{"id":157133,"date":"2025-11-03T17:17:17","date_gmt":"2025-11-03T22:17:17","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=157133"},"modified":"2026-05-03T17:34:42","modified_gmt":"2026-05-03T21:34:42","slug":"om-classiques-de-mozart-a-stravinsky-a-la-maison-symphonique","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/om-classiques-de-mozart-a-stravinsky-a-la-maison-symphonique\/","title":{"rendered":"OM : Classiques de Mozart \u00e0 Stravinsky \u00e0 la Maison symphonique"},"content":{"rendered":"\n

Que devient l\u2019esprit du classicisme viennois lorsqu\u2019il se r\u00e9invente? Ce programme en explore l\u2019h\u00e9ritage et les m\u00e9tamorphoses. Mozart signe l\u2019une de ses pages les plus lumineuses avec le Concerto pour piano n\u00b0 17, sublim\u00e9 par la sensibilit\u00e9 de Louis Lortie, figure embl\u00e9matique du piano au Qu\u00e9bec. Haydn, dans sa Symphonie n\u00b0 44 \u00ab\u202fFun\u00e8bre\u202f\u00bb, plonge quant \u00e0 lui dans une gravit\u00e9 saisissante, r\u00e9v\u00e9lant toute la profondeur de son langage. Dans Pulcinella, Stravinsky transforme des \u00e9chos baroques en un ballet n\u00e9oclassique p\u00e9tillant qui s\u2019illumine de fantaisie sous la direction de Louis Langr\u00e9e. Schnittke joue avec les ombres du pass\u00e9 dans Moz-Art \u00e0 la Haydn, m\u00ealant fragments, citations et clins d\u2019\u0153il dans une partition inventive.<\/p>\n\n\n\n

What becomes of the Viennese classical spirit when it reinvents itself? This program explores its legacy and transformations. Mozart\u2019s Piano Concerto No. 17 shines as one of his most luminous works, brought to life by Louis Lortie, a Quebec piano icon. Haydn\u2019s \u201cFuneral\u201d Symphony No. 44 plunges into striking gravity, revealing the depth of his musical language. Stravinsky\u2019s Pulcinella transforms Baroque echoes into a sparkling neoclassical ballet, delightfully conducted by Louis Langr\u00e9e. Schnittke plays with shadows of the past in Moz-Art \u00e0 la Haydn, blending fragments, quotations and witty allusions in an inventive composition.<\/p>\n\n\n\n

Programme<\/strong><\/p>\n\n\n\n

SCHNITTKE<\/strong>, Moz-Art \u00e0 la Haydn
MOZART<\/strong>, Concerto pour piano n\u00b0 17, K 453
HAYDN<\/strong>, Symphonie n\u00b0 44 \u00ab\u202fFun\u00e8bre\u202f\u00bb
STRAVINSKY<\/strong>, Pulcinella (suite)<\/p>\n\n\n\n

Program<\/strong><\/p>\n\n\n\n

SCHNITTKE<\/strong>, Moz-Art \u00e0 la Haydn
MOZART<\/strong>, Piano Concerto No. 17, K 453
HAYDN<\/strong>, Symphony No. 44 \u00ab Mourning\u202f\u00bb
STRAVINSKY<\/strong>, Pulcinella (suite)<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n