{"id":157265,"date":"2026-01-05T00:47:35","date_gmt":"2026-01-05T05:47:35","guid":{"rendered":"https:\/\/panm360.com\/agenda\/les-violons-du-roy-la-maison-du-diable-a-la-salle-bourgie\/"},"modified":"2026-05-06T01:00:16","modified_gmt":"2026-05-06T05:00:16","slug":"les-violons-du-roy-la-maison-du-diable-a-la-salle-bourgie","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/les-violons-du-roy-la-maison-du-diable-a-la-salle-bourgie\/","title":{"rendered":"Les Violons du Roy :\u00a0La maison du diable \u00e0 la salle Bourgie"},"content":{"rendered":"\n

Au-del\u00e0 du mythe<\/strong>
Antonio Salieri et Wolfgang Amadeus Mozart\u202f: deux noms que la l\u00e9gende a oppos\u00e9s, mais que l’histoire r\u00e9v\u00e8le comme des contemporains qui s’estimaient mutuellement. Paul\u00a0Agnew\u00a0r\u00e9unit ces compositeurs dans un programme qui c\u00e9l\u00e8bre l’effervescence du classicisme viennois.\u00a0
La noblesse du cor<\/strong>\u00a0
Louis-Philippe\u00a0Marsolais\u00a0pr\u00eate sa sonorit\u00e9 chaleureuse aux deux concertos pour cor du programme. Le\u00a0Concerto n\u00b0\u202f2\u00a0de Mozart t\u00e9moigne de l’affection particuli\u00e8re du compositeur pour cet instrument, tandis que Haydn offre dans\u00a0son Concerto n\u00b0\u202f2 en\u00a0r\u00e9\u00a0majeur\u00a0une\u00a0page d’une \u00e9l\u00e9gance enjou\u00e9e.\u00a0
Haydn le visionnaire<\/strong>\u00a0
La Symphonie n\u00b0\u202f47 \u00ab\u202fLe Palindrome\u202f\u00bb de\u00a0Joseph Haydn r\u00e9v\u00e8le l’humour et l’ing\u00e9niosit\u00e9 formelle du compositeur. Son menuet, qui se lit dans les deux sens, t\u00e9moigne de cette inventivit\u00e9 ludique qui caract\u00e9rise le g\u00e9nie\u00a0haydnien.\u00a0
Boccherini et le diable<\/strong>\u00a0
La musique de\u00a0Luigi\u00a0Boccherini enrichit le concert avec sa Symphonie n\u00b0\u202f4 \u00ab\u202fLa casa\u00a0del\u00a0diavolo\u202f\u00bb,\u00a0inspir\u00e9e\u00a0du\u00a0ballet\u00a0Don Juan\u00a0de Gluck. Les variations sur le fameux th\u00e8me du fandango cr\u00e9ent une atmosph\u00e8re dramatique qui contraste avec la gr\u00e2ce des \u0153uvres du programme, offrant une dimension th\u00e9\u00e2trale captivante.\u00a0<\/p>\n\n\n\n

Beyond the myth<\/strong>
Antonio Salieri and Wolfgang Amadeus Mozart: two names that legend has pitted against each other, but which history reveals to be contemporaries who held each other in high esteem. Paul Agnew brings these composers together in a program that celebrates the effervescence of Viennese classicism.
The nobility of the horn<\/strong>
Louis-Philippe Marsolais lends his warm tone to the two horn concertos on the program. Mozart’s Concerto No.\u00a02 testifies to the composer’s particular affection for this instrument, while Haydn offers a page of playful elegance in his Concerto No.\u00a02 in D major.
Haydn the visionary<\/strong>
Joseph Haydn’s Symphony No.\u00a047, \u201cThe Palindrome,\u201d reveals the composer’s humor and formal ingenuity. Its minuet, which can be read in both directions, testifies to the playful inventiveness that characterizes Haydn’s genius.
Boccherini and the devil<\/strong>
Luigi Boccherini’s music enriches the concert with his Symphony No.\u00a04 \u201cLa casa del diavolo,\u201d inspired by Gluck’s ballet\u00a0Don Juan. The variations on the famous fandango theme create a dramatic atmosphere that contrasts with the gracefulness of the other works in the program, offering a captivating theatrical dimension.<\/p>\n\n\n\n

Programme<\/strong><\/p>\n\n\n\n

A. SALIERI
Ouverture (Armida)
W.A. MOZART
Concerto pour cor n\u00b0\u00a02 en mi b\u00e9mol majeur, K.\u00a0417
Ouverture (La Betulia liberata, K.\u00a0118)
F.J. HAYDN
Symphonie n\u00b0\u00a047 en sol majeur, Hob.\u00a0I:47 \u00ab\u00a0Le palindrome\u00a0\u00bb
Concerto pour cor n\u00b0\u00a02 en r\u00e9 majeur, Hob.\u00a0VIId:4
L. BOCCHERINI
Symphonie n\u00b0\u00a04 en r\u00e9 mineur, op.\u00a012\u00a0La casa del diavolo<\/p>\n\n\n\n

Program<\/strong><\/p>\n\n\n\n

A. SALIERI
Overture (Armida)
W.A. MOZART
Horn Concerto No.\u00a02 in E-flat Major, K.\u00a0417
Overture (La Betulia liberata, K.\u00a0118)
F.J. HAYDN
Symphony No.\u00a047 in G Major, Hob.\u00a0I:47\u00a0The Palindrome
Horn Concerto No.\u00a02 in D Major, Hob.\u00a0VIId:4
L. BOCCHERINI
Symphony No.\u00a04 in D Minor, Op.\u00a012\u00a0La casa del diavolo<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n