{"id":35208,"date":"2020-12-17T07:33:21","date_gmt":"2020-12-17T12:33:21","guid":{"rendered":"https:\/\/panm360.com\/?p=35208"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"pan-m-360s-top-100-of-2020-part-2-march-to-april","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-2-march-to-april\/","title":{"rendered":"PAN M 360\u2019s Top 100 of 2020! (Part 2 &#8211; March to April)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In spite of the increasingly exasperating, yet necessary, confinement, this time of year remains an opportunity to share one\u2019s best finds, in immediate company or virtually.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The production of this Top 100 of 2020 is also an opportunity to remember that the PAN M 360 platform went public exactly one year ago, when our list of <a href=\"https:\/\/panm360.com\/en\/top-360-of-the-decade\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>the Top 360 albums of the decade 2010-2019<\/strong><\/a> was released. It was our first major production effort, not bad at all under the circumstances! Despite its imperfections, it was a huge postcard for PAN M 360 addressed to its first users.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the end of February 2020, we launched the full site, which has continued to grow ever since. At the end of 2020, we are very proud of our achievements, despite the enormous financial and physical constraints caused by the pandemic. We have exceeded a thousand album reviews, we have conducted nearly 150 written or audiovisual interviews, three performances filmed in full confinement, dozens of feature articles on the musical ecosystem, and much more. We\u2019re delighted to have quadrupled our circulation since the first quarter of our online release. It\u2019s still modest, but it\u2019s only just beginning&#8230; if you, the music lovers, <a href=\"https:\/\/panm360.com\/en\/produit\/packages-panm360\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>join the PAN M 360 community<\/strong>.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So enjoy the best music from all over the world at this auspicious time. Happy Holidays! <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-SouphL-CommerageS-1024x1024.jpg\" alt=\"\" class=\"wp-image-35116\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SouphL<\/strong> &#8211; <em><strong><strong>Comm\u00e9rageS<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Independant<br><strong>Genres and styles:<\/strong> Post-metal<br><strong>Release date: <\/strong>March 6 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Quebec City collective has gained momentum with this album. On <em>Comm\u00e9rages<\/em>, Souphl still punctuates their songs with metal salvos, between death and industrial, but also accentuate their penchant for post-rock and experimental rock. An exploration of gossip and its consequences that shows a depth that goes far beyond the framework of so-called heavy music.&nbsp; <em>&#8211; Patrice Caron<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=446950519\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/souphl.bandcamp.com\/album\/comm-rages\">Comm\u00e9rageS by SouphL<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-STIAN-WESTERHUS-Redundance-1024x1024.jpg\" alt=\"\" class=\"wp-image-35118\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Stian Westerhus <em>&#8211; <em>Redundance<\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country<\/strong>: <\/strong>Norway<br><strong>Label:<\/strong> House of Mythology<br><strong>Genres and styles:<\/strong> Art rock \/ Experimental<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> March 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thanks to his voice, surprisingly expressive and polymorphic, the Norwegian guitarist&#8217;s music becomes deeply moving. Overwhelming, even. And then there\u2019s his very own way of constructing his songs, the bitterness competing with the sublime, with dazzling sounds that knock you over. <em>&#8211; Michel Rondeau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3201519755\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/stianwesterhushom.bandcamp.com\/album\/redundance\">Redundance by Stian Westerhus<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Trees-Speak-OHMS.jpg\" alt=\"\" class=\"wp-image-35135\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Trees Speak<\/strong> &#8211; <em><strong><strong>OHMS<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Independant<br><strong>Genres and styles:<\/strong> Krautrock \/ Experimental rock \/ Psychedelic rock \/ Space rock<br><strong><strong>Release date:<\/strong> <\/strong>March 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A retro-cosmic instrumental album &#8211; each piece either takes us backwards or forwards in time &#8211; composed