{"id":32890,"date":"2020-11-15T08:55:19","date_gmt":"2020-11-15T13:55:19","guid":{"rendered":"https:\/\/panm360.com\/2020\/11\/15\/concours-de-composition-de-lom-le-carre-das-quatrieme-partie\/"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"concours-de-composition-de-lom-le-carre-das-quatrieme-partie","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/concours-de-composition-de-lom-le-carre-das-quatrieme-partie\/","title":{"rendered":"OM Composition Competition: Four aces (Pt. 4)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garc\u00eda Islas, Francis Battah, and Nicholas Ryan. Launched last March, the competition aims to commemorate the 250th anniversary of the famous German composer. Next year, the works of the winners will be premiered by the Orchestre M\u00e9tropolitain under the direction of Yannick N\u00e9zet-S\u00e9guin. This dossier series aims to introduce you to these composers and their works.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Make way for Nicholas Ryan, a young Montreal-born composer barely 30 years old. Before becoming a composer, Nicholas was a performer on the electric guitar, for which he had already written several chamber pieces. It\u2019s therefore not surprising that he studied with Tim Brady, one of the best contemporary performers and composers for this instrument. He was also trained by Sandeep Bhagwati and Georges Dimitrov at Concordia University, two great advocates of interdisciplinarity and the opening up of contemporary music to non-classical traditions such as electro, noise, underground rock, punk, post-punk, and so on. It is an artistic vision that Nicholas fully shares.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> Where did you grow up, and what led you to become a musician?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NICHOLAS RYAN:<\/strong> I grew up in Montreal. It\u2019s hard to say what brought me to music. I guess good friends and good teachers. That and the discovery of Xenakis!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> Do you identify with a compositional tradition?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: No, not really. But if the interdisciplinary artist Ragnar Kjartansson opens a school of new music, I will be his first student.<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ragnar Kjartansson au MAC\" src=\"https:\/\/player.vimeo.com\/video\/159552472?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What aesthetic are you involved in?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: A good part of what I do as a composer consists of trying to translate ideas from the visual arts or literature into sound. At the same time, most of what I do as a visual artist consists in trying to translate ideas from composition into images or installations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: <\/strong>What are the main features of your work?&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: Sound. Silence. Something&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> In your opinion, is there a difference between today\u2019s academically trained composers and those of the past?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: It\u2019s hard to say, because I don\u2019t think my university training in composition was very conventional.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What are your musical tastes as a music lover?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: I came to music through the electric guitar, which for me is an eclectic instrument. So, yes, I listen to everything, even if it may sound clich\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What are your main works, the ones you are most proud of?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR<\/strong>: <em>Something for<\/em> <em>James Tenney\u2019s Spectral Canon for Conlon Nancarrow<\/em>:<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Something for James Tenney&#039;s &#039; Spectral Canon for Conlon Nancarrow &quot; by N.M. Ryan\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AuoVlwYijyI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Symphonic Poem 2.0 (BETA)<\/em>:<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"P_sym 2.0 (Beta) for 15 electronic metronomes by N.M. Ryan\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/slkCV5EHxLw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Quintet (For 5 Electric Guitars and Audience<\/em>):<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quintet for 5 Electric Guitars and Audience at 21c\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Su50-nc2EQ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">They are all available on my new <a href=\"https:\/\/www.youtube.com\/channel\/UCX8edQeVyhWO5uBdFXAFPlg\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>N.M. Ryan YouTube page<\/strong><\/a>. I also publish micro-pieces on my Instagram account (<a href=\"https:\/\/www.instagram.com\/n_m_ryan\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>@n_m_ryan<\/strong><\/a>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> Is there a long-term global project that drives you as a composer, a legacy you would like to leave?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR:<\/strong> It\u2019s said that the musicians of the Titanic continued to play while the ship was sinking. If I could find a way to recreate that scene, but in a plane falling out of the sky instead of a sinking ship, without the artists and the audience getting hurt, then I could probably retire from the arts the next morning.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> Describe the piece that will be performed by the Metropolitan Orchestra?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NR:<\/strong> It\u2019s a sort of marriage between Charles Ives\u2019 <em>The Unanswered Question<\/em> and Steve Reich\u2019s <em>Four Organs<\/em>. It wasn\u2019t even intended, but it just came out like that! For the moment, the title is <em>Eroisca<\/em>, but that could change.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The structure was inspired by the text <em>Easter Pome<\/em> by bpNichol, a Canadian multidisciplinary artist born in 1944 and died in 1988, but also, obviously, by my reflections on Beethoven\u2019s relevance to the 21st century.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Before concluding, I would like to say how honoured I am by the opportunity offered to me by the Orchestre M\u00e9tropolitain and Yannick N\u00e9zet-S\u00e9guin. I can\u2019t wait to see (and hear) the result!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garc\u00eda Islas, Francis Battah, and Nicholas Ryan. Launched last March, the competition aims to commemorate the 250th anniversary of the famous German composer. Next year, the works of the winners will be premiered by the Orchestre [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":0,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-32890","dossiers","type-dossiers","status-publish","format-standard","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>OM Composition Competition: Four aces (Pt. 4) - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/dossiers-360\/concours-de-composition-de-lom-le-carre-das-quatrieme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OM Composition Competition: Four aces (Pt. 4) - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garc\u00eda Islas, Francis Battah, and Nicholas Ryan. 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