{"id":32406,"date":"2020-11-10T10:04:27","date_gmt":"2020-11-10T15:04:27","guid":{"rendered":"https:\/\/panm360.com\/2020\/11\/10\/concours-de-composition-de-lom-le-carre-das\/"},"modified":"2023-10-02T14:56:39","modified_gmt":"2023-10-02T18:56:39","slug":"concours-de-composition-de-lom-le-carre-das","status":"publish","type":"dossiers","link":"https:\/\/panm360.com\/en\/dossiers-360\/concours-de-composition-de-lom-le-carre-das\/","title":{"rendered":"OM Composition Competition: Four aces"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garcias Islas, Francis Battah, and Nicholas Ryan. Launched last March, this competition aims to commemorate the 250th anniversary of the famous German composer. Next year, the works of the winners will be premiered by the Orchestre M\u00e9tropolitain under the direction of Yannick N\u00e9zet-S\u00e9guin. This dossier series aims to introduce you to these composers and their works.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>We begin with Marie-Pierre Brasset, a regular contributor to PAN M 360.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Our team is very proud to make her better known to you. Born in Quebec in 1981, she\u2019s been working in the field of contemporary classical music for about 15 years. Her works have been performed by groups such as the Nouvel Ensemble Moderne (NEM), the Ensemble Contemporain de Montr\u00e9al (ECM+), the Trio Fibonacci, and the Quatuor Bozzini. As her biographical profile indicates, \u201cher music is characterized by a melodic and motivational abundance that develops in ample and organic forms.\u201d Moreover, \u201cthe contemplative listening to nature has a profound effect on her creative work.\u201d Marie-Pierre Brasset holds a doctorate in creative research related to contemporary opera, and also lectures at the Universit\u00e9 de Montr\u00e9al. She created the radio program <em>Pulsar<\/em>, devoted to creative music, which is still broadcast today on CISM in Montreal. She regularly writes articles on music for <em>Circuit<\/em> magazine, the website <strong><a href=\"http:\/\/cettevilleetrange.org\">cettevilleetrange.org<\/a>,<\/strong> and for <strong><a href=\"https:\/\/panm360.com\/author\/marie-pierrebrasset\/\" target=\"_blank\" rel=\"noreferrer noopener\">PAN M 360.<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marie-Pierre Brasset (Canada):   L\u2019amoureux (2017)  - premiere\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/L5TlWSyQfVs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What\u2019s your academic background?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Marie-Pierre Brasset:<\/strong> A long journey. Bachelor\u2019s degree in musical composition at Universit\u00e9 Laval, Master\u2019s degree at the Conservatoire de musique de Montr\u00e9al, doctorate at Universit\u00e9 de Montr\u00e9al, research internship in Paris 8. Before that, I had done a bachelor\u2019s degree at UQAM in History, Culture and Society. Let\u2019s just say that I did my time in school!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> How did you become a musician?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>It\u2019s hard to say&#8230; I\u2019ve been making music for as long as I can remember.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> In which composition tradition do you belong?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>I would say contemporary classical music.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360: <\/strong>Do you have an overall creative development project that defines you and sets you apart from your contemporaries?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>These days, I\u2019m passionate about theatrical and vocal music. The projects I work on shape my creative development, in a way. I can also say that my music is, most of the time, strictly acoustic. I don\u2019t use new technologies, I don\u2019t make mixed, electro, or acousmatic music, although I admire and love these practices. My path has led me to work with live and unplugged musicians!<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SOLITUDE - PERFORMANCE - MARGIE GILLIS ET MARIE-PIERRE BRASSET\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/s8z99ZlnDJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What do you see as the difference between an educated composer with a higher education degree in 2020, and composers from previous generations?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>There is much greater openness to difference, to new perspectives on the practice of the profession, to inclusion. This comes from a great questioning of the dogmas of classical music established by white Western men over the last 400 years or so. There has been a lot of progress in this direction over the last ten years or so, and it is a blessing for the young composers of the new generation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What are your musical tastes as a music lover?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>I\u2019m open to everything. Really \u2013 thank you, PAN M 360, for all these discoveries!&nbsp; On the other hand, I have a great need for silence, or rather to take a break from music, because that occupies 99 percent of my activities. I very often listen to music and ask myself too many questions, and it becomes an exhausting mental exercise rather than a nourishing aesthetic experience.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What are your main works?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong><em>La Pi\u00f1ata<\/em>, a chamber opera that was due to premiere in Quebec City last September, and was postponed until next year. It\u2019s a big work lasting an hour and twenty minutes, with five singers and ten musicians. A beautiful project, carried by Erreur de type 27 and Ensemble Lunatik. I\u2019m looking forward to the birth of this opera! Currently, I\u2019m working on another major play, a 50-minute monodrama for baritone, wind quintet, and shadow theatre, with baritone Vincent Ranallo, the Choros Ensemble, and the Ombres folles theatre company. The premiere is scheduled for January 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PAN M 360:<\/strong> What\u2019s the project for the Orchestre M\u00e9tropolitain?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MPB: <\/strong>A piece for orchestra! No kidding, the theme of this composition competition is Beethoven\u2019s music. For me, <em>amor fati<\/em>, that great \u201cyes\u201d to life, is the most important legacy of this composer. There is no self-pity, no renunciation in this music: Beethoven stands upright and follows his impulses to their conclusion. This gives a formal discourse that leads to an impressive degree of perfection. There are no blurs, everything is cut with a knife, everything is placed in the right spot and seems to arrive at the right time. That, let\u2019s say, is what will inspire me for this musical project. But I can\u2019t say more than that. A piece being composed is so difficult to describe&#8230;<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264888837&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/mpbrasset\" title=\"Marie-Pierre Brasset\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Marie-Pierre Brasset<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/mpbrasset\/la-pinata-ouverture\" title=\"La Pi\u00f1ata - Ouverture\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">La Pi\u00f1ata &#8211; Ouverture<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garcias Islas, Francis Battah, and Nicholas Ryan. Launched last March, this competition aims to commemorate the 250th anniversary of the famous German composer. Next year, the works of the winners will be premiered by the Orchestre [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":32378,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[5192],"tags":[],"class_list":["post-32406","dossiers","type-dossiers","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>OM Composition Competition: Four aces - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/dossiers-360\/concours-de-composition-de-lom-le-carre-das\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OM Composition Competition: Four aces - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"The Orchestre M\u00e9tropolitain has chosen four laureates for its first Composition Competition, inspired by Beethoven\u2019s work: Marie-Pierre Brasset, Cristina Garcias Islas, Francis Battah, and Nicholas Ryan. 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