MUNYA a commenc\u00e9 \u00e0 jouer du piano classique \u00e0 l’\u00e2ge de 4 ans jusqu’\u00e0 son adolescence o\u00f9 elle a commenc\u00e9 \u00e0 se produire et \u00e0 \u00e9tudier l’op\u00e9ra et les techniques vocales classiques. Elle a lentement affin\u00e9 sa voix et appris \u00e0 devenir une “Coloratura” et s’est qualifi\u00e9e pour plusieurs concours, dont le “Concours de musique canadienne Canimex” \u00e0 l’\u00e2ge de 16 ans. Elle interrompt alors son \u00e9tude de la musique classique et s’int\u00e9resse de pr\u00e8s au jazz. Elle commence un programme \u00e0 l’Universit\u00e9 de Montr\u00e9al o\u00f9 elle \u00e9tudie le jazz et tombe amoureuse des \u0153uvres de Bill Evans, John Coltrane et Nina Simone. Apr\u00e8s son s\u00e9jour \u00e0 l’universit\u00e9, elle a commenc\u00e9 \u00e0 collaborer et \u00e0 faire des tourn\u00e9es en tant que clavi\u00e9riste et choriste avec d’autres artistes montr\u00e9alais, notamment Alex Nevsky, Philemon Cimon, Ouri et Sterling Grove.<\/p>\n\n\n\n
MUNYA began playing classical piano at the age of 4 until her teenage years where she began performing and studying opera and classical vocal techniques. She slowly honed her voice and learned to become a \u201cColoratura\u201d and qualified for several competitions, including \u201cCanimex Canadian music competition\u201d at the age of 16. She then paused her study of classical music and took a deep interest in Jazz. She began a program at the University of Montreal where she studied Jazz and fell in love with the works of Bill Evans, John Coltrane and Nina Simone. After her University time she began collaborating and touring as a keyboardist and back up singer with other Montreal artists including Alex Nevsky, Philemon Cimon, Ouri, and Sterling Grove.<\/p>\n\n\n\n
<\/a>POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n