En compagnie de personnalit\u00e9s de la sc\u00e8ne locale, Matana Roberts revient avec le quatri\u00e8me chapitre de sa s\u00e9rie Coin Coin, qui a \u00e9t\u00e9 acclam\u00e9e par la critique. Ce projet a re\u00e7u les plus grandes acclamations pour son originalit\u00e9 et sa puissance narrative. Les trois premiers albums Coin Coin, sortis entre 2011 et 2015, exploraient la composition moderne\/avant par le biais de divers ensembles, en se concentrant sur les h\u00e9ritages de la traite des esclaves am\u00e9ricaine et les sujets non masculins. Dans Coin Coin Chapter Four : Memphis, l’album se d\u00e9ploie comme une \u0153uvre continue de musique de lib\u00e9ration du XXIe si\u00e8cle, m\u00ealant incantations m\u00e9ditatives, th\u00e8mes m\u00e9lodiques et improvisation libre. La direction d’orchestre de Roberts et sa pratique unique de la partition graphique guident les compositions, qui int\u00e8grent leur jeu de saxophone et de clarinette, ainsi que leur chant et des textes issus de recherches historiques et d’\u00e9crits personnels.<\/p>\n\n\n\n
White People Killed Them est un projet collaboratif form\u00e9 par Raven Chacon (Chacon est devenu le premier Am\u00e9rindien \u00e0 remporter le prix Pulitzer de musique pour sa Voiceless Mass en 2022), John Dieterich et Marshall Trammell. Leur musique combine l’improvisation libre, le noise rock et le rock exp\u00e9rimental. Le projet est un appel \u00e0 l’action, exhortant les fans \u00e0 se battre pour la d\u00e9mocratie, la justice, la libert\u00e9 et la cr\u00e9ativit\u00e9.
Alison Burik est une saxophoniste, clarinettiste et compositrice montr\u00e9alaise. Sa musique explore les possibilit\u00e9s sonores des bois gr\u00e2ce \u00e0 l’utilisation de l’\u00e9lectronique et de microphones de contact, ce qui donne lieu \u00e0 des paysages sonores terrestres et extraterrestres.<\/p>\n\n\n\n
Joined by local luminaries, Matana Roberts returns with the fourth chapter in her critically acclaimed Coin Coin series. This project has received the highest acclaim for its originality and narrative power. The first three Coin Coin albums, released between 2011 and 2015, explored modern\/avant composition through various ensembles, focusing on legacies of the American slave trade and non-male subjects. In Coin Coin Chapter Four: Memphis, the album unfolds as a continuous work of 21st-century liberation music, blending meditative incantations, melodic themes and free improvisation. Roberts’ conducting and unique practice of graphic scoring guide the compositions, which incorporate their saxophone and clarinet playing, as well as their singing and texts drawn from historical research and personal writings.<\/p>\n\n\n\n
White People Killed Them is a collaborative project formed by Raven Chacon (Chacon became the first Native American to win the Pulitzer Prize for music for his Voiceless Mass in 2022), John Dieterich and Marshall Trammell. Their music combines free improvisation, noise rock and experimental rock. The project is a call to action, urging fans to fight for democracy, justice, freedom and creativity.<\/p>\n\n\n\n
Alison Burik is a Montreal-based saxophonist, clarinettist and composer. Her music explores the sonic possibilities of woodwinds through the use of electronics and contact microphones, resulting in both terrestrial and extraterrestrial soundscapes.<\/p>\n\n\n\n
POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n