V\u00e9t\u00e9ran de la sc\u00e8ne psych\u00e9d\u00e9lique de Los Angeles, Michael Collins a r\u00e9duit l’intensit\u00e9 du triptyque \u00e0 une lente \u00e9bullition pour son projet Drugdealer. Construit autour de son jeu de claviers doux et de m\u00e9lodies soft rock langoureuses, le groupe a cherch\u00e9 \u00e0 recr\u00e9er le son et l’ambiance d\u00e9contract\u00e9s du Laurel Canyon des ann\u00e9es 70, tout en \u00e9tant aussi pur techniquement qu’un studio rempli de musiciens. Deux albums enregistr\u00e9s \u00e0 la fin des ann\u00e9es 2010 (The End of Comedy et Raw Honey) combinent les comp\u00e9tences de Collins en mati\u00e8re d’\u00e9criture et de production avec son talent pour trouver des collaborateurs int\u00e9ressants comme Weyes Blood et Ariel Pink. Tim Presley et Kate Bollinger figurent parmi les invit\u00e9s du troisi\u00e8me album du projet, Hiding in Plain Sight (2022).<\/p>\n\n\n\n
A veteran of the L.A. psychedelic scene, Michael Collins turned the trippiness down to a slow boil for his Drugdealer project. Built around his smooth keyboard playing and plangent soft rock melodies, the band sought to re-create the laid-back sound and vibe of Laurel Canyon of the ’70s, while also sounding as technically pure as a studio full of session players. Two albums recorded in the late 2010s (The End of Comedy and Raw Honey) combined Collins’ songwriting and producing skills with his knack for rounding up interesting collaborators like Weyes Blood and Ariel Pink. Tim Presley and Kate Bollinger were among the guests on the project’s third LP, 2022’s Hiding in Plain Sight.<\/p>\n\n\n\n
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