{"id":35730,"date":"2020-12-20T10:30:48","date_gmt":"2020-12-20T15:30:48","guid":{"rendered":"https:\/\/panm360.com\/?p=35730"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"pan-m-360s-top-100-of-2020-part-5-september-to-december","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-5-september-to-december\/","title":{"rendered":"PAN M 360\u2019s Top 100 of 2020! (Part 5 &#8211; September to December)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In spite of the increasingly exasperating, yet necessary, confinement, this time of year remains an opportunity to share one\u2019s best finds, in immediate company or virtually.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The production of this Top 100 of 2020 is also an opportunity to remember that the PAN M 360 platform went public exactly one year ago, when our list of <a href=\"https:\/\/panm360.com\/en\/top-360-of-the-decade\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>the Top 360 albums of the decade 2010-2019<\/strong><\/a> was released. It was our first major production effort, not bad at all under the circumstances! Despite its imperfections, it was a huge postcard for PAN M 360 addressed to its first users.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the end of February 2020, we launched the full site, which has continued to grow ever since. At the end of 2020, we are very proud of our achievements, despite the enormous financial and physical constraints caused by the pandemic. We have exceeded a thousand album reviews, we have conducted nearly 150 written or audiovisual interviews, three performances filmed in full confinement, dozens of feature articles on the musical ecosystem, and much more. We\u2019re delighted to have quadrupled our circulation since the first quarter of our online release. It\u2019s still modest, but it\u2019s only just beginning&#8230; if you, the music lovers, <a href=\"https:\/\/panm360.com\/en\/produit\/packages-panm360\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>join the PAN M 360 community<\/strong>.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So enjoy the best music from all over the world at this auspicious time. Happy Holidays! <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Album-Machine-Gun-Kelly-Tickets-To-My-Downfall-1.jpg\" alt=\"\" class=\"wp-image-35704\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Machine Gun Kelly &#8211; <em>Tickets to my Downfall<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Bad Boy \/ Interscope Records<strong><br><strong>Genres and styles:<\/strong> <\/strong>Pop-Punk \/ Rock \/ Hip-Hop<strong><br><strong>Release date: <\/strong><\/strong>September 25 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mixing pop-punk and hip-hop, this album depicts grief and struggle against a background of pastel colours, with light, mostly energetic pieces. Truly antithetical songs conceived with Travis Barker (Blink-182), they show the Cleveland rapper in a new light. <em>&#8211; Roxane Labont\u00e9<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/13lMLnHs5qsmm687oRc3VC\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Albums-Toots-The-Maytals-Got-To-Be-Tough-1024x1024.jpg\" alt=\"\" class=\"wp-image-35709\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Toots &amp; The Maytals &#8211; <em>Got To Be Tough<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Jamaica<br><strong>Label:<\/strong> Trojan Jamaica<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Reggae<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> August 28 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This reggae monument was barely out of the studio with this baby under his arm when he was struck by you-know-what. We wish him the reggae Grammy posthumously in January for a solid album, but more specifically to crown an unequalled career. <em>&#8211; Richard Lafrance<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2h7J7aqfQMm8bpnOrZbYgP\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/09\/Disques-John-Luther-Adams-The-Become-Trilogy.jpg\" alt=\"\" class=\"wp-image-28529\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>John Luther Adams &#8211; <em>The Become Trilogy<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Cantaloupe Music<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Avant-Garde \/ Contemporary<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>September 25<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A superb idea, to gather in a box set the orchestral trilogy inspired in the composer by his observations of nature. <em>Become Ocean<\/em> is certainly the best known, the work having won the Pulitzer Prize for music and the Grammy for best contemporary classical composition in 2014. <em>&#8211; R\u00e9jean Beaucage<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827557956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/johnlutheradams.bandcamp.com\/album\/the-become-trilogy\">The Become Trilogy by John Luther Adams<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Albums-The-Ocean-Phanerozoic-II-Mesozoic-Cenozoic-1024x1024.jpg\" alt=\"\" class=\"wp-image-35739\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>The Ocean &#8211; <em>Phanerozoic II: Mesozoic | Cenozoic<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Germany<br><strong>Label:<\/strong> Pelagic Records<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Progressive Metal <br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> September 25<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I like this German band and I always take the time to listen to their new records for the immersive side of their progressive metal. Their eighth album surpassed all my expectations. It\u2019s introspective, inventive, and well calibrated. <em>&#8211; Christine Fortier<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3980461928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/theocean.bandcamp.com\/album\/phanerozoic-ii-mesozoic-cenozoic\">Phanerozoic II: Mesozoic | Cenozoic