{"id":35064,"date":"2020-12-16T06:50:09","date_gmt":"2020-12-16T11:50:09","guid":{"rendered":"https:\/\/panm360.com\/?p=35064"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"pan-m-360s-top-100-of-2020-part-1-january-to-march","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/","title":{"rendered":"PAN M 360\u2019s Top 100 of 2020! (Part 1 &#8211; January to March)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In spite of the increasingly exasperating, yet necessary, confinement, this time of year remains an opportunity to share one\u2019s best finds, in immediate company or virtually.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The production of this Top 100 of 2020 is also an opportunity to remember that the PAN M 360 platform went public exactly one year ago, when our list of <a href=\"https:\/\/panm360.com\/en\/top-360-of-the-decade\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>the Top 360 albums of the decade 2010-2019<\/strong><\/a> was released. It was our first major production effort, not bad at all under the circumstances! Despite its imperfections, it was a huge postcard for PAN M 360 addressed to its first users.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the end of February 2020, we launched the full site, which has continued to grow ever since. At the end of 2020, we are very proud of our achievements, despite the enormous financial and physical constraints caused by the pandemic. We have exceeded a thousand album reviews, we have conducted nearly 150 written or audiovisual interviews, three performances filmed in full confinement, dozens of feature articles on the musical ecosystem, and much more. We\u2019re delighted to have quadrupled our circulation since the first quarter of our online release. It\u2019s still modest, but it\u2019s only just beginning&#8230; if you, the music lovers, <a href=\"https:\/\/panm360.com\/en\/produit\/packages-panm360\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>join the PAN M 360 community<\/strong>.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So enjoy the best music from all over the world at this auspicious time. Happy Holidays! <em>&#8211; Alain Brunet<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-Philon-Trio-max-bruch-huit-pieces.jpg\" alt=\"\" class=\"wp-image-12886\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Philon Trio<\/strong> &#8211; <em><strong><strong>Max Bruch: 8 pieces for piano, clarinet and viola, op. 83<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>Canada \/ Germany \/ Portugal \/ United Kingdom<br><strong>Label:<\/strong> Analekta<br><strong>Genres and styles:<\/strong> Classical<br><strong>Release date:<\/strong> January 24<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The chamber music repertoire of Max Bruch (1838-1920), a German composer best known, regrettably, for his Violin Concerto No. 1, benefits from the playing of the Philharmonic Trio. The latter deliver, with great sensitivity and lyricism, these eight pieces for viola, piano, and clarinet in a post-Romantic Brahmsian style that\u2019s at once contrasting, sentimental and passionate. <em>&#8211; Alexandre Villemaire<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1OzvPSBN7Z2ZJOlfG9DWj0\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Gregory-Privat-Soley-2.jpg\" alt=\"\" class=\"wp-image-34925\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Gregory Privat <em>&#8211; <em>Soley<\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country: <\/strong>France (Martinique)<br><strong>Label:<\/strong> Buddham Jazz<br><strong>Genres and styles:<\/strong> Caribbean \/ Electro-Jazz \/ Jazz<br><strong>Release date:<\/strong> January 31<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How far will Gregory Privat go? No one can say. One thing is certain: he will dazzle us again so much he amazes us. Especially since he never does the same thing twice. The West Indian pianist goes by feeling and presents us with his new trio in which he sings amid the distortion. On \u201cL\u00e0s\u201d, he explains why he gave up a career in engineering for music. Sincere and stunning. <em>&#8211; Ralph Boncy<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5DWRWRoi8cV74HULTIkQAu\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Marie-Pierre-Arthur-Des-feux-pour-voir-1024x1024.jpg\" alt=\"\" class=\"wp-image-34928\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Marie-Pierre Arthur<\/strong> &#8211; <em><strong><strong>Des feux pour voir<\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Bonsound<br><strong>Genres and styles:<\/strong> Singer-Songwriter \/ Folk \/ Pop \/ Rock<br><strong>Release date:<\/strong> January 24<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With <em>Des feux pour voir<\/em>, her fourth album, Arthur fulfilled a fantasy: to play music for real, with a real band. Surrounded by Sam Joly, Nicolas Basque, and her friend Fran\u00e7ois Lafontaine, the singer and bassist found the balance between the biting energy and a bit of punk she was looking for (palpable on the powerful \u201cLes nuages tombent\u201d) and her more melodious pop fibre (\u201cTiens-moi mon c\u0153ur\u201d, \u201cDans tes r\u00eaves\u201d). This is her greatest album to date. <em>&#8211; Olivier Boisvert-Magnen<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3936591430\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/mariepierrearthur.bandcamp.com\/album\/des-feux-pour-voir\">Des feux pour voir by Marie-Pierre Arthur<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Hatari-NEYSLUTRANS-1024x1008.jpg\" alt=\"\" class=\"wp-image-34931\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Hatari <em>&#8211; <em><em>Neyslutrans<\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country<\/strong>: <\/strong>Iceland<br><strong>Label:<\/strong> Svikamylla ehf.