Sur son deuxi\u00e8me album Blurring Time (2025), Bells Larsen fait entrer en collision le pass\u00e9 et le pr\u00e9sent dans une m\u00e9ditation intime sur le devenir. Naviguant entre un indie lo-fi a\u00e9r\u00e9 \u00e0 la mani\u00e8re des ann\u00e9es 90 et des ballades folk incandescentes, l\u2019album est structur\u00e9 autour de la transition de Larsen : il a enregistr\u00e9 sa voix \u00ab aigu\u00eb \u00bb d\u2019avant en 2022, a attendu que sa voix mue apr\u00e8s le d\u00e9but de son traitement \u00e0 la testost\u00e9rone, puis a demand\u00e9 \u00e0 sa complice de longue date Georgia Harmer d\u2019arranger les harmonies pour sa nouvelle voix \u00ab grave \u00bb. En mettant les deux \u00e0 l\u2019avant-plan, Blurring Time devient un duo vivant, un hymne d\u00e9votionnel audacieux et intransigeant qui a attir\u00e9 l\u2019attention d\u2019artistes comme Katie Gavin et The Japanese House.<\/p>\n\n\n\n
On his sophomore album Blurring Time (2025), Bells Larsen collapses past and present into an intimate meditation on becoming. Moving between spacious lo-fi \u201990s indie and searing folk ballads, the album is structured around Larsen\u2019s transition: he recorded his previous \u201chigh\u201d voice in 2022, waited for his voice to drop after starting testosterone, and asked longtime friend and frequent collaborator Georgia Harmer to arrange harmonies for his new \u201clow\u201d voice. By placing both at the forefront, Blurring Time becomes a living duet\u2014a bold, unyielding devotional that has drawn attention from artists including Katie Gavin and The Japanese House.<\/p>\n\n\n\n
LES BILLETS POUR CET \u00c9V\u00c9NEMENT SONT \u00c9PUIS\u00c9S!<\/strong><\/p>\n\n\n\n