{"id":168121,"date":"2026-11-13T16:49:00","date_gmt":"2026-11-13T21:49:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=168121"},"modified":"2026-11-14T10:31:31","modified_gmt":"2026-11-14T15:31:31","slug":"coup-de-coeur-francophone-foret-et-virginie-reid-au-ministere","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/coup-de-coeur-francophone-foret-et-virginie-reid-au-ministere\/","title":{"rendered":"Coup de c\u0153ur francophone :\u00a0For\u00eat et Virginie Reid au Minist\u00e8re"},"content":{"rendered":"\n

For\u00eat<\/strong><\/p>\n\n\n\n

Discret, voire effac\u00e9 depuis une douzaine d\u2019ann\u00e9es, FOR\u00caT revient sur sc\u00e8ne pour une premi\u00e8re fois en presque autant de temps \u2013 et pour un soir seulement. \u00c9milie Laforest et Joseph Marchand redonnent vie \u00e0 leur \u00ab pop de recherche \u00bb sensible et impressionniste, port\u00e9e par les volutes naturellement entrelac\u00e9es de la voix de la premi\u00e8re et de la guitare du second. Pour cette rare occasion, la paire s\u2019adjoint les services du talentueux C\u00e9dric Dind-Lavoie, avec quelques apparitions de l\u2019\u00e9mouvante Myriam Gendron.<\/p>\n\n\n\n

Having kept a low profile\u2014even a somewhat reclusive one\u2014for the past dozen years, FOR\u00caT returns to the stage for the first time in nearly as long\u2014and for one night only. \u00c9milie Laforest and Joseph Marchand breathe new life into their sensitive, impressionistic \u201cexperimental pop,\u201d carried by the naturally intertwined melodies of her voice and his guitar. For this rare occasion, the duo is joined by the talented C\u00e9dric Dind-Lavoie, with a few appearances by the moving Myriam Gendron.<\/p>\n\n\n\n

Virginie Reid<\/strong><\/p>\n\n\n\n

Les compositions de la pianiste et clavi\u00e9riste montr\u00e9alaise Virginie Reid tiennent de doux paradoxes qui r\u00e9v\u00e8lent un univers sensible, d\u2019une profondeur \u00e0 la fois touchante et puissante. Instrumentale en \u00e9voquant des mots, \u00e9lectronique tout en se d\u00e9ployant organiquement, sa musique rejoint la d\u00e9finition enoesque de l\u2019ambient, i.e. on la visite comme un lieu, comme un \u00e9tat \u2013 qui fait du bien, qui fait \u0153uvre utile. Notamment connue comme clavi\u00e9riste et choriste de Kl\u00f4 Pelgag et via le projet La Renarde, elle se met aujourd\u2019hui en lumi\u00e8re \u00e0 son tour, et c\u2019est un baume qu\u2019on accueille : en compagnie de J\u00e9r\u00e9mi Roy (contrebasse, synth\u00e9s), elle revisite les pi\u00e8ces de son plus r\u00e9cent album Mille Soleils \u00e0 l\u2019oeil nu.<\/p>\n\n\n\n

The compositions of Montreal-based pianist and keyboardist Virginie Reid are filled with gentle paradoxes that reveal a sensitive world of depth that is both moving and powerful. Instrumental yet evocative of words, electronic yet unfolding organically, her music aligns with the Enos-esque definition of ambient music\u2014that is, it is experienced like a place, like a state of being\u2014one that feels good and serves a purpose. Best known as a keyboardist and backing vocalist for Kl\u00f4 Pelgag and through the project La Renarde, she is now stepping into the spotlight herself, and it\u2019s a soothing balm we welcome: accompanied by J\u00e9r\u00e9mi Roy (double bass, synths), she revisits tracks from her latest album, Mille Soleils \u00e0 l\u2019oeil nu.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n