by The Ocean<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/09\/Disques-Tricky-Fall-to-Pieces-1024x1024.jpg\" alt=\"\" class=\"wp-image-27591\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Tricky &#8211; <em>Fall to Pieces<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United Kingdom<strong><br><strong>Label:<\/strong> <\/strong>Liberator<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Dub \/ Electronic \/ Hip-Hop \/ Trip Hop<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>September 4 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tricky, true to himself. With this record in the same vein as his previous albums, the English trip-hop pioneer takes us into his very personal, dark, and emotionally charged universe. A lively flayed man with a bruised heart who, musically, manages to work wonders and move us every time. <em>&#8211; Yohann Goyat<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315546306\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/tricky.bandcamp.com\/album\/fall-to-pieces\">Fall to Pieces by Tricky<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/10\/Disques-Ichon-Pour-de-vrai.png\" alt=\"\" class=\"wp-image-29388\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Ichon &#8211; <em>Pour de vrai<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>France<br><strong>Label:<\/strong> 911<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Hip-Hop<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> 11 septembre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ichon unveils 15 tracks that are sometimes difficult to classify, often at the crossroads of genres, each more original than the next, touching on bass music, funk, R&amp;B, and neo-soul. The Montreuil musician sings, talks, clamours, raps, and surprises with his playful diction and the flexibility of his flow. A proposal that comes from the heart, <em>For Real<\/em> deserves the title of best album of the year. <em>&#8211; Elsa Fortant<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0hhScQ5Q1Bb9IGD8AGlE3N\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/10\/Disques-Montreal-Dances-Across-Borders-1024x1024.jpg\" alt=\"\" class=\"wp-image-30862\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Various Artists &#8211; <em>Montreal Dances Accross Borders<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Canada (Quebec)<strong><br><strong>Label:<\/strong> <\/strong>Montreal Dances Accross Borders<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>EBM \/ Electronic \/ Techno<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>September 18 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ten artists from Montreal\u2019s underground electronic music scene join forces to release a debut compilation, the proceeds of which will be donated in full to the <strong><a href=\"https:\/\/www.solidarityacrossborders.org\/fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Solidarity Across Borders NPO.<\/a><\/strong> While the album\u2019s colours may be cold, they do raise the temperature. The sound ghosts awaken memories of rib cages rattling to the rhythm of kick, dripping ceilings and dancefloors smelling of beer. <em>&#8211; Elsa Fortant<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=12763811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/mtldancesacrossborders.bandcamp.com\/album\/vol-1-mdab01\">vol. 1 [MDAB01] by VARIOUS ARTISTS<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Albums-Lomelda-Hannah-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-35752\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Lomelda &#8211; <em>Hannah<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Double Double Whammy<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Folk Rock \/ Indie Folk \/ Indie Rock<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> September 4 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Hannah<\/em>, the fourth full-length album by Hannah Read, aka Lomelda, starts off delicately, gets electrified, then moves into amplified lo-fi territory. Fourteen successful songs \u2013 including a nod to Wilco\u2019s \u201cMisunderstood\u201d \u2013 add up to an offering that\u2019s effusive, touching, and rough where it counts, making this one of the best folk-rock albums of 2020. <em>&nbsp;&#8211; Luc Marchessault<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=148617909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/lomelda.bandcamp.com\/album\/hannah\">Hannah by Lomelda<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Ghostemane-Anti-Icon.png\" alt=\"\" class=\"wp-image-35758\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Ghostemane<\/strong> &#8211; <em><strong>Anti-Icon<\/strong><\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Blackmage<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Electronic \/ Hip-Hop \/ Industrial \/ Metal \/ Noise \/ Trap<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 21st <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Anti-Icon <\/em>sinks into your memory like thorns into flesh. Ghostemane fuses trap to metal, industrial to hip-hop, mixes styles and blurs his tracks, but he doesn&#8217;t just do that. He\u2019s an artist in his own right and that can be felt in his general aesthetics and his extravagant costumes. <em>&#8211; Roxane Labont\u00e9&nbsp;<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3gEv1vpsDgaEo4TLuu0Lwz\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Disques-Secret-Sun-Winter-Love-1024x1024.jpg\" alt=\"\" class=\"wp-image-32011\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Secret Sun &#8211; <em>Winter Love<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Double Double Whammy<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Dream Pop \/ Electro-Pop \/ Indie Pop \/ Trip Hop<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> 30 octobre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This second album by the Montreal duo stands out for its dream-pop\/indie pop that