of an explosion of kaleidoscopic sounds and brilliant, saturated synthesizers. It&#8217;s easy to imagine many of the pieces accompanying scenes from a cult crime or science fiction series. Even if you turn away \u2013 which you wouldn\u2019t want to do \u2013 this is an album with such an exuberant personality that you simply can&#8217;t ignore it. <em>&#8211; Isabelle Marceau<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1Hj6MNKy5uMARcQxyAfOsn\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-NIN-ghosts-V-VI.jpg\" alt=\"\" class=\"wp-image-15129\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Nine Inch Nails <em>&#8211; <em>Ghosts V: Together<\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> The Null Corporation<br><strong>Genres and styles:<\/strong> Ambient<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> March 26 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Incredibly beautiful, Together is an instrumental album whose titles take us to the epicentre of the emotional charges caused by love, separation and hope. Reznor seems to want to show us that joy and pain come from the same source, as in the almost symmetrical melodies of Together and Apart, except for the wonder that emanates from one and the sadness from the other. The emotion is tender or tempestuous but palpable from piece to piece until the very last, where the music seems to tear and self-destruct, and finally awaken to new life.<em> &#8211; Isabelle Marceau<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/296zqVG4gI7mDSUD0CytXM\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-Rats-and-Mice-Lina-Allemanos-Ohrenschmaus-1024x1024.jpg\" alt=\"\" class=\"wp-image-15090\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Lina Allemano\u2019s Ohrenschmaus<\/strong> &#8211; <em><strong><strong>Rats and Mice<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>Canada \/ Germany<br><strong>Label:<\/strong> Lumo<br><strong><strong>Genres and styles:<\/strong><\/strong> Experimental \/ Free Improvisation \/ Free Jazz \/ Jazz<br><strong><strong>Release date:<\/strong> <\/strong>March 8 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The trumpet player\u2019s work is superbly supported by Norwegian bassist Dan Peter Sundland and German drummer Michael Griener, two experienced improvisers for whom the composer has prepared worthy canvases. The sound palette of each is varied, and Allemano is particularly inspired in this respect. <em>&#8211; R\u00e9jean Beaucage<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2781609103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/linaallemano.bandcamp.com\/album\/rats-and-mice\">Rats and Mice by Lina Allemano&#39;s Ohrenschmaus<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-Yeol-Eum-Son-Schumann-Kreisleriana.jpeg\" alt=\"\" class=\"wp-image-12414\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Son Yeol Eum <em>&#8211; <em>Schumann<\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>South Korea<br><strong>Label:<\/strong> Onyx Classics<br><strong><strong>Genres and styles:<\/strong><\/strong> Classical \/ Romantic<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> March 20 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The South Korean pianist Yeol Eum Son, well known for her energy and versatility, is sure to impress with this album entirely dedicated to Schumann. Her interpretations of <em>Fantasia in C Major op. 17<\/em> and <em>Kreisleriana op. 16<\/em> are marked by brilliant playing and strong contrasting and dynamic sounds. <em>Arabesque in C major op. 18<\/em> is the conclusion. <em>&#8211; Sarah-Ann Larouche<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5Fd8Xs7naRDYAVB8u26Ovv\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-V\u00edkingur-\u00f3lafsson-Debussy-Rameau.jpg\" alt=\"\" class=\"wp-image-16610\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>V\u00edkingur \u00d3lafsson<\/strong> &#8211; <em><strong><strong>Debussy-Rameau<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>Iceland<br><strong>Label:<\/strong> Deutsche Grammophon<br><strong><strong>Genres and styles:<\/strong><\/strong> Baroque \/ Classical \/ Modern Classical<br><strong><strong>Release date:<\/strong> <\/strong>March 27 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On this third album on the Deutsche Grammophon label, \u00d3lafsson offers a varied selection of works by Debussy and Rameau. The pieces by the two French composers quickly follow one another and intertwine, all with the close and intimate sound and atmosphere that we now associate with \u00d3lafsson. Note the touch of humour at the end of the album: the tribute to Rameau, taken from Debussy&#8217;s <em>Images<\/em>. <em>&#8211; Sarah-Ann