{"id":35599,"date":"2020-12-19T07:07:39","date_gmt":"2020-12-19T12:07:39","guid":{"rendered":"https:\/\/panm360.com\/?p=35599"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"pan-m-360s-top-100-of-2020-part-4-june-to-august","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-4-june-to-august\/","title":{"rendered":"PAN M 360\u2019s Top 100 of 2020! (Part 4 &#8211; June to August)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In spite of the increasingly exasperating, yet necessary, confinement, this time of year remains an opportunity to share one\u2019s best finds, in immediate company or virtually.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The production of this Top 100 of 2020 is also an opportunity to remember that the PAN M 360 platform went public exactly one year ago, when our list of <a href=\"https:\/\/panm360.com\/en\/top-360-of-the-decade\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>the Top 360 albums of the decade 2010-2019<\/strong><\/a> was released. It was our first major production effort, not bad at all under the circumstances! Despite its imperfections, it was a huge postcard for PAN M 360 addressed to its first users.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the end of February 2020, we launched the full site, which has continued to grow ever since. At the end of 2020, we are very proud of our achievements, despite the enormous financial and physical constraints caused by the pandemic. We have exceeded a thousand album reviews, we have conducted nearly 150 written or audiovisual interviews, three performances filmed in full confinement, dozens of feature articles on the musical ecosystem, and much more. We\u2019re delighted to have quadrupled our circulation since the first quarter of our online release. It\u2019s still modest, but it\u2019s only just beginning&#8230; if you, the music lovers, <a href=\"https:\/\/panm360.com\/en\/produit\/packages-panm360\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>join the PAN M 360 community<\/strong>.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So enjoy the best music from all over the world at this auspicious time. Happy Holidays! <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Benjamin-Biolay-Grand-Prix-BON.jpg\" alt=\"\" class=\"wp-image-35594\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Benjamin Biolay<\/strong> &#8211; <em><strong>Grand Prix<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country:<\/strong><\/strong>&nbsp;France<strong><br><strong>Label:<\/strong> <\/strong>Universal<strong><br><strong>Genres and styles:<\/strong> <\/strong>Singer-Songwriter \/ Pop<strong><br><strong>Release date: <\/strong><\/strong>June 26<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On this album, Biolay, a figurehead of sophisticated French pop, offered us one of the most beautiful songs of the year: \u201cComment est ta peine?\u201d The whole is delectable and its so-called Deluxe re-release contains five unreleased tracks, including a tasty duet with Ad\u00e9 (\u201cParc ferm\u00e9\u201d) and a cover of \u201cTous les cris les S.O.S.\u201d. For classy, nostalgic dancing.&nbsp;(Many tasty acoustic covers on his Facebook page.) <em>&#8211; Claude Andr\u00e9<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1S0DKCycQJzE4ALK2Q2qhe\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Buju-Banton-Upside-Down-1024x1024.png\" alt=\"\" class=\"wp-image-35586\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Buju Banton<\/strong> <em>&#8211; <strong>Upside Down<\/strong> 2000<\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Jamaica<br><strong>Label:<\/strong> Gargamel \/ Roc Nation<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Dancehall \/ Reggae<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> June 26 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A long-awaited album, even in an upside-down year, can only disappoint. After nine years of detention, the grand dread made a comeback with a scattered album, a catch-all, but which still offered three or four good extracts to mark the occasion. An event. <em>&#8211; Richard Lafrance<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0gZau2nRsooGhfgul60N4l\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Special-Interest-The-Passion-Of-1024x1024.jpg\" alt=\"\" class=\"wp-image-35605\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Special Interest<\/strong> &#8211; <em><strong>The Passion Of<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>Thrilling Living \/ Night School<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Synthpunk \/ No Wave<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>June 19 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The heart of urban underground nightlife is roaring around the world in attempts to resist as best it can the widespread gentrification that now threatens New Orleans.&nbsp;Singer and director Alli Logout of Special Interest affirms her frustration with this constriction with wild and frantic industrial no-wave rhythms. As poignant and charismatic as the committed icon Nina Simone, as dark and anarcho-glam as the queen of Siam Lydia Lunch, and as furious as the hardcore punk pioneers of Bad Brains, she definitely has the guts to become one of the new resistance figures of today\u2019s punk scene.