{"id":36164,"date":"2020-12-24T09:16:53","date_gmt":"2020-12-24T14:16:53","guid":{"rendered":"https:\/\/panm360.com\/?p=36164"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"top-20-rereleases-of-2020","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/top-20-rereleases-of-2020\/","title":{"rendered":"Top 20 Rereleases of 2020"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">One doesn\u2019t re-release bad or average albums, no, that\u2019s reserved for the magical, mythical, classic, underestimated titles, the key albums, the ones that marked their time for better or worse&#8230; That\u2019s to say a rerelease is always a party because almost every time, we find a new version of an album we love, with its unreleased songs (and notes and photos), different mixes, studio scraps, or forgotten, missing, untraceable tracks that fans have compiled for our greatest pleasure. <em>&#8211; Patrick Baillargeon<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Beverly-Glenn-Copeland-Keyboard-Fantasies-1024x1024.jpg\" alt=\"\" class=\"wp-image-36094\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Beverly Glenn-Copeland &#8211; <em><em>Keyboard Fantasies<\/em><\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country:<\/strong><\/strong>\u00a0Canada \/ United States<strong><br><strong>Label:<\/strong><\/strong> Transgressive<strong><br><strong>Genres and styles:<\/strong>  <\/strong>Electronique \/ Folk \/ Gospel \/ New Age \/ Ambient \/ Experimental Dream Pop <strong><br><strong>Release date: <\/strong><\/strong>September 25<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keyboard Fantasies<\/em> is a 1986 masterpiece written for and performed on a Yamaha DX-7 and a Roland TR-707. It had never been widely distributed and was a kind of Holy Grail to be rediscovered for true music lovers. Now it&#8217;s done, and you&#8217;ll have no excuse not to know this marvel of light zenitude, benevolent and sometimes gently dashing. Glenn-Copeland geeks often refer to <em>Keyboard Fantasies<\/em> as a New Age gem. As far as I&#8217;m concerned, if it&#8217;s New Age, it&#8217;s in its experimental fringe that this album is situated. <em> &#8211; Fr\u00e9d\u00e9ric Cardin<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3509146298\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1129\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/beverlyglenn-copeland.bandcamp.com\/album\/keyboard-fantasies\">Keyboard Fantasies by Beverly Glenn-Copeland<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Yanti-Bersaudara-1024x1024.jpg\" alt=\"\" class=\"wp-image-23593\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Yanti Berasaudra &#8211; <em>Yanti Berasaudra<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Indonesia<br><strong>Label:<\/strong> La Munai<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Pop \/ South-East Asian<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 7 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Released in 1971 via Polydor Singapore and resurrected by Jakarta\u2019s discerning label La Munia, this eponymous final album from the Sundanese vocal trio of sisters Yani, Tina, and Parlina Hardjakusumah has lost not an ounce of charm in a half-century. Any disorientation a Westerner might experience due to language, or perhaps the heptatonic <em>pelog<\/em> scale of their region of Indonesia, is soon enough washed away by this luxurious blend of guitar, organ, vibraphone, and celestial vocals that makes you question how you ever lived without it. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1512875118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/lamunairecords.bandcamp.com\/album\/yanti-bersaudara\">Yanti Bersaudara by Yanti Bersaudara<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/nails-unsilent-death-2020-1024x1024.jpg\" alt=\"\" class=\"wp-image-36078\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Nails &#8211; <em>Unsilent Death (10th Anniversary Edition)<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0United States<strong><br><strong>Label:<\/strong><\/strong> Southern Lord Records<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Grindcore \/ Death Metal \/ Hardcore<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>November 27 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Talk about a rerelease that\u2019s a real eye-opener! To the first record from the Californian grind \u2019n\u2019 roll band are added the three songs from the single \u201cObscene Humanity\u201d (2012) and two songs recorded at the same time as <em>Unsilent Death<\/em>. It\u2019s corrosively catchy and it puts you in a good mood. <em>&#8211; Christine Fortier<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3706535367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/nailssl.bandcamp.com\/album\/unsilent-death-10th-anniversary-edition\">Unsilent Death (10th Anniversary Edition) by Nails<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Jeremiah-Sand-1024x1024.jpg\" alt=\"\" class=\"wp-image-35997\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Jeremiah Sand &#8211; <em>Lift It Down<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Sacred Bones<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Folk \/ Alternative \/ Psychedelic<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> October 30 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The story behind this album is unusual. Jeremiah Sand, a pseudo-hippie prophet with a massive ego, decides to make his home in a studio near the town of Redding to \u201crealize his vision\u201d with his community The Children of The New Dawn. After several years of being squatters, things obviously go wrong between drugs, stories of disappearance and even murder, forcing them to leave the studio without ever finishing the album. Sacred Bones brings out this odd artefact of a supposedly awakened man, unusual, even disturbed.