<br><strong>Genres and styles:<\/strong> Electronic \/ Industrial \/ Techno<br><strong>Release date:<\/strong> January 17<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Neyslutrans has a formidable technoid efficiency, with pieces modelled with as much aggression as sensuality: the fruit of an unlikely alliance, working wonderfully, between eroticism (the BDSM version) and anti-capitalist militancy. Hatari reveal themselves, even in the collaborative tracks, in all their versatility and singularity, permeated with a sense of political and erotic urgency. <em>&#8211; Genevi\u00e8ve Gendreau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4158778882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/svikamylla.bandcamp.com\/album\/neyslutrans\">NEYSLUTRANS by Hatari<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Mac-Miller-Circles-3.jpg\" alt=\"\" class=\"wp-image-34944\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Mac Miller<\/strong><\/strong> &#8211; <em><strong><strong><strong>Circles<\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Warner Bros Records<br><strong>Genres and styles:<\/strong> Hip-hop \/ Folktronica<br><strong>Release date:<\/strong> January 17<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Closing the loop with Mac\u2019s latest album, <em>Swimming<\/em>, released while he was still alive, this album is one of the best posthumous hip-hop albums of all time. Throughout <em>Circles<\/em>, Miller invites us into the darkest recesses of his mind, all over creative and intoxicating instrumentals. The ashen voice and authenticity of the Pittsburgh native make this one of the most haunting works of its time. <em>&#8211; F\u00e9lix Desjardins<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5sY6UIQ32GqwMLAfSNEaXb\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-mon-doux-seigneur-horizon-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-14351\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Mon Doux Saigneur<\/strong> <em>&#8211; <em><em><strong>Horizon<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Country<\/strong><\/strong>: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Grosse Bo\u00eete<br><strong>Genres and styles:<\/strong> Americana<br><strong>Release date:<\/strong> January 31<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After having accustomed us to projects with sometimes dark atmospheres, the Quebec group presents an album that evokes the prairie sun and western folklore. It\u2019s no coincidence that Mon Doux Saigneur was born during a trip to Western Canada. The lassitude in \u00c9merik St-Cyr\u2019s voice, superimposed on simple but effective melodies, creates a unique atmosphere that would make an excellent soundtrack for a road trip in Alsama. <em>&#8211; F\u00e9lix Desjardins<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3212663346\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/mondouxsaigneur.bandcamp.com\/album\/horizon\">Horizon by Mon Doux Saigneur<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Ted-Poor-you-already-know.jpg\" alt=\"\" class=\"wp-image-35013\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>Ted Poor<\/strong><\/strong> &#8211; <em><strong><strong><strong><em>You Already Know<\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:<\/strong> United States<br><strong>Label:<\/strong> Impulse!<br><strong>Genres and styles:<\/strong> Contemporary Jazz \/ Jazz<br><strong>Release date:<\/strong> February 28<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>You Already Know<\/em>, drummer Ted Poor\u2019s debut album, is one of the most singularly personal records of the jazz year. Its repetitive \u2013 yet rich \u2013 rhythms and subtle arrangements are fascinating from the very first listen. Backed by Blake Mills, Andrew Bird, and Andrew D\u2019Angelo, Poor delivers a nocturnal work of bewitching charm.