&nbsp; <em>&#8211; Louise Jaunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3749261515\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/specialinterestno.bandcamp.com\/album\/the-passion-of\">The Passion Of by SPECIAL INTEREST<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Phoebe-Bridgers-Punisher-1024x1024.jpg\" alt=\"\" class=\"wp-image-35608\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Phoebe Bridgers<\/strong> <em>&#8211; <strong>Punisher<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Dead Oceans<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Folk \/ Rock \/ Emo<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> June 18 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The second-album challenge is one of the most difficult for any artist who has risen sky-high in the wake of an honourable first effort. In this regard, Bridgers has surpassed herself with an album that is both mesmerizing and poignant, of a rare beauty. Between folk, rock, and emo, <em>Punisher<\/em> bears witness to an identity and sentimental crisis from which we emerge shaken, but above all dazzled. <em>&#8211; Olivier Boisvert-Magnen<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2666749252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/phoebebridgers.bandcamp.com\/album\/punisher\">Punisher by Phoebe Bridgers<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Dialectic-Soul-1024x1024.jpg\" alt=\"\" class=\"wp-image-23769\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Asher Gamedze<\/strong> &#8211; <em><strong>Dialectic Soul<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;South Africa<strong><br><strong>Label:<\/strong> <\/strong>On the Corner<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong> Contemporary Jazz \/ Free Jazz \/ South African Traditional<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>July 10 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The ghost of Ornette Coleman has taken up residence in Cape Town, on the continent of his distant ancestors, who offer him their southern traditions. Drummer Asher Gamedze visits him, as do his colleagues. Saxophone, trumpet, double bass, and vocals occasionally join the leader in reviving South African jazz, not forgetting the legacy of the pioneers who also incorporated Zulu, Xhosa, and Shangaan songs into their bold, modern music. <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=69415147\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ashergamedze.bandcamp.com\/album\/dialectic-soul\">Dialectic Soul by Asher Gamedze<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Disques-Seeing-Through-Sound-Pentimento-Volume-Two-1024x1024.jpg\" alt=\"\" class=\"wp-image-24753\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Jon Hassell<\/strong> <em>&#8211; <strong>Seeing Through Sound (Pentimento Volume Two)<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Ndeya<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Ambient \/ Contemporary Jazz \/ Electronic \/ Experimental<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 24 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Listening again to the pieces in this second volume, recorded at the same time as the first, Hassell was not satisfied and he reworked them. As a result, the layers in the background can be perceived even better \u201cthrough the sound\u201d, the elements in the foreground stand out more clearly and the textures are better defined, more varied and more abundant at the same time. <em>&#8211; Michel Rondeau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=961232104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/jonhassell.bandcamp.com\/album\/seeing-through-sound-pentimento-volume-two\">Seeing Through Sound (Pentimento Volume Two) by Jon Hassell<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Disques-Lou-Canon-Audomatic-Body-1024x1024.jpg\" alt=\"\" class=\"wp-image-25197\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Lou Canon<\/strong> &#8211; <em><strong>Audomatic Body<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Canada<strong><br><strong>Label:<\/strong> <\/strong>Paper Bag<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Electronic \/ Indie Pop<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>July 10<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lou Canon beckons us to approach. With her delicate voice, she whispers to us of an intimate world against a background of landscapes and nocturnal pulses. <em>Audomatic Body<\/em> could be an invitation to a t\u00eate-\u00e0-t\u00eate if it weren&#8217;t for the multiplicity of voices that accompany it. Bewitching electronic indie pop that reveals the sensuality of hidden forces. <em>&#8211; Isabelle Marceau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=918286347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/loucanon.bandcamp.com\/album\/audomatic-body\">Audomatic Body by Lou Canon<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Minyo-Crusaders-Frente-Cumbiero-1024x1015.jpg\" alt=\"\" class=\"wp-image-35625\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Minyo Crusaders &amp; Frente Cumbiero<\/strong> <em>&#8211; <strong>Minyo Cumbiero: From Tokyo to Bogota<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Japan \/ Colombia<br><strong>Label:<\/strong> Mais Um<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Cumbia \/ Dub \/ Minyo \/ North East Asian<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 24 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A lively little love bomb that arrived in the middle of the pandemic\u2019s demanding days of isolation and distance, this is a four-song record the Japanese folk revisionists\u2019 fruitful visit with Colombia\u2019s keepers of the classic cumbia flame. The sense of closeness and camaraderie is palpable, and revitalizing. