{"id":98759,"date":"2023-06-12T06:11:58","date_gmt":"2023-06-12T10:11:58","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=98759"},"modified":"2023-06-12T06:18:19","modified_gmt":"2023-06-12T10:18:19","slug":"suoni-per-il-popolo-jean-philippe-audin-ghislain-leclant-frotae","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/suoni-per-il-popolo-jean-philippe-audin-ghislain-leclant-frotae\/","title":{"rendered":"Suoni Per Il Popolo : Jean Philippe Audin & Ghislain Leclant + Frotae"},"content":{"rendered":"\n

C\u2019est d\u2019abord par la musique de film que les routes de Jean-Philippe Audin<\/strong> (France) et Ghislain Leclant<\/strong> (Canada) se sont crois\u00e9es. Le premier, violoncelliste et compositeur-arrangeur aguerri ayant enregistr\u00e9 avec les plus grands noms de la musique de film, a pr\u00eat\u00e9 son phras\u00e9 si singulier sur les partitions du second, jeune compositeur et pianiste, alors qu\u2019il \u00e9crivait la bande sonore de films immersifs pour le plan\u00e9tarium de Paris. C\u2019est lors de ces \u00e9changes que les deux artistes se sont trouv\u00e9 un go\u00fbt commun pour la musique contemporaine et exp\u00e9rimentale. Initi\u00e9e par Jean-Philippe, l\u2019id\u00e9e d\u2019une rencontre musicale a fait son chemin et une envie commune d\u2019explorer des territoires sonores hors de toutes contraintes esth\u00e9tiques s\u2019est rapidement impos\u00e9e. Prenant le plus r\u00e9cent enregistrement de Jean-Philippe (Alleluiah Graffiti, Klarthe Records) autour du pr\u00e9lude en sol de Bach comme mat\u00e9riau de d\u00e9part ouvrant la voie \u00e0 l\u2019exp\u00e9rimentation \u00e9crite et \u00e0 l\u2019improvisation autour du timbre et de la cellule m\u00e9lodique, le duo entend nous faire voyager dans leurs dystopies musicales comme autant de films sonores sans images impr\u00e9gn\u00e9s de parfums acoustiques et autres fragrances \u00e9lectroniques\u2026C\u2019est le fruit de cette rencontre artistique qui s\u2019annonce haute en couleur qu\u2019ils viendront pr\u00e9senter au Suoni Per Il Popolo le 13 Juin \u00e0 la Sala Rossa.<\/p>\n\n\n\n

It was through film music that the paths of Jean-Philippe Audin<\/strong> (France) and Ghislain Leclant<\/strong> (Canada) first crossed. The first, a seasoned cellist and composer-arranger who has recorded with the greatest names in film music and lent his unique phrasing to their scores. The second, a young composer and pianist, who has written the soundtrack for immersive films for the Paris Planetarium. Initiated by Jean-Philippe, the idea of a musical encounter was born and a common desire to explore sound territories outside of all aesthetic constraints quickly became apparent. Taking Jean-Philippe’s most recent recording (Alleluiah Graffiti, Klarthe Records) around Bach’s Prelude in G as a starting material and opening the way to written experimentation and improvisation around the timbre and the melodic cell, the duo intends to take us on a journey through their musical dystopias like so many sound films without images, impregnated with acoustic perfumes and other electronic fragrances… It is the fruit of this artistic meeting that they will present at the festival this year. FROTAE<\/strong>, For Reasons of Tone and Economy, acts as composer Libert\u00e9 Anne\u2019s musical incubator for large ensemble works, which are performed by the composers\u2019 longstanding group, the Libert\u00e9 Big Band. FROTAE<\/strong> contains at most 5 players, and usually saxophones. This is a totally acoustic experience played in close proximity to the audience. FROTAE<\/strong> will be presenting excerpts from their latest work, “FROTAE: Vol. 1.” <\/strong>Combining elements of jazz, reflective drones, textural harmony, meditative ostinatos, and collective improvisation inspired by afro-cuban Bat\u00e0 drumming techniques. Led by Libert\u00e9-Anne Lymberiou’s artistic direction and compositions, FROTAE<\/strong> features Genevi\u00e8ve Gauthier on alto sax, Ren\u00e9 Zeledon on tenor sax, Melissa Pipe on baritone sax, and two more saxophonists to be announced.<\/p>\n\n\n\n