Larouche<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4oVqtr6UVWx5pCQpoOU6wU\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Heaven-to-a-Tortured-Mind_Yves-Tumor.jpg\" alt=\"\" class=\"wp-image-35144\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Yves Tumor <em>&#8211; <em>Heaven to a Tortured Mind<\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Warp<br><strong><strong>Genres and styles:<\/strong><\/strong> Krautrock \/ Glam Rock \/ R&amp;B \/ Funk<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 3 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Believing that West African musicians limit themselves to hip-hop, R&amp;B, and jazz has been a delusion for decades. Like Prince and Blood Orange, the visionary and highly gifted Yves Tumor eloquently reminds us of this with this steaming broth of glam rock and krautrock, ingredients as tasty as his R&amp;B and funk references. Everything is brilliantly integrated into it, everything flows from&#8230; several sources. <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5wnCTZtzIZxasRSHzI1JeW\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Solmestre-1024x1020.jpg\" alt=\"\" class=\"wp-image-15879\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Solmestre<\/strong> &#8211; <em><strong><strong>Solmestre<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>Brazil<br><strong>Label:<\/strong> Independant<br><strong><strong>Genres and styles:<\/strong><\/strong> Avant-Folk \/ Brazilian \/ Drone \/ Early Music \/ Saharan Blues<br><strong><strong>Release date:<\/strong> <\/strong>April 6 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carefully blending Saharan blues, Brazilian folk, and European medieval music in equal measure, the alchemy of Brazilian duo Solmestre brings forth the fabled whole that\u2019s greater than the sum of its parts. Thrilling, haunting, intriguing, delightful, unique, and entirely unforgettable. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=309409422\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/solmestre.bandcamp.com\/album\/solmestre\">Solmestre by SOLMESTRE<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-Being-Becoming-Peter-Evans-1024x1016.jpg\" alt=\"\" class=\"wp-image-16491\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Peter Evans <em>&#8211; <em><em>Being &amp; Becoming<\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> More Is More<br><strong><strong>Genres and styles:<\/strong><\/strong> Contemporary jazz \/ Experimental jazz \/ Free improvisation \/ Chamber music<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 1st<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An astonishing, even disconcerting album, as much by the virtuosity as by the originality of the compositions, which break with all that is formulaic and commonplace, and the uncharted territories explored. Evans reveals the full measure of his immense talent. <em>&#8211; Michel Rondeau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2637901917\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/peterevansmusic.bandcamp.com\/album\/being-becoming\">Being &amp; Becoming by Peter Evans<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Fiona-Apple-Fetch-the-bolt-cutters-1024x1024.jpg\" alt=\"\" class=\"wp-image-35150\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fiona Apple<\/strong> &#8211; <em><strong><strong>Fetch The Bolt Cutters<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Epic<br><strong><strong>Genres and styles:<\/strong><\/strong> Avant-Folk \/ Noise \/ Singer-Songwriter<br><strong><strong>Release date:<\/strong> <\/strong>April 17 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiona Apple doesn&#8217;t check in often, but when she does, she unpacks everything that\u2019s buried in her hypersensitive soul. On <em>Fetch The Bolt Cutters<\/em>, she can go from singing to the craziest vocals, drowning a finely chiseled melody in a heap of noises. A work as unrestrained as its brilliant creator. <em>&#8211; Steve Naud<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0fO1KemWL2uCCQmM22iKlj\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Disques-Ecstatic-Science-by-yMusic-1024x1024.jpg\" alt=\"\" class=\"wp-image-19275\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">yMusic <em>&#8211; <em><em>Ecstatic Science<\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"is-style-plus-infos wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>United States<br><strong>Label:<\/strong> Naxos \/ New Amsterdam<br><strong><strong>Genres and styles:<\/strong><\/strong> Contemporary<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 25 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A varied program of new works that shows that if there\u2019s no contemporary music on the radio, it\u2019s not because there isn\u2019t any, and what\u2019s out there is good music. From an ensemble that\u2019s among those that make new music vibrate among our neighbours to the south. <em>&#8211; R\u00e9jean Beaucage<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4Zw346Z8cTX74guGKPyMQd\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Nightwish-human-ii-nature.jpg\" alt=\"\" class=\"wp-image-35160\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Nightwish<\/strong> &#8211; <em><strong><strong>Human. :II: Nature.