&nbsp;<em>&nbsp;&#8211; Steve Naud<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/24xdPWnyHfXsz7Tj8NS7t5\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/02\/Disques-Sepultura-Quadra-scaled.jpg\" alt=\"\" class=\"wp-image-10895\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sepultura<\/strong> <em>&#8211; <em><em><strong>Quadra<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country: <\/strong>Brazil<br><strong>Label:<\/strong> BMG \/ Nuclear Blast<br><strong>Genres and styles:<\/strong> Metal \/ Thrash-metal<br><strong>Release date:<\/strong> February 7<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After releasing several more-than-ordinary albums \u2013 <em>Dante XXI<\/em> (2006), <em>A-Lex<\/em> (2009) and <em>The Mediator Between Head and Hands Must Be the Heart<\/em> (2013) come to mind \u2013 the Brazilians picked themselves up again in 2017 with <em>Machine Messiah<\/em> and with Quadra, prove that it wasn\u2019t just a stroke of luck. They\u2019re still in the game! <em>&#8211; Christine Fortier<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0tcLKzf5Rudm66ApoNKpGm\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-O-linea-Tripolaire-1024x1024.jpg\" alt=\"\" class=\"wp-image-35016\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>O Linea<\/strong><\/strong> &#8211; <em><strong><strong><strong><em>Tripolaire<\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Slam Disques<br><strong>Genres and styles :<\/strong> Rock<br><strong>Release date:<\/strong> February 14<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reaffirming a direction taken with their eponymous album released in 2016, this EP sees the trio going even further \u2013 thanks not only to the compositions, with their solid base of melodic punk-rock crossed with the alternative rock of the \u201990s and Quebec folk-rock, but especially to the production, which serves the songs even better and takes them to another level. Special mention goes to the track \u201c\u00c9ph\u00e9m\u00e8re\u201d. <em>&#8211; Patrice Caron<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3861189001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/olinea.bandcamp.com\/album\/tripolaire\">Tripolaire by O Linea<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album.jpg\" alt=\"\" class=\"wp-image-11547\" srcset=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album.jpg 800w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album-300x300.jpg 300w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album-100x100.jpg 100w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album-600x600.jpg 600w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Grimes-album-200x200.jpg 200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Grimes<\/strong> <em>&#8211; <em><em><strong>Miss Anthropocene<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Country<\/strong>: <\/strong>United States<br><strong>Label:<\/strong> 4AD<br><strong>Genres and styles:<\/strong> Pop \/ Electro-pop<br><strong>Release date:<\/strong> February 21<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dark, sparkling electro-pop, sung with a childish, sulky voice. Pleasantly darker than her previous albums, and one could have fun saying premonitory given the surgical masks present in the video of the piece \u201cViolence\u201d. Grimes invents a mythological world to address the issue of human extinction on both a small and large scale,the basis of her best album to date. <em>&#8211; Isabelle Marceau<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2VhdiiByT0EHuw8P1sZDi7\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Makaya-McCraven-Gil-Scott-Heron-2.jpg\" alt=\"\" class=\"wp-image-35020\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Makaya McCraven &amp; Gil Scott-Heron<\/strong><\/strong><\/strong> &#8211; <em><strong><strong><strong><em><strong>We&#8217;re New Again &#8211; A Reimagining by Makaya McCraven<\/strong><\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> XL Recordings<br><strong>Genres and styles:<\/strong> Contemporary Jazz \/ Future Soul \/ Instrumental Hip Hop \/ Jazz \/ Soul Jazz \/ Soul \/ R&amp;B<br><strong>Release date:<\/strong> February 7<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The original album produced by the great Gil Scott-Heron was already of great standing. To revisit it was almost impossible. Yet Makaya McCraven managed to magnify it by distilling jazz hip-hop sounds in just the right dose. Great art! <em>&#8211; Yohann Goyat<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7AiWJCZ2HArLkWG8HdPgIQ\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Sightless-Pit-Grave-of-a-Dog-1024x1024.jpg\" alt=\"\" class=\"wp-image-35024\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Sightless Pit<\/strong><\/strong><\/strong> &#8211; <em><strong><strong><strong><em><strong><em>Grave of a Dog<\/em><\/strong><\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Thrill Jockey<br><strong>Genres and styles:<\/strong> Experimental \/ Industrial \/ Hardcore<br><strong>Release date:<\/strong> February 21<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coming from the summit meeting of three great minds of the American hardcore scene \u2013 Lee Buford, drummer of The Body, Kristin Hayter, aka Lingua Ignota, and Dylan Walker, singer of Full of Hell \u2013 Grave of a Dog is a splendid success. Diverse musical forms are transcended in the same eschatological vision, revealing themselves to us in these pieces of great stylistic inventiveness and undeniable emotional power. <em>-Genevi\u00e8ve