goes off the beaten track with its retro, soul and funk arrangements. Depending on the track, Anne-Marie Campbell sings in an offhand or melancholic manner about the many variations of love and human relationships that inhabit our spaces of intimacy and creativity. <em>Winter Love<\/em> is an invitation to introspective listening, to capture the intoxication of waking dreams. <em>&#8211; Isabelle Marceau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2261298946\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/secret-sun.com\/album\/winter-love\">Winter Love by Secret Sun<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Albums-Benediction-Scriptures.jpg\" alt=\"\" class=\"wp-image-35770\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Benediction &#8211; <em>Scriptures<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United Kingdom<strong><br><strong>Label:<\/strong> <\/strong>Nuclear Blast<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Death Metal<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 16 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The return of singer Dave Ingram (he left the British band in 1998 and came back in 2019) has a lot to do with it, but listening to <em>Scriptures<\/em> is a bit like waking up in the early 1990s, at the height of what is now called old-school death metal. Candy for the nostalgic. <em>&#8211; Christine Fortier&nbsp;<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6JLbp9WJrPu4vsi4cqBQH9\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Disques-helene-grimaud-the-messenger.jpg\" alt=\"\" class=\"wp-image-32129\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>H\u00e9l\u00e8ne Grimaud, Camerata Salzburg &#8211; <em>The Messenger<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Austria \/ France<strong><br><strong>Label:<\/strong> <\/strong>Deutsche Grammophon<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Classical \/ Neoclassical<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 2 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We can&#8217;t put it any other way: pianist H\u00e9l\u00e8ne Grimaud took a risk with her latest album, <em>The Messenger<\/em>. Whether it&#8217;s the missing coda of Mozart&#8217;s <em>Fantasy in D minor<\/em>, which leads directly to a lively version of the same composer&#8217;s <em>Concerto in D minor<\/em>, everything about Grimaud&#8217;s interpretation takes us away from the great recordings of Ushida and Schiff. Yet this very direct approach to Mozart&#8217;s works gives them an impressive energy and sense of advancement that perfectly counterbalances the calm atmosphere of the works of Ukrainian Valentin Silvestrov. This is how Grimaud succeeds in this curious Mozart-Silvestrov marriage. <em>&#8211; Sarah-Ann Larouche<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7rZomvm8hIPSECCPFgAVBf\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Quartom-Rendez-vous.jpg\" alt=\"\" class=\"wp-image-35779\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Quartom &#8211; <em>Rendez-vous<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Canada (Quebec)<strong><br><strong>Label:<\/strong> <\/strong>Productions PVB<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Classical<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 2nd <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the strength of its last album, <em>Renaissance<\/em>, winner of the Opus 2018-2019 prize in the Medieval, Renaissance and Baroque Music category, the famous vocal quartet is back with this new album, a meeting against the currents of musical history. With their usual vocal finesse, Julien Patenaude, Beno\u00eet Le Blanc, and Philippe Martel, accompanied by their new recruit Philippe Gagn\u00e9, move from baroque to classical and from modernism to the Renaissance with ease, proposing a colourful, soothing and dynamic musical journey. <em>&#8211; Alexandre Villemaire<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6znJgdzR6oYoD2svRJvXwa\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Albums-Shreez-On-Frap.jpg\" alt=\"\" class=\"wp-image-35783\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Shreez &#8211; <em>On Frap<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Canicule<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Drill \/ Hip Hop \/ Keb Rap<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> October 9 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On Frap<\/em> is a light work full of hilarious features and nods to Quebec culture that\u2019s easy to listen to with a smile on your face. A palpable sense of fraternity allows its many guest collaborators to express themselves with ease. The rapper picks up and perfects his winning recipe: the adaptation of American drill and trap to Quebec culture. <em>&#8211; F\u00e9lix Desjardins<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4WacgaqV5Fj3kjvr9Azv2k\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/10\/Disque-Spits_artwork-1016x1024.jpg\" alt=\"\" class=\"wp-image-31654\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>The Spits &#8211; <em>VI<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Thrifstore<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Garage Punk \/ Punk Rock<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 30 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It took nine long years for the Kalamazoo band to return with <em>Volume VI<\/em>. Nine years for 10 short, punchy, fun, and incredibly catchy songs, altogether no longer than 17 minutes. Produced by Erik Nervous on a four-track in a Kalamazoo basement, this mini-album plunges us back into the band&#8217;s lo-fi universe, its sense of irony, its melodies as sticky as gum and its punk-rock cut with a chainsaw. The wait was worth it. &#8211; <em>Patrick Baillargeon<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4127763746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/thespits.bandcamp.com\/album\/vi\">VI by The