<em> &#8211; Louise Jaunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=628558275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/jeremiahsand.bandcamp.com\/album\/lift-it-down\">Lift It Down by Jeremiah Sand<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Lil-Peep-Hellboy.jpg\" alt=\"\" class=\"wp-image-36082\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Lil Peep<\/strong><\/strong> <strong><strong>&#8211; <em>Hellboy<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0United States<strong><br><strong>Label:<\/strong><\/strong> AUTNMY<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Hip Hop \/ Emo Rap \/ Alternative<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>September 25 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The posthumous re-release of <em>Hellboy<\/em> (2016) by Lil Peep\u2019s estate allows the artist\u2019s first mixtape to be sold on all digital platforms. He practically invented emo rap (at the least, he\u2019s one of its most prominent icons) and has also become one of the most popular artists on SoundCloud thanks to this mixtape, recorded in a loft on Skid Row. Revealing his internal struggles with nihilistic and cynical lyrics, this is the most complete work of his short career. <em>&#8211; Roxane Labont\u00e9&nbsp;<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3PGFdp8MUJ25eJjUl0O58X\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Pauline-Oliveros-Stuart-Dempster-Panaiotis-Deep-Listening.jpg\" alt=\"\" class=\"wp-image-36084\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Pauline Oliveros, Stuart Dempster, Panaiotis &#8211; <em>Deep Listening<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Important Records<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Ambient \/ Improvisation \/ Contemporary<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> January 31 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recorded in a tank with prodigious acoustic properties, this disc offers an immersive experience like no other. Imagine, the reverb lasts nearly 45 seconds! The featured instruments are the accordion, trombone, didgeridoo, voice, whistling, and conch, a few pieces of pipe and metal as percussion, and a piece of garden hose. A true classic of the genre that has just been re-released for the first time since its release in 1989, in a remastered vinyl version with three additional pieces, recorded in the same place but with an extra clarinet, from a 1991 Deep Listening Band album.<em> &#8211; Michel Rondeau<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1h4VM1Nsgav7liCdWBoGlC\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Disques-The-Pace-Setters-by-Edikanfo-1024x1024.jpg\" alt=\"\" class=\"wp-image-19183\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Edikanfo<\/strong><\/strong> <strong><strong>&#8211; <em>The Pace Setters<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0Ghana<strong><br><strong>Label:<\/strong><\/strong> Glitterbeat<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Afrobeat \/ Disco \/ Funk \/ Highlife<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>May 8 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Among iconic sound-wizard Brian Eno\u2019s African explorations of the turn of the \u201980s was the production of this first (and sadly, last) album from Ghanaian octet Edikanfo. Their nation\u2019s history at that time adds a note of tragedy to this souvenir of a curtailed career. Edikanfo painted with a notably pan-African palette of percolating highlife, tough Afrobeat, a dash of Ethio-jazz, and some disco as well. Between their inspired choices and Eno\u2019s deft manipulations, <em>The Pace Setters<\/em> is a vital time capsule, from a band that could have been very big. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4251888773\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/edikanfo.bandcamp.com\/album\/the-pace-setters\">The Pace Setters by Edikanfo<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Paul-Tortelier-RIAS-Recordings.jpg\" alt=\"\" class=\"wp-image-36089\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Paul Tortelier: RIAS Recordings &#8211; <em>Paul Tortelier, Lothar Broddack, Klaus Billing<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>France<br><strong>Label:<\/strong> Audite <br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Classical  \/ Baroque \/ Romantic<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong>  February 7 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Tortelier was an exceptional cellist. This rerelease presents him at his best, of course, with superb readings of masterpieces (Bach, Faur\u00e9, Schumann, Kodaly&#8230;). A lot of chamber music here, with sound recordings that were already very good at the time. One could not ask for better. <em>&#8211; Fr\u00e9d\u00e9ric