Les cordes du kanoun vibrent, et c’est toute la M\u00e9sopotamie qui remonte \u00e0 la surface. Depuis huit ans, Lara fait chanter cet instrument mill\u00e9naire avec une sensibilit\u00e9 rare, entre h\u00e9ritage irakien et sensibilit\u00e9 personnelle, comme si chaque corde gardait la m\u00e9moire d’un fleuve ancien. Sous ses doigts, les m\u00e9lodies se d\u00e9ploient tant\u00f4t m\u00e9lancoliques, tant\u00f4t lumineuses, tissant un r\u00e9pertoire o\u00f9 la tradition du Moyen-Orient se fait chant intime plut\u00f4t que simple h\u00e9ritage. Form\u00e9e \u00e0 la sc\u00e8ne autant qu’\u00e0 l’instrument, elle porte aujourd’hui le kanoun jusque dans les salles de concert et les sc\u00e8nes universitaires de Montr\u00e9al, o\u00f9 sa musique continue de voyager. Une performance d\u00e9licate et envo\u00fbtante, o\u00f9 chaque note semble raconter un fragment de m\u00e9moire, entre nostalgie et beaut\u00e9 pure.<\/p>\n\n\n\n
The strings of the qanun vibrate, and all of Mesopotamia seems to rise to the surface. For the past eight years, Lara has brought this ancient instrument to life with remarkable sensitivity, weaving together her Iraqi heritage and her own artistic voice, as though each string carried the memory of an age-old river. Under her fingers, the melodies unfold\u2014at times wistful, at times radiant, creating a repertoire in which the musical traditions of the Middle East become an intimate expression rather than a simple inheritance. Trained both as a performer and as a qanun player, she now brings the instrument to concert halls and university stages across Montreal, where her music continues its journey. A delicate and mesmerizing performance in which every note seems to tell a fragment of memory, suspended between nostalgia and pure beauty.<\/p>\n\n\n\n
CE SPECTACLE EST GRATUIT!<\/strong><\/p>\n\n\n\n Ce contenu provient du Festival Orientalys et est adapt\u00e9 par PAN M 36<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Les cordes du kanoun vibrent, et c’est toute la M\u00e9sopotamie qui remonte \u00e0 la surface. Depuis huit ans, Lara fait chanter cet instrument mill\u00e9naire avec une sensibilit\u00e9 rare, entre h\u00e9ritage irakien et sensibilit\u00e9 personnelle, comme si chaque corde gardait la m\u00e9moire d’un fleuve ancien. Sous ses doigts, les m\u00e9lodies se d\u00e9ploient tant\u00f4t m\u00e9lancoliques, tant\u00f4t lumineuses, […]<\/p>\n","protected":false},"author":936,"featured_media":163175,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":true},"categories":[4322],"tags":[],"generale":[3814],"genre":[4229,5548],"pays":[4852],"salle":[10153],"ville":[7246],"class_list":["post-163164","agenda","type-agenda","status-publish","format-standard","has-post-thumbnail","hentry","category-listings-360","generale-lire-en","genre-arabic-traditional","genre-moyen-oriental-en","pays-iraq","salle-quai-de-lhorloge-3-en","ville-montreal-en"],"acf":[],"yoast_head":"\n