Spits<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/10\/Antoine-Corriveau-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-29906\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Antoine Corriveau &#8211; <em>Pissenlit<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Secret City<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Art Rock \/ Folk \/ Folk Rock \/ Punk \/ Rock<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> October 9 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With <em>Pissenlit<\/em>, Corriveau&#8217;s deep, dark voice finds a more colourful framework to lean on. Like Beck in the 1990s (and a bit like <em>Sea Change<\/em> for the more melancholy moments), the singer-songwriter unfolds his folk with a fertile imagination and a virulent rock vibe, which he accompanies with striking reflections on the territory and fate of humanity. <em>&#8211; Olivier Boisvert-Magnen<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3MxL97tOzerdtCi366hhZe\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Pardon-My-French-pardon-my-french-1024x1024.jpg\" alt=\"\" class=\"wp-image-33936\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Jahari Massamba Unit &#8211; <em>Pardon My French<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Madlib Invazion<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Contemporary Jazz \/ Electro-Jazz \/ Free Jazz \/ Instrumental Hip Hop \/ Jazz Fusion \/ Jazz-Funk<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>November 28 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Drummer Karriem Riggins and beatmaker, rapper, remixer and multi-instrumentalist Madlib reconcile seemingly irreconcilable jazzistic sub-genres as they were developed in the \u201960s and \u201970s: fusion, funk, and groove, but also modal, free, and contemporary jazz. With a digital approach where collage, quotation, transformation, and cross-fading are allowed and valued, this album is a plunge into a fascinating retro-nuevo universe. <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244099731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/jaharimassambaunit.bandcamp.com\/album\/pardon-my-french\">Pardon My French by Jahari Massamba Unit<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Disques-The-Great-Un-American-Songbook-Vol-III-The-Ed-Palermo-Big-Band-1024x1024.jpg\" alt=\"\" class=\"wp-image-32206\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The <strong><strong>Ed Palermo Big Band &#8211; <em>The Great Un-American Songbook Vol. 3: Run for Your Life<\/em><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Sky Cat<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Jazz \/ Prog Rock \/ Rock<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> November 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Outstanding conductor and arranger Ed Palermo leads his big band of 16 musicians with his usual precision, to serve up a kaleidoscope of mashups in which a string of English hits are stamped with bits and pieces (and big numbers) from Frank Zappa\u2019s catalog. <em>&#8211; R\u00e9jean Beaucage<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2707916786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/palermobigband.bandcamp.com\/album\/the-great-un-american-songbook-vol-iii-run-for-your-life\">The Great Un-American Songbook Vol. III: Run for Your Life by The Ed Palermo Big Band<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/11\/Disques-Beethova-Obas-Bon-Bagay-1024x1024.jpg\" alt=\"\" class=\"wp-image-33855\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Beethova Obas &#8211; <em>Bon Bagay<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Belgium \/ Haiti<strong><br><strong>Label:<\/strong> <\/strong>Aztec \/ Independant<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Jazz \/ Kompa<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>October 16 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The gentleman troubadour from the French-speaking Caribbean is back after a long silence, and in truly splendid form. The emblematic title track liberates the Haitian people. A great Creole song, popular and refined, Afro-Cuban and jazzy with extra brass. Excellent! <em>&#8211; Ralph Boncy<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5pL5EEYjJFW6OOFBHcmK7j\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/dvs1-beta-sensory-metal-rhythm-lp.jpg\" alt=\"\" class=\"wp-image-35800\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">DVS1 &#8211; <em>Beta Sensory Motor Rhythm<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Axis Records<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Electronic \/ Techno<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> December 1st<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Known for playing hypnotic and mental techno, in other words based on the layering of sounds, DVS1, which has been active since 1996, released his first album on the label of techno veteran Jeff Mills. The eight tracks prove that the Minnesotan, a sound craftsman, excels as much behind a digital audio station as he does on the turntables. <em>&#8211; Elsa Fortant<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" scrolling=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1171467454&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"120\" frameborder=\"no\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/dvs1\" title=\"DVS1\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">DVS1<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/dvs1\/sets\/dvs1-beta-sensory-motor-rhythm\" title=\"DVS1 \u2013 Beta Sensory Motor Rhythm (Snippets)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">DVS1 \u2013 Beta Sensory Motor Rhythm (Snippets)<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":35415,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false},"categories":[5192],"tags":[],"class_list":["post-35730","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PAN M 360\u2019s Top 100 of 2020! 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