Cardin<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6HlFOb2eOm9sxTKkATgill\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/09\/Disques-Global-Communication-Transmissions.jpg\" alt=\"\" class=\"wp-image-28507\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Global Communication<\/strong><\/strong> <strong><strong>&#8211; <em>Transmissions<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0United Kingdom<strong><br><strong>Label:<\/strong><\/strong> Evolution<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Ambient \/ Downtempo \/ Electonic \/ House \/ IDM<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 20 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the beginning of the \u201990s, the British duo Global Communication activated a small revolution by blending ambient, techno, and the IDM then emerging. The <em>Transmissions<\/em> box set includes the now-classic <em>76:14<\/em>, <em>Pentamerous Metamorphosis<\/em>, which is a reconstruction of Chapterhouse\u2019s <em>Blood Music<\/em>, as well as a collection of singles and remixed tracks. An essential for any electro fanatic. <em>&#8211; Steve Naud<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4y0wXNP3t9rUv1y58Peuj1\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Jon-Hassell-Vernal-Equinox-reissue.jpg\" alt=\"\" class=\"wp-image-36101\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Jon Hassell &#8211; <em>Vernal Equinox<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Ndeya<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Jazz \/ Avant-garde \/ Experimental \/ Raga<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong>  March 20 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recorded from October 1976 to October 1977, in part in a studio at York University in Toronto, and released the following year, <em>Vernal Equinox <\/em>is an opportunity to hear Hassell in his early days. Although the influence of Miles Davis of the \u201970s can be felt, Hassell already had his own way of tampering with the sound of his trumpet and especially of developing his meditative pieces in the manner of Indian ragas. It was this record that caught the attention of Brian Eno, with whom he later produced <em>Fourth World Vol. 1 &#8211; Possible Musics<\/em>.\u00a0 <em>&#8211; Michel Rondeau<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5aZQzSX2cCYC91CTNw0TdJ\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Moon-Duo-1024x1024.jpg\" alt=\"\" class=\"wp-image-35995\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Moon Duo<\/strong><\/strong> <strong><strong>&#8211; <em>Escape (Expanded Edition)<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0United States <strong><br><strong>Label:<\/strong><\/strong> Sacred Bones<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Psychedelic \/ Krautrock<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>June 12 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To mark the tenth anniversary of Moon Duo\u2019s first album, <em>Sacred Bones<\/em> offers a reissue on which three previously unreleased tracks are added. The opening track, \u201cMotorcycle, I Love You\u201d, sums up the band\u2019s discography. Supported by a motorik rhythm, the Moon Duo spaceship sends us into an infernal whirlwind of colourful and fuzzy guitar, which inevitably transports us into an exhilarating cosmic exploration that is very much their own. <em>&#8211; Louise Jaunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3878767106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/moonduo.bandcamp.com\/album\/escape-expanded-edition\">Escape (Expanded Edition) by Moon Duo<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/The-Staple-Singers-Come-Go-With-Me-The-Stax-Collection.jpg\" alt=\"\" class=\"wp-image-36114\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>The Staple Singers &#8211; <em>Come Go With Me: The Stax Collection<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Craft<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Gospel \/ Soul<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> February 21 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soul music sources its inexhaustible power from the collision of Saturday night and Sunday morning, the angels and the devils\u2026 blues and gospel. With their potent pop-gospel exhortations of the late \u201960s, Roebuck \u201cPops\u201d Staples and his kids (including Mavis, later a big star on her own) gave full and beautiful voice to a necessary feeling at their tumultuous time of social upheaval, fortified with defiant optimism. The label on the box says Stax, so you know this stuff has some serious kick. With extensive and informed notes, and seven discs worth of music, the Staple family finally get their due, in grand style. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4ruRY2jMm9eE1ZU5iUXsns\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-summerteeth-deluxe_wilco.jpg\" alt=\"\" class=\"wp-image-36119\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Wilco &#8211; <em>summerteeth (Deluxe Edition)<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0United States<strong><br><strong>Label:<\/strong><\/strong> Rhino<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Pop \/ Rock \/ Chamber Pop  \/ Garage \/ Baroque Rock<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>November 6 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For Jeff Tweedy and his post-Uncle Tupelo troupe, <em>summerteeth<\/em> is the album where alt-country gave way to neo-baroque garage rock. The late Jay Bennett\u2019s crucial contribution to this success is worth mentioning. Twenty-one years later, we are served a teeming Deluxe Edition in four parts: 1) contents of the good ol\u2019 CD, 2) a fricassee of demos, spare takes and studio scraps, then 3) and 4), a raspy devil of a concert recorded in Boulder, Colorado, in November 1999, where we hear, in addition to the pieces of <em>summerteeth<\/em>, some Woody Guthrie covers from <em>Mermaid Avenue<\/em>, as well as excerpts from <em>A.M.<\/em> and <em>Being There<\/em>. Do you remember Cronenberg&#8217;s film <em>Scanners<\/em>, in which heads burst like watermelons swollen with methane? That\u2019s what the wilcologist fears when confronted with such bliss. <em>&#8211; Luc Marchessault<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/04SEJKcDKWsr5KA4lxMKAv\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Disques-Blue-Coxsone-Box-Set-by-Various-Artists-1024x1024.jpg\" alt=\"\" class=\"wp-image-24138\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Various Artists &#8211; <em>The Blue Coxsone Box Set<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Jamaica \/ United Kingdom<br><strong>Label:<\/strong> Soul Jazz<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Ska \/ Rocksteady \/ Reggae<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 10 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All Stars, C&amp;N Productions, D Darling, Downbeat, Muzik City, N.D. Records, Supreme, Worldisc, Coxsone or Studio One \u2013 of all the record labels founded by the legendary producer Clement \u201cCoxsone\u201d Dodd, the famous blue label (Blue Coxsone), unveiled at the end of 1967, will surely be the one that will most excite the circle of collectors. This year, Studio One released a limited-edition box set of six of his rarest ska singles and their CD versions, including artists such as Joe Higgs, Winston Jarrett, The Soul Vendors, and The Melodians, with the added bonus of obscure and even previously unreleased songs. It\u2019s incredible that these mythical archives still deliver, more than 50 years later, so many little unreleased treasures. Candy! <em>&#8211; Richard Lafrance<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2970745660\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/studioone.bandcamp.com\/album\/blue-coxsone-box-set\">Blue Coxsone Box Set by Various Artists<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/09\/Disque-NOME-NOMA-1024x1024.png\" alt=\"\" class=\"wp-image-28104\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Various Artists &#8211; <em>Nome Noma<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0Canada (Quebec)<strong><br><strong>Label:<\/strong><\/strong> Tr\u00e9sor National<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>New Wave \/ Post-punk \/ Power-pop \/ Punk  \/ Synth-wave<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>August 29 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If half the world succumbed to new wave in the late \u201970s and early \u201980s, Quebec was certainly not outdone. However, apart from the success of artists such as Men Without Hats and Rational Youth, there are others who have always remained in the shadows. This compilation finally does them justice. With a 16-page booklet, <em>Nome Noma<\/em> presents 13 obscure titles in English or French, with power-pop, punk, glam, cold wave and synthpop colours \u2013 an essential compilation that testifies to the originality and especially the effervescence of this little scene still too little known today. <em>&#8211; Patrick Baillargeon<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/874841443&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/user-55178726-221949985\" title=\"Tr\u00e9sorNational\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Tr\u00e9sorNational<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/user-55178726-221949985\/vex-dna-1\" title=\"VEX - DNA\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">VEX &#8211; DNA<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Hiroshi-Yoshimura-\u2013-Greena.jpg\" alt=\"\" class=\"wp-image-36126\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Hiroshi Yoshimura &#8211; <em>Green<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Japan<br><strong>Label:<\/strong> Light in the Attic<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Ambient \/ Electronic \/ New Age<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> March 20 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Thanks to the treasure seekers of the Light in the Attic label, Western audiences can finally discover Japanese environmental music. Originally released in 1986, <em>Green<\/em>, by Hiroshi Yoshimura&nbsp; (1940-2003), is one of the key albums of the genre. The pure Zen landscapes drawn there by the musician\u2019s synthesizers soothe the ears, heart, and soul. <em>&#8211; Steve Naud<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2915646406\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/hiroshiyoshimura.bandcamp.com\/album\/green\">GREEN by Hiroshi