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2356247627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/minyocrusaders.bandcamp.com\/album\/minyo-crusaders-and-frente-cumbiero-present-minyo-cumbiero\">Minyo Crusaders and Frente Cumbiero present MINYO CUMBIERO by minyo crusaders<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Beethoven-Songs-and-Folksongs-1024x1024.jpg\" alt=\"\" class=\"wp-image-35641\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Ian Bostridge, Antonio Pappano, Vilde Frang, Nicolas Altstaedt<\/strong> &#8211;<em><strong> Beethoven: Songs and Folksongs<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Germany \/ United Kingdom \/ Norway<strong><br><strong>Label:<\/strong> <\/strong>Warner Classics<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Classical<strong><br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 24 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Let yourself be carried away by this excellent album, which combines arrangements of folk songs and Beethoven\u2019s lieder. Antonio Pappano\u2019s delicate and well-balanced (yet powerful) piano playing complements perfectly the voice of tenor Ian Bostridge, who shines with his sensitive interpretation. The contributions of violinist Vilde Frang and cellist Nicolas Altstaedt is also noteworthy, as they complement the team admirably for a few pieces. <em>&#8211; Sarah-Ann Larouche<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5dvEJIQz2QfI0IkBUKoTa6\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Beaver-Sheppard-Downtown-1024x1024.jpg\" alt=\"\" class=\"wp-image-35633\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Beaver Sheppard<\/strong> <em>&#8211; <strong>Downtown<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Joyful Noise Recordings<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Avant-pop \/ Experimental Pop \/ Avant-folk<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 13 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beaver Sheppard is a hyper-prolific all-round artist who unveils here his most eclectic and diverse album. Downtown is a stunning record, where the Saint John\u2019s native offers a sound canvas on which he skillfully mixes colours. Whether it&#8217;s the irresistible \u201cNo One Knows\u201d, a synthwave song with \u201980s tones that has everything to become a hit, the very pretty folk ballad \u201cFull Moon\u201d, the strange title track that opens the album or the groovy \u201cChameleon\u201d that closes it, <em>Downtown<\/em>, marked by the creator\u2019s amazing voice, isn\u2019t lacking for earworms. <em>&#8211; Patrick Baillargeon<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1991267980\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/beaversheppard.bandcamp.com\/album\/downtown\">Downtown by Beaver Sheppard<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/08\/Disques-Mike-shabb-life-is-short-1024x1024.jpg\" alt=\"\" class=\"wp-image-26476\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Mike Shabb<\/strong> &#8211;<em><strong> Life Is Short<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Canada (Quebec)<strong><br><strong>Label:<\/strong> <\/strong>Make It Rain<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Chillwave \/ Hip Hop \/ Trap<strong><br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 31 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While most of his mates are content to copy the latest trends in American trap, Shabb redefines himself completely with <em>Life Is Short<\/em>, a brilliant EP that shows the way forward for local rap. With a flow that\u2019s both punchy and melodious, capable of leaping across eras, the Montreal rapper shows that one can respect tradition while proposing a bold and avant-garde project. A tour de force performed in the company of producers Danny Ill and Vnce.Carter. <em>&#8211; Olivier Boisvert-Magnen<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3310457044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/mikeshabb.bandcamp.com\/album\/life-is-short-2\">Life Is Short by Mike Shabb<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Disques-Old-Flowers-by-Courtney-Marie-Andrews-1024x1024.jpg\" alt=\"\" class=\"wp-image-24863\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Courtney Marie Andrews<\/strong> <em>&#8211; <strong>Old Flowers<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Fat Possum<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Americana \/ Country \/ Folk<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 24 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A heartbreaking break-up album by Courtney Marie Andrews. Formerly a musician-accompanist, dame Andrews has been working as a freelance musician for about 10 years and already has a large body of work. Inspired by Mother Mitchell, as are hundreds of other folkies, she\u2019s a worthy heiress, and there aren\u2019t that many of them. <em>&nbsp;&#8211; Luc Marchessault<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108143834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/courtneymarieandrews.bandcamp.com\/album\/old-flowers\">Old Flowers by Courtney Marie Andrews<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/07\/Crit-Fontaines-DC-31-juil.jpg\" alt=\"\" class=\"wp-image-25238\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Fontaines D.C.