{"id":82768,"date":"2022-11-13T10:10:00","date_gmt":"2022-11-13T15:10:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&#038;p=82768"},"modified":"2022-11-13T11:34:09","modified_gmt":"2022-11-13T16:34:09","slug":"the-organ-as-the-first-analog-synthesizer","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/the-organ-as-the-first-analog-synthesizer\/","title":{"rendered":"The organ as the first analog synthesizer"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"> <br><a href=\"https:\/\/youtu.be\/nTTueGmKiOM?fbclid=IwAR0VyIfhWAh8uKjtByBJMtpocHm9P8p055JbjvNJvpyWCu2KC77UZ5I90cA\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/youtu.be\/nTTueGmKiOM<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Composer John Kameel Farah treats the organ as the first analog synthesizer. He loops and transforms its sound, improvising over electronic patterns and soundscapes, intertwining Middle-Eastern modes and melodies with Renaissance and Baroque harmonies and counterpoint. Pieces of Bach emerge occasionally, re-composed with electronic accompaniment. The interplay of organ and synthesizer sounds blur and meld as they reverberate in the church&#8217;s acoustic space, creating an experience Farah calls &#8220;Baroque-Mid-Eastern-Cyberpunk.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MUSIC FOR ORGAN &amp; SYNTHESIZERS<br>Sunday, Nov. 13<br>\u00c9glise St-Stanislas de Kostka<br>1350 Bd Saint-Joseph E, Montr\u00e9al<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">doors open 7:30pm \/ concert 8:00pm<br>entry 10$ at the door<br><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.johnfarah.com%2F%3Ffbclid%3DIwAR2LQxCd9zzUJ6hLkGY0xAfeZwQR77F4trOE-a4yHSp0JEmkCKH8XTba2OY&amp;h=AT0xPaWe_4ZZqYTy0cA9m0yKdVfHqpOIPdtSrZmxRqrNZbtkeRkFg3Gnd2IXVSzstMU8XA5jE64RnsivOFmOL7VW0cNhfhmOXHQSvIprMQLW_2hA21BqWAkXOFwFkDrxwQ&amp;__tn__=q&amp;c[0]=AT3bRyVDX6SSRiJmZQ7T-hQJGYygkQEx-A9T3GfX7OLCV81JZlZLB6KPtOj6LuoBjVDiFcJqkOzJSdcWjEMGfmTq2M0lsMFvMRWGJJmKJWdrRPVVcjmpKyJIbaTJRUDzmH8\" target=\"_blank\" rel=\"noreferrer noopener\">www.johnfarah.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Kameel Farah is a composer-pianist based between Berlin and Toronto. He studied piano and composition at the University of Toronto, where he was a two-time recipient of the Glenn Gould Composition Award, later having private lessons with Terry Riley in California. In 1998 he gave a recital of the solo piano works of Arnold Sch\u00f6nberg in Toronto, and in 2016 performed the first book of Bach\u2019s \u201cDas Wohltemperierte Klavier\u201d in Berlin. He has been a member of the Canadian Electronic Ensemble since 2009.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>THIS TEXT COMES FROM JOHN KAMEEL FARAH FACEBOOK PAGE AND IS ADAPTED BY PAN M 360<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Kameel Farah: Organ &amp; Synthesizers \/ Zionskirche, Berlin \/ 16.09.17\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sL-ZUiqWwzA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Voir moins<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/youtu.be\/nTTueGmKiOM Composer John Kameel Farah treats the organ as the first analog synthesizer. He loops and transforms its sound, improvising over electronic patterns and soundscapes, intertwining Middle-Eastern modes and melodies with Renaissance and Baroque harmonies and counterpoint. Pieces of Bach emerge occasionally, re-composed with electronic accompaniment. The interplay of organ and synthesizer sounds blur and [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":82769,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4322],"tags":[],"generale":[261],"genre":[3159,5548],"pays":[3828],"salle":[],"ville":[4415],"class_list":["post-82768","agenda","type-agenda","status-publish","format-standard","has-post-thumbnail","hentry","category-listings-360","generale-lire","genre-experimental-2","genre-moyen-oriental-en","pays-canada-en","ville-montreal-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The organ as the first analog synthesizer - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/agenda\/the-organ-as-the-first-analog-synthesizer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The organ as the first analog synthesizer - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"https:\/\/youtu.be\/nTTueGmKiOM Composer John Kameel Farah treats the organ as the first analog synthesizer. He loops and transforms its sound, improvising over electronic patterns and soundscapes, intertwining Middle-Eastern modes and melodies with Renaissance and Baroque harmonies and counterpoint. Pieces of Bach emerge occasionally, re-composed with electronic accompaniment. The interplay of organ and synthesizer sounds blur and [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/agenda\/the-organ-as-the-first-analog-synthesizer\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-13T16:34:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2022\/11\/John-Kameel-Farah.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"943\" \/>\n\t<meta property=\"og:image:height\" content=\"502\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/panm360.com\/en\/agenda\/the-organ-as-the-first-analog-synthesizer\/\",\"url\":\"https:\/\/panm360.com\/en\/agenda\/the-organ-as-the-first-analog-synthesizer\/\",\"name\":\"The organ as the first analog synthesizer - 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