Yoshimura<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Wormwood-Ghostlands-Wounds-From-a-Bleeding-Earth-1024x1024.jpg\" alt=\"\" class=\"wp-image-36132\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Wormwood &#8211; <em>Ghostlands: Wounds From a Bleeding Earth<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0Sweden<strong><br><strong>Label:<\/strong><\/strong> Non Serviam<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong><\/strong> Black Metal \/ Folk Metal<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>February 28 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Swedish melodic black metal band has been on my radar screen since I listened to <em>Nattarvet<\/em> (2019). Black Lodge Records had the good idea to re-release its first album from 2017. Folk and Viking influences are more present and the 12 songs are imbued with a melancholy that makes them memorable. <em>&#8211; Christine Fortier<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1327228511\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/wormwood-official.bandcamp.com\/album\/ghostlands-wounds-from-a-bleeding-earth\">Ghostlands &#8211; Wounds From a Bleeding Earth by Wormwood<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Mort-Garson-1024x1024.jpg\" alt=\"\" class=\"wp-image-35999\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mort Garson &#8211; <em>Music from Patch Cord Productions<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States <br><strong>Label:<\/strong> Sacred Bones<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Experimental \/ Ambient<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> November 6 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a true pioneer of electronic music of the \u201960s and \u201970s, Mort Garson was one of the first sound wizards to compose music with Moog synthesizers. <em>Sacred Bones<\/em> pays tribute to him by rereleasing his strange, timeless, playful, and mesmerizing proto-new age tracks, which could equally well serve as a soundtrack for a Pokemon video game or an animated film like <em>Fantastic Planet<\/em>.<em> &#8211; Louise Jaunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2359873007\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/mortgarson.bandcamp.com\/album\/music-from-patch-cord-productions\">Music from Patch Cord Productions by Mort Garson<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-George-Szell-The-Warner-Recordings-1934-1970.jpg\" alt=\"\" class=\"wp-image-36139\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">George Szell &#8211; <em>The Warner Recordings 1934-1970<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>\u00a0Hungary <strong><br><strong>Label:<\/strong><\/strong> Warner Classics<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Classical \/ Romantic<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 30 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Szell is the conductor you should know, even better than Karajan or Klemperer. Yes, the latter are extraordinary, but Szell was different. Think of the baroque music movement that brought back the taste for authenticity in interpretations. Long before, Szell used to make his orchestras sound like that, while others still remained faithful to gigantism most of the time. Covering 1934 to 1970, there is a lot of music here, including Beethoven\u2019s famous piano concertos with Gilels as soloist. As a bonus, there are some unreleased gems. <em>&#8211; Fr\u00e9d\u00e9ric Cardin<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5uxOsvbzpuXcKmTvNzPGyp\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Coil-Musick-to-Play-in-the-Dark-1021x1024.jpg\" alt=\"\" class=\"wp-image-36145\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Coil &#8211; <em>Musick to Play in the Dark<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United Kingdom<br><strong>Label:<\/strong> Dais Records<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Industrial \/ Experimental \/ Dark Ambient<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> November 27 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Under the supervision of two former members of the band, Drew McDowall, present on their last albums, as well as Thighpaulsandra, Dais Records has successfully re-released this album originally released in 1999. It is certainly one of the best from the band, emblematic of its period of \u201cmoon musick\u201d. Note a panoply of vinyls, each one more limited edition than the other, including complete and unreleased versions of each track. <em>&#8211; Genevi\u00e8ve Gendreau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591371777\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/coilofficial.bandcamp.com\/album\/musick-to-play-in-the-dark\">Musick to Play in the Dark by Coil<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One doesn\u2019t re-release bad or average albums, no, that\u2019s reserved for the magical, mythical, classic, underestimated titles, the key albums, the ones that marked their time for better or worse&#8230; That\u2019s to say a rerelease is always a party because almost every time, we find a new version of an album we love, with its [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":0,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-36164","dossiers","type-dossiers","status-publish","format-standard","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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