Gendreau<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=298246214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/sightlesspit.bandcamp.com\/album\/grave-of-a-dog\">Grave of a Dog by Sightless Pit<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-2017-2019-by-Against-All-Logic-1024x1024.jpg\" alt=\"\" class=\"wp-image-15529\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Against All Logic<\/strong> <em>&#8211; <em><em><strong>2017-2019<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>United States<br><strong>Label:<\/strong> Other People<br><strong>Genres and styles:<\/strong> Downtempo \/ Electronic \/ House \/ IDM \/ Techno<br><strong>Release date:<\/strong> February 7<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dark house from which emerge attacks of distortion, metallic percussion, and industrial spikes. Perfect for partying in an still-contaminated nuclear reactor. <em>&#8211; Francis Dugas<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2872755879\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/against-all-logic.bandcamp.com\/album\/2017-2019\">2017 &#8211; 2019 by Against All Logic<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/06\/Dossier-PolarisCindy-Lee-cover.jpg\" alt=\"\" class=\"wp-image-21877\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Cindy Lee<\/strong><\/strong><\/strong> &#8211; <em><strong><strong><strong><em><strong><em>What\u2019s Tonight To Eternity<\/em><\/strong><\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pays:&nbsp;<\/strong>Canada<br><strong>Label:<\/strong> W.25TH<br><strong>Genres and styles:<\/strong> Lo-Fi \/ Noise-Pop \/ Pop \/ Rock<br><strong>Release date:<\/strong> February 14<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On this fourth album by Cindy Lee (ex-Women member Pat Flegel), the noise drifts are more controlled, the whole better orchestrated and the production level much higher. Flegel&#8217;s dark melancholy, his penchant for the tragic romanticism of Motown pop and Richard Gottehrer&#8217;s \u201960s productions takes us back a bit to the world of Badalamenti, Ela Orleans, and Suicide. <em>What&#8217;s Tonight To Eternity<\/em> is a rich and florid, work where chaos fits wonderfully into the light. <em>&#8211; Patrick Baillargeon<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3015345955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/cindylee.bandcamp.com\/album\/whats-tonight-to-eternity\">What&#39;s Tonight To Eternity by Cindy Lee<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/Disques-pomme-coverLesfaillescachees-scaled.jpg\" alt=\"\" class=\"wp-image-12911\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Pomme<\/strong> <em>&#8211; <em><em><strong>Les Failles cach\u00e9es<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country: <\/strong>France<br><strong>Label:<\/strong> Universal<br><strong>Genres and styles:<\/strong> Singer-Songwriter \/ Folk<br><strong>Release date:<\/strong> February 14<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 was the year of consecration for this young 24-year-old artist who\u2019s gone straight into the mainstream of the great French chanson. Warm and melancholic voice, a sense of enveloping melody, Claire Pommet sings about life, love, motherhood and death in an atmosphere of light and elegance. <em>&#8211; Claude Andr\u00e9<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2kz6FGzMkZUyGZPywlkcOu\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/jasper-hoiby-planet-b-1024x1024.jpg\" alt=\"\" class=\"wp-image-14356\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jasper H\u00f8iby<\/strong> <em>&#8211; <em><em><strong>Planet B<\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country: <\/strong>Denmark<br><strong>Label:<\/strong> Edition<br><strong>Genres and styles:<\/strong> Contemporary Jazz \/ Jazz<br><strong>Release date:<\/strong> March 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Planet B, an ecological project by the double bassist from Phronesis, combines the fervour of jazz with awareness-raising. Excerpts from thought-provoking speeches punctuate the trio\u2019s music, while H\u00f8iby&#8217;s dynamic playing fuels the passionate eruptions of saxophonist Josh Arcoleo and the imaginative polyrhythms of drummer Marc Michel. A masterstroke! <em>&#8211; Steve Naud<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1229160347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/jasperhoiby.bandcamp.com\/album\/planet-b\">Planet B by Jasper H\u00f8iby<\/a><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Orchestre-symphonique-de-Laval-Alain-Trudel-Jean-Philippe-Sylvestre.jpg\" alt=\"\" class=\"wp-image-35033\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>Orchestre symphonique de Laval, Alain Trudel, Jean-Philippe Sylvestre<\/strong><\/strong><\/strong> &#8211; <em><strong><strong><strong><em><strong><em>Jacques H\u00e9tu : Concertos<\/em><\/strong><\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pays:&nbsp;<\/strong>Canada (Quebec)<br><strong>Label:<\/strong> ATMA Classique<br><strong>Genres and styles :<\/strong> Classical<br><strong>Release date:<\/strong> March 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this