a-octobre\/","name":"PAN M 360\u2019S TOP 100 OF 2021! 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