<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>Finland<br><strong>Label:<\/strong> Nuclear Blast<br><strong><strong>Genres and styles:<\/strong><\/strong> Symphonic Metal<br><strong><strong>Release date:<\/strong> <\/strong>April 10 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I\u2019m as surprised as anyone to have liked the Finnish band&#8217;s ninth record so much. This is probably because it\u2019s a return to the roots, back to the times of <em>Oceanborn<\/em> (1998) and <em>Wishmaster<\/em> (2000). The album\u2019s only faux pas is the song \u201cHarvest\u201d, which gives the impression of being catapulted into <em>The Lion King<\/em>. <em>&#8211; Christine Fortier<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1iSsdlURK7CGUVlcz4M5Li\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Lido-Pimienta-Miss-Colombia-1024x1024.jpg\" alt=\"\" class=\"wp-image-18445\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Lido Pimienta<\/strong> <em>&#8211; <em><em><strong>Miss Colombia<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"is-style-plus-infos wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada \/ Colombia<br><strong>Label:<\/strong> Anti_<br><strong><strong>Genres and styles:<\/strong><\/strong> Afro-Colombian \/ Art Pop \/ Chamber Pop \/ Champeta \/ Cumbia \/ Digital Cumbia \/ Electronic \/ Latino<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 17 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The time has come for Lido Pimienta to take back her place on the throne. A force of nature and a symbol of women\u2019s independence, she produced this album in its entirety. Leave to don again the crown that was taken from her far too soon! <em>&#8211; Yohann Goyat<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/33bM8o4IrrktRBlAcxcoDr\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-Mestarin-kynsi-Oranssi-Pazuzu-1024x1024.jpg\" alt=\"\" class=\"wp-image-17522\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Oranssi Pazuzu<\/strong> &#8211; <em><strong><strong>Mestarin Kynsi<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>Finland<br><strong>Label:<\/strong> Nuclear Blast<br><strong><strong>Genres and styles:<\/strong><\/strong> Black Metal \/ Psychedelia \/ Space Rock<br><strong><strong>Release date:<\/strong> <\/strong>April 17 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Black metal and psychedelism go hand in hand, and lead us into a state of three-dimensional weightlessness, often uncomfortable and anxiety-provoking. A journey that takes us to the bottom of the abyss, from which we come out amazed. <em>&#8211; Francis Dugas<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2418906544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/oranssipazuzu.bandcamp.com\/album\/mestarin-kynsi\">Mestarin kynsi by Oranssi Pazuzu<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-RioMinas-Zanella-1024x1024.jpg\" alt=\"\" class=\"wp-image-15483\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jean-Pierre Zanella<\/strong> <em>&#8211; <em><em><strong>Rio Minas<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"is-style-plus-infos wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Brazil \/ Canada (Quebec)<br><strong>Label:<\/strong> Arte Bor\u00e9al \/ Independant<br><strong><strong>Genres and styles:<\/strong><\/strong> Brazilian \/ Jazz<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 3 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rio Minas? Rio is the birthplace of the great Chico Buarque. Minas is the diminutive that designates the inland state of Minas Gerais, where the fabulous Milton Nascimento grew up. It \u2019s to these two icons of Brazilian popular music that Montreal saxophonist and flautist Jean-Pierre Zanella pays a vibrant tribute with his solid quartet and powerful guests including Ron Di Lauro. <em>&#8211; Ralph Boncy<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7AqEWLjZpXFRwghvm9WMIR\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Augustus-Muller-Boy-Harsher-Machine-Learning-Experiments-1024x1024.jpg\" alt=\"\" class=\"wp-image-35186\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Augustus Muller (Boy Harsher)<\/strong> &#8211; <em><strong><strong>Machine Learning Experiments (Original Soundtrack)<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Nude Club<br><strong><strong>Genres and styles:<\/strong><\/strong> Drone \/ EBM \/ Experimental \/ Darkwave \/ Soundtrack<br><strong><strong>Release date:<\/strong> <\/strong>April 10 