<\/strong> &#8211;<em><strong> A Hero\u2019s Death<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Ireland<strong><br><strong>Label:<\/strong> <\/strong>Partisan Records<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>Pop-rock \/ Post-punk \/ Alternative<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>July 31 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although it respects the post-punk DNA of the Dublin band, <em>A Hero&#8217;s Death<\/em> is much \u201cquieter\u201d than the previous production (the respected and biting <em>Dogrel<\/em>, released in 2019). Melodic, nostalgic, and a bit dark, this record is no more depressive or conformist than the first one. One thing&#8217;s for sure, <em>A Hero&#8217;s Death<\/em> confirms that this young quintet, which sometimes reminds the work of the American band Parquet Courts, is full of talent&#8230; and that it is capable of renewing itself. <em>&#8211; Jean-Fran\u00e7ois Cyr<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1205003537\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/fontainesdc.bandcamp.com\/album\/a-heros-death\">A Hero&#39;s Death by Fontaines D.C.<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Creeper-Sex-Death-the-Infinite-Void-1024x1024.jpg\" alt=\"\" class=\"wp-image-35655\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Creeper<\/strong> <em>&#8211; <strong>Sex, Death &amp; the Infinite Void<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United Kingdom<br><strong>Label:<\/strong> Roadrunner Records<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Pop-rock \/ Rock gothique \/ Punk \/ Alternatif<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> July 31 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Sex, Death &amp; the Infinite Void<\/em> detonates general propositions in the world of rock in 2020. Without betraying themselves, the English band Creeper \u2013 founded in 2014 \u2013 played it daring with their second album. The Southampton band offered an ambitious and frankly amazing record. Filled with a savoury macabre atmosphere, it\u2019s delivered like a story. And it works quite well. <em>Sex, Death &amp; the Infinite Void<\/em> is an epic and theatrical work that breathes passion for music, art and \u201csin\u201d. The singer, Will Gould, has called it an apocalyptic romance. <em>&#8211; Jean-Fran\u00e7ois Cyr<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4085759830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/creepercultuk.bandcamp.com\/album\/sex-death-the-infinite-void\">Sex, Death &amp; The Infinite Void by Creeper<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Rebecca-Delle-Piane-Lode-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-35662\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Rebecca Delle Piane<\/strong> &#8211;<em><strong> Lode<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;Italy<strong><br><strong>Label:<\/strong> <\/strong>Symbolism<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>electronic \/ techno<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>July 17 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Italian composer demonstrates a keen understanding of the workings of hypnotic techno. The five tracks are stunning, the panoramic sound plays tricks on the mind. She can boast of competing with much more experienced peers. As proof, her latest affort, supported by DVS1 and Luke Slater, was released on Symbolism, the label of Englishman Ben Sims, one of the masters of the genre. <em>&#8211; Elsa Fortant<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2htajXQyG4orIq3gAz9mRD\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/09\/Disques-Ulver-Flowers-Of-Evil-1024x1024.jpg\" alt=\"\" class=\"wp-image-27997\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Ulver<\/strong> <em>&#8211; <strong>Flowers Of Evil<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Norway<br><strong>Label:<\/strong> House of Mythology<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> electronic rock \/ experimental \/ avant-pop \/ avant-garde<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> August 28 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An eagerly awaited opus, <em>Flowers of Evil<\/em> proves to be a veritable anthology of stories, large and small, to which one adheres without further ado, captivated by an undeniable sense of narrative. Ulver offers us an album of skillfully composed pieces, testifying to his extraordinary mastery as well as his tragic aura. <em>&#8211; Genevi\u00e8ve Gendreau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1287818374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ulver.bandcamp.com\/album\/flowers-of-evil\">Flowers