year that marks the tenth anniversary of the death of composer Jacques H\u00e9tu (1938-2010), the Orchestre symphonique de Laval, under the baton of Alain Trudel and accompanied by pianist Jean-Philippe Sylvestre, pays tribute to this original trifluvian. From soundscapes evoking the Saint-Maurice River to the grand trombone sounds of one-man-band Trudel, the works on this album bring out the expressiveness of H\u00e9tu&#8217;s colourful and imaginative sound language. <em>&#8211; Alexandre Villemaire<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4jHEDwSZXE4FLi7MizvBCc\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/04\/Disques-Bantu\u0308-Salsa-Kessai\u0308-.jpg\" alt=\"\" class=\"wp-image-17909\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Bant\u00fc Salsa<\/strong> <em>&#8211; <em><em><strong><em>Kessa\u00ef<\/em><\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country: <\/strong>Cameroon \/ Canada (Quebec)<br><strong>Label:<\/strong> Miss-Meur\u00e9<br><strong>Genres and styles:<\/strong> African Jazz \/ Afro-Cuban \/ Afro-Pop \/ Salsa<br><strong>Release date: <\/strong>March 11<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The surprise in world music in Quebec this year is Bant\u00fc Salsa! With a brass section and especially a miraculous kora played by Djeli Mory Kontuara, the band delivers&nbsp;Mandingo salsa that returns home to Africa, completing a Bamako-San Juan-NYC-Montreal circuit. Bravo! <em>&#8211; Ralph Boncy<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3gBGVfdYU0tcgbkEF9eDyo\" width=\"300\" height=\"120\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3185761c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Disques-Ptit-Belliveau-Greatest-Hits-Vol\u200b.\u200b1-1024x1024.jpg\" alt=\"\" class=\"wp-image-35039\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong><strong>P\u2019tit Belliveau<\/strong><\/strong><\/strong> &#8211; <em><strong><strong><strong><em><strong><em>Greatest Hits Vol. 1<\/em><\/strong><\/em><\/strong><\/strong><\/strong><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country:&nbsp;<\/strong>Canada<br><strong>Label:<\/strong> Bonsound<br><strong>Genres and styles:<\/strong> Folk \/ Country<br><strong>Release date:<\/strong> March 27<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Originally known as Jonah Meltwave, his hip-hop alter-ego, P\u2019tit Belliveau has kept his original groove and given it a whole new flavour by sprinkling it with electric guitar, disco beats, and a good dose of banjo. The result is Greatest Hits Vol. 1, a liberated, refreshing, unique album.<em> &#8211; Olivier Boisvert-Magnen<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2526099399\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ptitbelliveau.bandcamp.com\/album\/greatest-hits-vol-1\">Greatest Hits Vol.1 by P&#39;tit Belliveau<\/a><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1015\" height=\"1024\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-1015x1024.jpg\" alt=\"\" class=\"wp-image-18324\" srcset=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-1015x1024.jpg 1015w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-100x100.jpg 100w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-600x605.jpg 600w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-298x300.jpg 298w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-150x150.jpg 150w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-768x774.jpg 768w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-200x202.jpg 200w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-300x303.jpg 300w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-400x403.jpg 400w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue-500x504.jpg 500w, https:\/\/panm360.com\/wp-content\/uploads\/2020\/05\/Julien-Dumont-Constance-perdue.jpg 793w\" sizes=\"auto, (max-width: 1015px) 100vw, 1015px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Julien Dumont<\/strong> <em>&#8211; <em><em><strong><em><em>Constance perdue<\/em><\/em><\/strong><\/em><\/em><\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pays: <\/strong>Canada (Quebec)<br><strong>Label:<\/strong> Independant<br><strong>Genres and styles :<\/strong> New Wave \/ Post-Punk \/ Rock<br><strong>Release date:<\/strong> March 27<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The music fan will spot echoes of Wire, Malajube, and Indochine on Constance perdue, an opus melancholium of new wave and post-punk type, with touches of retro etheral music, created by a young veteran (Moussette and Bateau Noir). Twenty-eight minutes is short, but that doesn\u2019t prevent Constance perdue from being a very substantial album. <em>&#8211; Luc Marchessault<\/em><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=534265198\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/juliendumont.bandcamp.com\/album\/constance-perdue\">Constance perdue by Julien Dumont<\/a><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">*<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong><a href=\"https:\/\/panm360.com\/en\/2020\/12\/17\/pan-m-360s-top-100-of-2020-part-2-march-to-april\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read