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborating with the Four Chambers collective, the usually shy Augustus Muller of the duo Boy Harsher reveals a new, more intimate and esoteric side of his personality on this first solo album. The atmosphere of velvet drones is softened, sensual, mystical, and sulphurous, inviting us to participate in an almost metaphysical inner quest. <em>&#8211; Louise Jaunet<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790260587\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/boyharsher.bandcamp.com\/album\/machine-learning-experiments-original-soundtrack\">Machine Learning Experiments (Original Soundtrack) by Augustus Muller<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Disques-PARCELLE-BRILLANTE-by-ORWELL-1024x1024.jpg\" alt=\"\" class=\"wp-image-18884\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Orwell<\/strong> <em>&#8211; <em><em><strong>Parcelle brillante<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"is-style-plus-infos wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>France<br><strong>Label:<\/strong> Hot Puma<br><strong><strong>Genres and styles:<\/strong><\/strong> Chamber Pop \/ Electro-Pop<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> April 24 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Orwell is a group led by master melodist J\u00e9r\u00f4me Didelot, a worthy heir to Bacharach, The Left Banke, and other instigators of chamber pop. On the programme on <em>Parcelle brillante<\/em>, tunes enriched with careful arrangements, retrofuturism, and one of the most beautiful recent examples of pop music penetrated by literature.<em>&nbsp;&#8211; Luc Marchessault<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1498477701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/hotpumarecords.bandcamp.com\/album\/parcelle-brillante\">PARCELLE BRILLANTE by ORWELL<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-Song-For-Our-Daughter-Laura-Marling-1024x1024.jpg\" alt=\"\" class=\"wp-image-16868\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Laura Marling<\/strong> &#8211; <em><strong><strong>Song for Our Daughter<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>United Kingdom<br><strong>Label:<\/strong> Partisan<br><strong><strong>Genres and styles:<\/strong><\/strong> Folk \/ Rock<br><strong><strong>Release date:<\/strong> <\/strong>April 10 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The prolific British singer Laura Marling, in her thirties, has already released seven albums. The most recent, <em>Songs for Our Daughter<\/em>, is yet another example of her talent. It\u2019s a beautiful and intimate offering, with a clear connection to the California folk universe of the 1960s and 1970s: a sober, accurate, and melodic acoustic guitar playing that accompanies a precise and gentle voice. <em>&#8211; Jean-Fran\u00e7ois Cyr<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3330093732\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/lauramarling.bandcamp.com\/album\/song-for-our-daughter\">Song For Our Daughter by Laura Marling<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/06\/Disques-SUGUNGGA-by-LEENALCHI-1024x1024.jpg\" alt=\"\" class=\"wp-image-20722\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>LeeNalchi<\/strong> <em>&#8211; <em><em><strong>Sugungga<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"is-style-plus-infos wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>South Korea<br><strong>Label:<\/strong> Zanpar Inc.<br><strong><strong>Genres and styles:<\/strong><\/strong> New Wave \/ North East Asian \/ Post-Punk<br><strong><strong><strong>Release date:<\/strong><\/strong><\/strong> May 29 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Totally unique and just as successful, LeeNalchi burst out with a brilliant blend of traditional Korean pansori and artsy dance-punk, boasting dynamic vocal arrangements and melodies that you just can\u2019t shake. There\u2019s more to the South Korean scene than K-pop, and here\u2019s proof \u2013 the year\u2019s best album. <em>&#8211; Rupert Bottenberg<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3610199446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/leenalchi.bandcamp.com\/album\/sugungga\">SUGUNGGA by LEENALCHI<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">*<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong><a href=\"https:\/\/panm360.com\/en\/2020\/12\/18\/pan-m-360s-top-100-of-2020-part-3-may-to-june\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read Part 3 (May to June) of PAN M 360&#8217;s Top 100 here! &gt;&gt;<\/a><\/strong><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":35156,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-35208","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PAN M 360\u2019s Top 100 of 2020! 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