of Evil by Ulver<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Amine-Limbo.jpg\" alt=\"\" class=\"wp-image-35669\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Amin\u00e9 &#8211; <em>Limbo<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Country<\/strong><\/strong>:<\/strong><\/strong>&nbsp;United States<strong><br><strong>Label:<\/strong> <\/strong>CLBN \/ Republic Records<strong><br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> <\/strong>hip-hop<strong><br><strong><strong><strong>Release date:<\/strong><\/strong> <\/strong><\/strong>August 7 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is one of the rap projects released in 2020 most easily consumed in a loop. There\u2019s nothing really innovative about <em>Limbo<\/em>, it\u2019s just a particularly well crafted hip-hop album. Amin\u00e9 manages to mix influences from Kenya, trap, and old-school into a homogeneous whole, without any apparent flaws. <em>&#8211; F\u00e9lix Desjardins<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6a8GwYiEMrXgMvZBvuBXrt\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"120\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Top-100-Meridian-Brothers.jpg\" alt=\"\" class=\"wp-image-34544\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Meridian Brothers<\/strong> <em>&#8211; <strong>Cumbia Siglo XXI<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Colombia<br><strong>Label:<\/strong> Bongo Joe<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Electro-cumbia\/ Experimental \/ Avant-garde<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> August 21st<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Meridian Brothers, led by the eccentric Eblis \u00c1lvarez, distil an experimental, spicy cumbia of all kinds of flavours. For this ninth album, \u00c1lvarez has taken a more electronic turn, using various drum machines, guitars, keyboards and software to which he adds assorted urban beats, synth grooves, and glitches mixed with different Colombian swear words and curses. With <em>Cumbia Siglo XXI<\/em>, the Meridian Brothers propel cumbia in a unique and playful way into the future. <em>&#8211; Patrick Baillargeon<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2821127027\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/meridianbrothers.bandcamp.com\/album\/cumbia-siglo-xxi\">Cumbia Siglo XXI by Meridian Brothers<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Tarrus-Riley-Healing-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-35688\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Tarrus Riley<\/strong><\/strong><\/strong> <strong><strong><strong>&#8211; <em>Healing<\/em><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Jamaica<br><strong>Label:<\/strong> Juke Boxx Productions<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Dancehall \/ Reggae \/ Roots Reggae<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> August 20 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It seems that Tarrus Riley has never had a full album that lived up to its potential. <em>Healing<\/em> is getting closer to it, while at the same time moving away from the roots-reggae sound that made him famous. But the impressive dancehall-pop-flavoured \u201cLighter\u201d with rising young performer Shenseea hasn\u2019t been off the Jamaican airwaves since last June. A successful gamble. <em>&#8211; Richard Lafrance<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7ney1rLIvPE3TkvYPS0fDz\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/10\/Disques-Fleet-Foxes-Shore-1024x1024.jpg\" alt=\"\" class=\"wp-image-29638\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Fleet Foxes<\/strong> <em>&#8211; <strong>Shore<\/strong><\/em><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Anti_<br><strong><strong><strong>Genres and styles:<\/strong><\/strong><\/strong> Chamber Folk \/ Indie Folk<br><strong><strong><strong><strong>Release date:<\/strong><\/strong><\/strong><\/strong> September 22nd<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Led by the brilliant Robin Pecknold, Fleet Foxes remains the flagship of the folk revival in the U.S., a group of the calibre of the CSNY and The Byrds, with a broader and more contemporary musical approach. Three years after the dazzling <em>Crack-up<\/em>, the album <em>Shore<\/em> asserts the authority of the American band with a proposal that\u2019s a little more sober, but deeply inspired by the choral and orchestral investigations of its central composer.&nbsp; <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035694584\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/fleetfoxes.bandcamp.com\/album\/shore\">Shore by Fleet Foxes<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">*<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong><a href=\"https:\/\/panm360.com\/en\/2020\/12\/20\/pan-m-360s-top-100-of-2020-part-5-september-to-december\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read Part 5 (September to December) of PAN M 360&#8217;s Top 100 here! &gt;&gt;<\/a><\/strong><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":35194,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-35599","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PAN M 360\u2019s Top 100 of 2020! 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