Part 2 (March and April) of PAN M 360&#8217;s Top 100 here! &gt;&gt;<\/a><\/strong><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":35047,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-35064","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-02T18:56:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Image-TOP100-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/\",\"name\":\"PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Image-TOP100-1.jpg\",\"datePublished\":\"2020-12-16T11:50:09+00:00\",\"dateModified\":\"2023-10-02T18:56:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/#primaryimage\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Image-TOP100-1.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Image-TOP100-1.jpg\",\"width\":1200,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/pan-m-360s-top-100-of-2020-part-1-january-to-march\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dossiers\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/dossiers-360\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"PAN M 360\u2019s Top 100 of 2020! (Part 1 &#8211; January to March)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/panm360.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/panm360\\\/\",\"https:\\\/\\\/x.com\\\/PANM360\",\"https:\\\/\\\/www.instagram.com\\\/panm360\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/panm360\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/","og_locale":"en_US","og_type":"article","og_title":"PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360","og_description":"Our community of enthusiasts offers a selection of 100 albums that have marked 2020. All styles, all expressions, all artistic generations, all parts of the world, all corners of our local culture combined.&nbsp; With few exceptions, music lovers love year-end lists, an opportunity to look back on all those months spent in a bubble. In [&hellip;]","og_url":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/","og_site_name":"PAN M 360","article_publisher":"https:\/\/www.facebook.com\/panm360\/","article_modified_time":"2023-10-02T18:56:39+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Image-TOP100-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@PANM360","twitter_misc":{"Est. reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/","url":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/","name":"PAN M 360\u2019s Top 100 of 2020! (Part 1 - January to March) - PAN M 360","isPartOf":{"@id":"https:\/\/panm360.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/#primaryimage"},"image":{"@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/#primaryimage"},"thumbnailUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Image-TOP100-1.jpg","datePublished":"2020-12-16T11:50:09+00:00","dateModified":"2023-10-02T18:56:39+00:00","breadcrumb":{"@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/#primaryimage","url":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Image-TOP100-1.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2020\/12\/Image-TOP100-1.jpg","width":1200,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/panm360.com\/en\/dossiers-360\/pan-m-360s-top-100-of-2020-part-1-january-to-march\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/panm360.com\/en\/"},{"@type":"ListItem","position":2,"name":"Dossiers","item":"https:\/\/panm360.com\/en\/dossiers-360\/"},{"@type":"ListItem","position":3,"name":"PAN M 360\u2019s Top 100 of 2020! (Part 1 &#8211; January to March)"}]},{"@type":"WebSite","@id":"https:\/\/panm360.com\/en\/#website","url":"https:\/\/panm360.com\/en\/","name":"PAN M 360","description":"Le m\u00e9dia num\u00e9rique de la musique !","publisher":{"@id":"https:\/\/panm360.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/panm360.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/panm360.com\/en\/#organization","name":"PAN M 360","url":"https:\/\/panm360.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","contentUrl":"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg","width":1663,"height":631,"caption":"PAN M 360"},"image":{"@id":"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/panm360\/","https:\/\/x.com\/PANM360","https:\/\/www.instagram.com\/panm360\/","https:\/\/www.linkedin.com\/company\/panm360\/","https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber"]}]}},"_links":{"self":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/dossiers\/35064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/dossiers"}],"about":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/types\/dossiers"}],"author":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/users\/936"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media\/35047"}],"wp:attachment":[{"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/media?parent=35064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/categories?post=35064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/panm360.com\/en\/wp-json\/wp\/v2\/tags?post=35064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}