{"id":165904,"date":"2026-05-06T00:10:34","date_gmt":"2026-05-06T04:10:34","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=165904"},"modified":"2026-09-30T00:28:11","modified_gmt":"2026-09-30T04:28:11","slug":"festival-flux-no-hay-banda-beatings-are-in-the-body-tallado-en-el-aire-a-la-sala-rossa","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/festival-flux-no-hay-banda-beatings-are-in-the-body-tallado-en-el-aire-a-la-sala-rossa\/","title":{"rendered":"Festival Flux : Beatings Are in the Body + Tallado En El Aire \u00e0 La Sala Rossa"},"content":{"rendered":"\n

Beatings Are in the Body<\/strong><\/p>\n\n\n\n

Beatings Are in the Body est un nouveau projet puissant et \u00e9nigmatique, r\u00e9unissant trois figures majeures de la musique exp\u00e9rimentale canadienne : la pianiste, compositrice et improvisatrice R\u00f3is\u00edn Adams (Vancouver), la vocaliste et compositrice Erika Angell (Montr\u00e9al) et la violoncelliste, compositrice et improvisatrice Peggy Lee (Vancouver). Comme leur nom l\u2019indique, leur musique poss\u00e8de une dimension brute et volatile : elle explore la mani\u00e8re dont les souvenirs, la douleur et une palette d\u2019\u00e9motions sont stock\u00e9s dans le corps et continuent d\u2019y \u00eatre port\u00e9s. Leurs compositions cherchent \u00e0 lib\u00e9rer des m\u00e9moires neuronales profond\u00e9ment ressenties \u00e0 travers des vibrations sonores, tout en agissant comme un baume pour des corps fatigu\u00e9s et des \u00e2mes tourment\u00e9es.<\/p>\n\n\n\n

Beatings Are in the Body is a powerful and enigmatic new project from three of Canada\u2019s leading figures in experimental music\u2014Vancouver-based pianist, composer, and improviser R\u00f3is\u00edn Adams (of Hildegard\u2019s Ghost), Montr\u00e9al-based experimental vocalist and composer Erika Angell (of Thus Owls), and fellow Vancouverite Peggy Lee\u2014a renowned cellist, composer and improviser. As their name indicates, there\u2019s a raw, volatile dimension to the music they create; it\u2019s an investigation of how memories, pain, and a spectrum of emotions are stored in and continue to be carried by our physical bodies. Their \u201ccompositions seek to unlock some deeply felt neural memories and release them via sonic vibrations\u201d (Annapoorna Shruthi for The Vancouver Arts Review) while \u201cacting like a balm on our tired bodies and tortured souls\u201d (G\u00e9rard de Oliviera, \u00c1 D\u00e9crouvrir Absolument).<\/p>\n\n\n\n

Tallado En El Aire<\/strong><\/p>\n\n\n\n

Tout comme les artistes (public compris), chaque espace porte une empreinte, une trajectoire et une volont\u00e9 qui lui sont propres \u2014 somme des int\u00e9r\u00eats qu\u2019il rassemble, de ses particularit\u00e9s acoustiques et de l\u2019ensemble des sons qu\u2019il accueille, invoque, favorise et accumule. Chaque lieu constitue en soi un univers sonore riche et profond, un univers taill\u00e9 dans l\u2019air. Tallado en el aire part de l\u2019approche de l\u2019univers sonore o\u00f9 elle prend place, et de la relation que ses interpr\u00e8tes \u00e9tablissent avec celui-ci, en prenant en compte \u00e0 la fois certains sons survenant dans la salle pendant l\u2019ex\u00e9cution elle-m\u00eame, et les sons pr\u00e9sents dans des \u00ab phonographies \u00bb. Pour l\u2019\u00e9laboration de la trame \u00e9lectronique de Tallado en el aire, \u00c1\u00f1ez and Genevi\u00e8ve Liboiron ont fouill\u00e9 dans les archives sonores du Festival Suoni Per Il Popolo , et inclut des extraits de concerts des \u00e9ditions de 2009, 2017 et 2018, dans des \u00e9v\u00e9nements ayant lieu \u00e0 la Sala Rossa. Tallado en el aire est compos\u00e9 d\u2019Adrianne Munden-Dixon (violon), de Daniel \u00c1\u00f1ez (piano) et de Daniel Leguizam\u00f3n (composition).<\/p>\n\n\n\n

Like artists (and audience), every space bears its own imprint, trajectory, and will\u2014shaped by the interests it brings together, its acoustic particularities, and the totality of sounds it hosts, invokes, fosters, and accumulates. Each place is, in itself, a rich and profound sonic universe\u2014an universe carved in air. Tallado en el aire begins from an engagement with the sonic universe in which it takes place, and with the relationship its performers establish with it, considering both certain sounds that occur in the room during the performance itself, and the sounds present in the \u201cphonographies\u201d. For the creation of the electroacoustic track of Tallado en el aire, \u00c1\u00f1ez and Genevi\u00e8ve Liboiron dug into the sonic archives of the Suoni Per Il Popolo Festival, and includes excerpts of concerts from the 2009, 2017 and 2018 editions, all happening at Sala Rossa. Tallado en el aire features Adrianne Munden-Dixon (violon), Daniel \u00c1\u00f1ez (piano) and Daniel Leguizam\u00f3n (composition).<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n